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  • AOTG

    Mewshop Artist in Residence Bobbi O'Steen

    February 17, 2011, 9:36 pm
    Kicking off the 2011 AiR program on February 10, Mewshop welcomes Bobbie O'Steen, Emmy-nominated film editor and critically acclaimed author. Following her extensive work in the cutting room, Bobbie wrote Cut to the Chase, based on interviews with her late husband and colleague, legendary film editor Sam O'Steen. This fascinating book takes the reader behind the scenes of some of the most influential movies in motion picture history, including "The Graduate" and "Chinatown."




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  • Other Postings By Member

    • AOTG
      VFX

      THE KID WHO WOULD BE KING: VFX Breakdown

      November 14, 2019, 2:29 pm
      Come have a look at the work of Rodeo FX on THE KID WHO WOULD BE KING...

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    • AOTG
      VFX

      Here's what made the 2D animation in 'Klaus' look

      November 14, 2019, 2:29 pm
      Ever since glimpses and tests began emerging from director Sergio Pablos’ Klaus, people have been wondering how the look of the film was being achieved. Was it 2D? Was it 3D? A combination of the two?

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    • AOTG
      SOUND

      Music Legend Danny Kortchmar Contributes to Succes

      November 14, 2019, 2:29 pm
      (November 1, 2019) (Los Angeles, CA--November 1, 2019) Legendary GRAMMY®-nominated guitarist, songwriter and producer Danny Kortchmar had a strong presence at the recent 147th Audio Engineering Society Convention in New York City, which took place October 16-19, 2019, at the Jacob Javits Center. Kortchmar contributed to two successful panel events: “Triple Threat: The Art, Production & Technology of Making Music” on Thursday, October 17, and “How We Make Music—Crossing the Decades from Analog to Digital” on Friday, October 18.

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    • AOTG
      EDITING

      How Apple FCPX have destroyed the meaning of the w

      November 14, 2019, 2:29 pm
      If you are running with FCPX you will know all too well every time they update from one version to another it tells you that “If you update this library it will no longer work with any previous version of FCPX”.

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    • AOTG
      ANIMATION

      The 25 Best Animated Movies of the Decade

      November 13, 2019, 2:07 pm
      We gathered our team, made them pick their favorite animated movies of the decade, and these are the titles that made the definitive cut.

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    • AOTG
      EDITING

      Apple Announces New 16 Inch MacBook Pro With Bigge

      November 13, 2019, 2:05 pm
      Today Apple has announced that the 15 inch MacBook Pro range has been replaced by the new 16 inch MacBook Pro. It gets a bigger screen, new keyboard, new sound system, better GPU and larger storage capacity. We take if for an early test drive with some 8K 60FPS ProRes RAW footage in HDR in FCPX!

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    • AOTG
      EDITING

      Apple Announces December Launch for New Mac Pro

      November 13, 2019, 2:05 pm
      We are looking forward to the release of the new Mac Pro and Pro Display XDR. We now know more about the release date and have more information on both.

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    • AOTG
      EDITING

      The Morning After: More 16-inch MacBook Pro rumors

      November 13, 2019, 2:05 pm
      We're bracing for a big update from Apple and digging into a 'maclunkey' first day for Disney+ streaming. Minecraft Earth is available for you to play, and Goldman Sachs is looking into how credit scores are being interpreted for Apple Card offers.

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    • AOTG
      VFX

      Plugable launches external NVMe SSDs with Thunderb

      November 12, 2019, 5:37 pm
      Today, Plugable announced its new NVMe external SSDs with Thunderbolt 3 connectivity and speed. It will be available in a 1 TB for US$299 and a 2 TB for US$499. The Plugable company targets the device for film producers and videographers. It uses the following key words to describe it: small, portable, and extremely fast. Yes, it is bus-powered. Ahead you’ll find the press release and images, while I prepare a review.

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    • AOTG
      EDITING

      AE & Performance. Part3: It's numbers, all the way

      November 12, 2019, 5:37 pm
      If you’re reading this then you’re probably an After Effects user, and if you’re an After Effects user then you’re probably working in a creative industry. And if you’re creative – however loosely the term is applied – then there’s a good chance you’re not a huge fan of maths. This poses something of a problem, because Part 3 in this series on the history of After Effects and performance is all about numbers. Big numbers.

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