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  • AOTG

    Emmy Awards Honour Editors

    September 16, 2008, 3:09 pm
    The Creative Arts Primetime Emmy Award Winners were announced Saturday. Check out the list of Nominees and winners for the various editing categories

    The Academy of Television Arts and Sciences (ATAS) has awarded Creative Arts Primetime Emmys for program and individual achievements. Below is a list of editors who won as well as those who were nominated.




    Outstanding Single-Camera Picture Editing for a Drama Series





    Julius Ramsay for Battlestar Galactica (He That Believeth In Me)


    Philip Neel, A.C.E. for Boston Legal (Mighty Rogues)


    Lynne Willingham, A.C.E. for Breaking Bad (Pilot) WINNER



    Scott Boyd A.C.E. for Heroes (Powerless)


    Henk Van Eeghen/Robert Florio/Mark J. Goldman/Stephen Semel for
    Lost (There's No Place like Home Pt. 1 and 2)


    Paul Karasick for Terminator: The Sarah Connor Chronicles (Pilot)







    Outstanding Picture Editing For A Comedy Series (Single Or Multi-Camera)





    Steven Rasch, A.C.E. for Curb Your Enthusiasm (The Bat Mitzvah)

    Dean Holland/Dave Rogers for The Office (Goodbye Toby)


    Stuart Bass, A.C.E. for Pushing Daisies (Pie-Lette) WINNER


    Ken Eluto, A.C.E. for 30 Rock (Cooter)

    William Turro for Weeds (A Pool and His Money)











    Outstanding Single-Camera Picture Editing For A Miniseries Or A Movie



    Scott Vickrey, A.C.E. for The Andromeda Strain (Part 1)


    Richard Halladey/Graham Barker for Extras: The Extras Special (Series Finale)


    Melanie Oliver for John Adams: Independence

    Alan Baumgarten A.C.E. for Recount WINNER

    Allan Lee for Tin Man (Part 1)









    Outstanding Picture Editing Of Clip Packages For Talk, Performance,
    Award Or A Reality-Competition Program





    Chuck Workman for 80th Annual Academy Awards (Oscar Show Tribute Sequence)


    Bill DeRonde/Oren Castro for American Idol Episode 733 (David Cook Goes Home) One of Two Winners


    David Timoner for Dancing With The Stars Episode 610 (Head To Head Package)


    Jason Bielski for Jimmy Kimmel Live After The Academy Awards
    (I’m F***ing Ben Affleck)




    James Crowe for Jimmy Kimmel Live 5th Year Anniversary Show (I’m F***ing Matt Damon) One of Two Winners












    Outstanding Picture Editing For A Special (Single Or Multi-Camera)




    Michael Polito/Pi ware/Narumi Inatsugo/Tim Pernieiaro/Mark Stepp for The AFI Life Achievement Award (A Tribute to Al Pacino)


    Gary Bradley for Company (Great Performances)


    Michael D. Shultz/Jim Kelly/Chad Callner for Justin Timberlake: FutureSex/LoveShow Winner


    Mark Stepp/Chester Contaoi/Bill Morris for Movies Rock

    Gary Bradley/Laura Young for We Love Ella! A Tribute To The First Lady Of Song (Great Performances)







    Outstanding Picture Editing For Nonfiction Programming




    Barry A. O’Brien/Debra Light/Marlise Malkames, Editor for AFI’s 100 Years...100 Movies (10th Anniversary Edition)


    Kim Roberts for Autism: The Musical WINNER


    Kelly Coskran (supervising Editor)/Rob Butler for Deadliest Catch (No Mercy)

    Joe Beshenkovsky for This American Life (Escape)


    Tricia Reidy for The War (Pride of Our Nation)


    Paul Barnes for The War (FUBAR)












    Outstanding Picture Editing For Reality Programming




    Steven Escobar/Eric Goldfarb/Julian Gomez/Andy Kozar/Jennifer Nelson/Paul Nielsen/Jacob Parsons for The Amazing Race (Honestly, They Have Witch Powers Or Something)



    Wes Paster, Supervising Editor/Matt Deitrich, Lead Editor/Tenna Guthrie/Phil Stuben/Jason Cherella/Hilary Scratch/Steve Mellon for Extreme Makeover Home Edition (The Hughes Family)





    Jamie Pedroza/Bri Dellinger/Steve Lichtenstein/Andy Robertson/Clark Vogeler/LaRonda Morris/Joe Mastromonaco for Project Runway (En Garde!)



