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  • Media Tech Institute

    Media Tech Institute

    August 1, 2008, 3:25 pm
    United States of America

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  • Other Postings By Member

    • AOTG
      VFX

      VFX Super for Far From Home Interview

      July 23, 2019, 9:30 am
      Julius Lechner began his career in visual effects a decade ago. He has worked in many studios such as Pixomondo, Industrial Light & Magic and Scanline VFX. He has worked on many films like IRON MAN 3, TEENAGE MUTANT NINJA TURTLES, JUSTICE LEAGUE and AQUAMAN.

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    • AOTG
      EDITING

      7 Take Aways from Film School

      July 23, 2019, 5:43 am
      The merits of film school is an ongoing debate in the film and video community. And while a college education is never anything to scoff at, it’s also very true that one can get just as much, if not more, knowledge through online websites, resources, and YouTube channels.

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    • AOTG
      EDITING

      Welcome to AE A tour of the Interface

      July 23, 2019, 5:43 am
      Welcome to Adobe After Effects! In this lesson from David Bode's course, After Effects for Beginners, take a quick tour of the After Effects interface and learn how to customize it for your needs.

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    • AOTG
      VFX

      Outpost VFX Hires Ben Lock and Patric Roos to Furt

      July 23, 2019, 5:43 am
      BOURNEMOUTH, UK – Outpost VFX has announced the hiring of Ben Lock (Star Wars Episode VII – The Force Awakens, Ready Player One) as executive producer and Patric Roos (Avengers: Infinity War, Guardians of the Galaxy Vol. 2) as executive creative director for their new Asia Pacific operations. Based in the APAC region, Lock and Roos will work closely with Outpost’s senior management to establish a footprint in Asia, support the company’s global production, cement relations with key partners and provide high-end management and creative leadership.

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    • Stranger Things 3’s Mind Flayer was played by a
      VFX

      Stranger Things 3’s Mind Flayer was played by a

      July 23, 2019, 5:43 am
      The creature effects in the Duffer Brothers’ Stranger Things 3 hit new levels this season, with several incarnations of an otherworldly monster brought to life in CG by the Netflix show’s visual effects crew.

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    • AOTG
      VFX

      GoT VFX Breakdown

      July 22, 2019, 12:14 pm
      Want to fly with Dragons? Then don’t miss this VFX Breakdown by Image Engine about their work on the final season of GAME OF THRONES...

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    • AOTG
      EDITING

      Camp Kuleshov issues call for entries

      July 22, 2019, 6:14 am
      Camp Kuleshov, AICP’s annual trailer competition for assistants, has issued its 2019 Call for Entries. Named for the Russian film theorist Lev Kuleshov, Camp Kuleshov is open to assistants, junior creatives, admin and entry-level employees at AICP member post production and production companies as well as freelancer assistants and support staff sponsored by member companies.

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    • ‘Lion King’ VFX Supervisor Rob Legato Among Vi
      VFX

      ‘Lion King’ VFX Supervisor Rob Legato Among Vi

      July 19, 2019, 6:15 am
      Rob Legato, VFX supervisor for "The Lion King" and "The Addams Family" co-director Conrad Vernon added to View Conference speakers.

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    • 3D of a different kind: paper sculpting with Megan
      ANIMATION

      3D of a different kind: paper sculpting with Megan

      July 19, 2019, 6:15 am
      All this week we’ve been featuring 3D artists as part of #3dartistsrock week. And, not unexpectedly, these have so far been of the CG kind. But one artist still working in ‘3D’, just of the paper variety, is Megan Brain, a paper sculptor whose work has been seen in a number of music videos, commercials and in Kubo and the Two Strings.

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    • AOTG
      EDITING

      NLE Showdown - Resolve Vs. Premiere Text Effects

      July 19, 2019, 6:15 am
      Earlier this year, I attended London’s VidCon with Blackmagic to demonstrate Resolve to the passing youngsters — or as many companies view them, the customers of tomorrow. Both Adobe and Blackmagic had a presence at the convention to promote their software to the up-and-coming content creators. While many young creators care little about 12-bit footage and RAW, they do long for quirky text functions. As I hear every weekend from my ten-year-old nephew, “Uncle Lewis, can you make me an intro for my YouTube channel?”

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