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  • Media Tech Institute

    Media Tech Institute

    August 1, 2008, 3:25 pm
    United States of America

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  • Other Postings By Member

    • AOTG
      SOUND

      How They Did It: SFX Supervisor Mark Byers on Gett

      November 21, 2019, 9:03 pm
      I got involved with the show thru Fox producer Kevin Halloran, who had me meet with James Mangold to talk about the cars and how we would achieve the look James wanted. We wanted to approach the car gags and all of the car racing shots as practical effects as much as possible. We wanted to get the cars, the driving, and the crashes with real cars and real drivers, or actors in real cars, as much as we could.

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    • AOTG
      VFX

      How They Did It: VFX Supervisor Olivier Dumont on

      November 21, 2019, 9:03 pm
      I joined Ford v Ferrari after interviews with Fox VP of Visual Effects Joe Conmy and then James Mangold. James could tell you more about why he chose to have me on board, but I feel we had a similar vision of how to integrate VFX into this movie — both practically and visually, in order to get them as invisible as possible. The plan was to shoot a lot of “real” references, either for lighting or car behaviors, so that we could get as close to the reality as we can. I was on set every day, and everything on this movie was a close collaboration between all departments in order to make it as efficient as possible and not get in the way of James’s organic way of shooting.

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    • AOTG
      SOUND

      Watermelon Sound Launches in Toluca Lake

      November 21, 2019, 9:03 pm
      James Longeretta, owner of global post-production solutions provider Vortechs, has teamed with veteran Supervising Sound Editor/Re-Recording Mixer Joe Schultz (Once Upon a Time, Lost, Amazing Stories for Apple TV) to launch Waterman Sound. The state-of-the-art sound facility offers sound editorial, sound design, mixing, and ADR from its newly-built studio in Toluca Lake, California. The company has hired ADR Mixer Marilyn Morris (Captain Marvel, Miss Sloane), formerly of Skywalker Sound and Dubbing Brothers, to helm its ADR stage.

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    • AOTG
      EDITING

      HitFilm Pro 14 launched with support for select AE

      November 21, 2019, 5:44 pm
      FXhome launches expansive update to HitFilm Pro with support for select After Effects Plug-Ins from Video Copilot and Red Giant.

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    • AOTG
      VFX

      FORD V FERRARI: Olivier Dumont - Overall VFX Super

      November 21, 2019, 5:44 pm
      In 2017, Olivier Dumont explained the work of Method Studios on KING ARTHUR – LEGEND OF THE SWORD. He then worked on THE NEW MUTANTS.

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    • AOTG
      VFX

      Imerge Pro 5 image compositor gets new features an

      November 21, 2019, 5:44 pm
      FXhome announced that the new Imerge Pro 5 adds a number of sophisticated visual effects features, and enhances the workflow performance.

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    • AOTG
      EDITING

      Asus HDR monitors: a genuine game-changer?

      November 21, 2019, 5:44 pm
      Game-changer is an over-used phrase in the industry, but it’s looking increasingly likely that Asus might be really shaking things up with its latest monitors.

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    • AOTG
      ANIMATION

      Going From Cinema 4D to Houdini

      November 21, 2019, 5:44 pm
      Have you been thinking about adding Houdini to your skillset? Do Cinema 4D artists have to learn Houdini? These are the types of questions we wanted to find an answers to.

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    • AOTG
      VFX

      Making 'The Laundromat's' opening oner

      November 21, 2019, 2:25 pm
      At the beginning of Steven Soderbergh’s The Laundromat, which deals with the Panama Papers scandal, two of the masterminds of the financial setup walk around the Joshua Tree National Park and into a nightclub (while wearing tuxes and sipping on martinis).

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    • AOTG
      VFX

      SPIDER-MAN - FAR FROM HOME: VFX Breakdown

      November 21, 2019, 2:25 pm
      How to get a look at the Venice battle sequence from SPIDER-MAN - FAR FROM HOME made by the teams of Scanline VFX...

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