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September 13, 2008, 3:05 pm
We’ve seen the remarkable ability of the RED ONE camera to draw crowds at conventions and to tease our imaginations with the promise of recording digital cinema quality 4K images (4096x2304) at half the price of high-end HD cameras. But amidst the buzz we haven’t seen much proof of its production on the big screen—until now. Digital cinema projects shot with the RED ONE are finally making their way through postproduction, answering whether digital systems can wrestle with these massive files.
October 15, 2020, 12:31 pm
Home studios today are somewhat limited in gear, especially when it comes to microphone selection. That means that many of the tracks end up getting recorded by the same mic sometimes, which isn’t ideal when it comes to fitting mix elements into the mix. Choosing the right microphone for the job can be a crucial decision when it comes to not only a good recording, but having the element fit into the mix later.
October 15, 2020, 12:31 pm
This category typically correlates to best picture but as we’ve seen with past winners like “Birdman,” that’s not always the case. Plenty of usual suspects in the mix like Kirk Baxter and the still unrewarded Tariq Anwar. There have been only four women who have won this category in the last 20 years and (for the moment) Chloe Zhao looks to be the best shot but there are six more months to go.
October 13, 2020, 5:19 pm
Writer, Director, Producer HaZ Dulull started as a VFX Artist on feature films such as The Dark Knight and Hellboy 2. He quickly progressed to a VFX Supervisor role and was nominated for several VES awards on shows like Planet Dinosaur (BBC) and America: The Story of US (Discovery). His creativity and smart approach to production also led him to become a VFX Producer on series like Poldark Season 1 and The Aliens.
October 13, 2020, 5:17 pm
Want to learn how to design creature vocalizations? Chase Steele is back with a new in-depth tutorial, covering everything from sourcing and layering creature source material to editing, processing and transforming those recordings into some mean creature vocals. And as a bonus, he's throwing in 26 sound effects for you, completely free!
Gordon sits down with documentary editor and producer Kathryn Robson to discuss storytelling and her work on the hit Netflix ...
Gordon sits down to talk to Emmy Nominated editors Kate Sanford & Tim Streeto to discuss their work on the Marvelous Mrs. ...
Gordon sits down with Wade Barnett(Supervising Sound Editor) and David Barbee (Sound Designer) to discuss their work on Amazo ...
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