    Brian Barefoot, Supervising/Robert D. Mathews/Chad Bertalotto/Andrew Bolhuis/Evan Mediuch/Steve Frederick/Eric Van Wagenen for Survivor (He’s A Ball Of Goo!)





    Kevin Leffler/Vikash Patel/Marc Clark/Annie Tighe/Steve Lichtenstein/Sue Hoover/Katherine Griffin for Top Chef (First Impressions) WINNER

















    To read more or see the other categories check out the Academy of Television Arts and Sciences webpage




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  • Other Postings By Member

    • AOTG
      SOUND

      Schwartz on Veep, The Good Place and Arrested Deve

      April 23, 2019, 6:15 am
      There is a playful exuberance to composer David Schwartz‘s work. PremiumBeat sat down with the man behind Arrested Development, Veep, and the The Good Place to talk about edgy, smart comedy — and why it’s important to score what’s not on the screen.

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    • AOTG
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      Never Underestimate The Power & Impact Of Simple G

      April 23, 2019, 6:14 am
      In this free video tutorial, brought to you with the support of Waves, we show you how to setup a simple gated reverb plug-in chain. Gated reverbs are a great way getting instant power and impact in a mix without lengthy reverb tails muddying up the entire mix. In this video we show you how to not only setup the gated reverb on an effects return but also how to change the tone and attitude of the send that feeds the overall gated reverb effect. Gated reverbs lend themselves very nicely to snare tracks, watch this free video to hear this effect in action using Waves GTR Stomp Boxes and C1 Gate.

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    • AOTG
      EDITING

      The Top 3 Trends at NAB 2019

      April 23, 2019, 6:14 am
      It was a pretty quiet year as far as new cameras go, but that meant that some other technologies took center stage at NAB 2019. Let’s take a closer look.

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    • AOTG
      VFX

      The Man in the High Castle - VFX Breakdown

      April 23, 2019, 6:14 am
      Barnstorm VFX have shared a VFX breakdown of their work on season three of The Man in the High Castle.

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    • AOTG
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      Thunderbolt storage - made bigger and faster

      April 23, 2019, 6:14 am
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    • AOTG
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      SD, HD, 4K, and Beyond

      April 23, 2019, 6:14 am
      Hey, all you young filmmakers who grew up watching your favorite movies and TV shows on sleek UHD sets and monitors...how I envy you.

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    • AOTG
      EDITING

      FCP Fans Rejoice Hedge Acquires Postlab

      April 23, 2019, 6:14 am
      Postlab is one of those applications that really checks off all the major boxes of a startup. Developed in-house at a Dutch broadcasting company, it was built by people who themselves were struggling with the problem it set out to solve. It's a solution to a pain point—helping FCP-X users share libraries with groups and maintain version control.

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    • Going back to 'Pleasantville': when doing a DI was
      VFX

      Going back to 'Pleasantville': when doing a DI was

      April 22, 2019, 6:23 am
      PLEASANTVILLE VISUAL EFFECTS SUPERVISOR CHRIS WATTS ON BRINGING THROUGH A REVOLUTION IN SCANNING/FILM-OUTS, THE UNEXPECTED USE OF SHAKE, AND THE FILM’S HARDEST SHOTS (THEY’RE NOT WHAT YOU THINK).

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    • AOTG
      SOUND

      Editing MIDI In Pro Tools - Do You Know How To Con

      April 22, 2019, 6:23 am
      In this free video tutorial Pro Tools Expert team member Julian Rodgers looks at the MIDI editor in Pro Tools and specifically on ways to direct keyboard shortcuts to the Edit window or to the docked MIDI editor.

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    • AOTG
      EDITING

      SHAZAM! Editor on Balancing Horror and Comedy

      April 19, 2019, 12:37 pm
      Just like director David F. Sandberg, editor Michel Aller came into Shazam! from the horror genre. But as odd a transition as that may seem, going from editing films like The Nun and Annabelle: Creation to editing this year’s most joyful superhero movie was pretty seamless for Aller.

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