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  • New Mexico State University

    New Mexico State University

    August 1, 2008, 3:25 pm
    United States of America

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  • Other Postings By Member

    • AOTG
      ANIMATION

      Master production workflows for Maya’s nCloth to

      January 27, 2020, 8:32 pm
      The Gnomon Workshop has released nCloth for Production, a complete guide to using Maya’s nCloth toolset to simulate clothing, recorded by Method Studios lead creature FX TD Rohit Jain.

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    • AOTG
      VFX

      WATCHMEN: Main Titles by Elastic

      January 27, 2020, 8:32 pm
      Don’t miss this compilation of titles for the HBO series, WATCHMEN, created by Elastic...

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    • AOTG
      VFX

      1917's Prosthetics Designer on the Grisly Dramw

      January 27, 2020, 8:32 pm
      World War I epic 1917 conveys the carnage of combat with uncommon grit. Informed by writer-director Sam Mendes‘ heartfelt story and his gifted design team, the film, nominated for 10 Academy Awards including best picture, immerses viewers in a “No Man’s Land” littered with dead animals, rotting corpses and dying soldiers. Prosthetics designer Tristan Versluis, Oscar-nominated with makeup designer Naomi Domme, did most of the heavy lifting when it came to blood, guts, and gore.

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    • AOTG
      SOUND

      New Apple Mac Pro 7,1 Real World Tests

      January 27, 2020, 2:30 pm
      In this video, Neil Parfitt who is a composer, music editor, synth sound designer based in Toronto has set up his new rack mount Mac Pro 7,1 computer to show some real-world tests both about the fan noise and how well it handles a very large Pro Tools project and turns up some surprises during his tests.

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    • AOTG
      EDITING

      Shared Storage for Small to Medium Post by Oliver

      January 27, 2020, 2:30 pm
      Over recent decades many of the tools used in video production and post have become smaller, easier to use, and less expensive. It is possible to edit and finish projects on a single iMac or iMac Pro that would have taken an entire edit facility in the past. This trajectory has also applied to media storage – the lifeblood of post-production. Both spinning and solid state hard drives are cheaper and offer larger capacity than ever before. Less costly systems and storage make it easier for small and medium production and post companies to ramp up the number of edit/graphics/audio seats within the facility.

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    • AOTG
      VFX

      Angel has Fallen - VFX Breakdown

      January 27, 2020, 2:30 pm
      Check out WorldWide FX's work for Angel has Fallen.

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    • AOTG
      ANIMATION

      The 47th Annie Awards – Winners

      January 27, 2020, 2:30 pm
      The Stateside ASIFA Annie Awards have announced their 2020 winners. Among those awarded were Henry Selick (director of The Nightmare Before Christmas, James and the Giant Peach and Coraline), Ron Clements and John Musker (who have worked as one of Walt Disney Animation Studio’s leading director teams over the past three decades) and, posthumously, Satoshi Kon (acclaimed manga artist and director of such films as Perfect Blue and Paprika), all whom were selected by the ASIFA-Hollywood Board of Directors tp receive Winsor McCay Awards for exemplary industry careers.

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    • AOTG
      SOUND

      CAS awards 'Ford v Ferrari' the main prize

      January 26, 2020, 3:22 pm
      “Ford v Ferrari” won the highest honor at the Cinema Audio Society Awards, which were presented in Los Angeles on Saturday evening.

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    • AOTG
      EDITING

      How to Key Green Screen Footage in FCPX

      January 24, 2020, 2:11 pm
      As NLEs have become more user-friendly over the years, green screen technology has become more accessible to everyday content creators. You don’t need a studio or a big editing rig to get it done. For most programs, it only takes a few clicks to get the desired effect. In this walkthrough, we’re going to show you how to chroma-key a green screen in Final Cut Pro X.

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    • AOTG
      SOUND

      CAS Nominees Illustrate Wide Range of Genres

      January 24, 2020, 2:10 pm
      There’s an exceptional level of craftsmanship among this year’s nominees for the Cinema Audio Society Awards, which recognizes outstanding accomplishments in sound mixing, a collaborative discipline that requires sound editors, re-recording mixers, Foley and ADR artistry to work together to create a harmonious finished product.

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