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  • Collins College

    Collins College

    August 1, 2008, 3:25 pm
    Canada

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  • Other Postings By Member

    • Episoder 265 — The Power of Empathy
      VFX

      Episoder 265 — The Power of Empathy

      September 22, 2020, 1:12 pm
      Looking back at the beginning of his own career, Allan examines what he should’ve done differently: Instead of sending out his reel over and over, he could’ve been asking for feedback: “I realize my reel sucks. Tell me what an ideal reel would be to you.”

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    • AOTG
      SOUND

      Review: iZotope RX 8 by Oliver Peters

      September 22, 2020, 1:10 pm
      iZotope’s complete product line forms a comprehensive audio toolkit. RX 8 is the most relevant to video editors and audio post engineers. It’s a tool that will also benefit podcasters and vloggers. In short, anyone who deals with dialogue-heavy material. RX 8 represents the latest version of a product that’s being constantly improved. There certainly are competing plug-in packages that offer some similar filters as individual plug-ins. However, nothing on the market is as all-encompassing within a single tool for cleaning, repairing, and restoring audio than iZotope RX 8.

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    • AOTG
      VFX

      LOST IN SPACE - Season 2: VFX Breakdown

      September 22, 2020, 1:10 pm
      If you like science-fiction and spaceships, then don’t miss this VFX Breakdown by Swedish studio Important Looking Pirates about their work on the second season of LOST IN SPACE...

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    • AOTG
      VFX

      Adobe previews AI-powered ‘Sky Replacement’ to

      September 21, 2020, 4:52 pm
      An impressive sky can make all the difference in a photo, especially a golden hour sunset. If anyone knows this, it’s Adobe. Today, Adobe showed off a new Sensei-powered AI Sky Replacement tool that will arrive in Photoshop soon. The tool makes it easy to replace drab skies with more dramatic backgrounds.

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    • AOTG
      VFX

      LED VFX specialist, Scott Russell, joins Anna Vall

      September 21, 2020, 4:52 pm
      LONDON — September 21, 2020 – Scott Russell, one of the original pioneers in the use of LED screens to create virtual environments on “Gravity” and “Murder on the Orient Express” is joining audio-visual and entertainment technology company, Anna Valley. Russell has been appointed into the newly created role of director of accounts for film and drama, effective October 1, 2020, and will be responsible for spearheading Anna Valley’s expansion in these markets.

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    • AOTG
      EDITING

      How Christopher Nolan Uses Crosscutting to Build M

      September 21, 2020, 4:52 pm
      Welcome to The Queue — your daily distraction of curated video content sourced from across the web. Today, we’re watching a video that explores a staple of director Christopher Nolan: the crosscut.

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    • The Sound Designers of The Boys
      SOUND

      The Sound Designers of The Boys

      September 21, 2020, 3:44 pm
      Gordon sits down with Wade Barnett(Supervising Sound Editor) and David Barbee (Sound Designer) to discuss their work on Amazon Prime's hit show The Boys.

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    • AOTG
      SOUND

      Review: iZotope RX 8 by Oliver Peters

      September 21, 2020, 1:19 pm
      Most digital audio and video editing applications come with a robust set of audio plug-ins, but many editors and mixers prefer to augment those with third-party effects. iZotope is the go-to brand for many who need best-in-class audio effects tools. The company offers a number of comprehensive audio products and software suites, but most video editors will primarily be interested in RX 8. It’s the latest version of iZotope’s renowned audio repair product.

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    • AOTG
      VFX

      Sounds In Sync EdiChart 4 Released With macOS Cata

      September 21, 2020, 1:19 pm
      Sounds In Sync has updated another one of the apps to support macOS Catalina. This time it is their cue sheet prep app EdiChart. We have all the details of the other new features in this clever little application.

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    • AOTG
      VFX

      Step-by-step: how to make your own VFX-heavy music

      September 21, 2020, 1:18 pm
      A goal of many visual effects artists is to able to use skills learnt from working on complex feature films, TV shows or games to make their own content, say, a short film or even a feature. Certainly, the path to creating any content can be tough, particularly because of time and budget. However, with tools becoming more accessible, and projects able to be realized across borders, there’s now more and more scope for realizing personal projects.

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