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February 17, 2011, 9:36 pm
Kicking off the 2011 AiR program on February 10, Mewshop welcomes Bobbie O'Steen, Emmy-nominated film editor and critically acclaimed author. Following her extensive work in the cutting room, Bobbie wrote Cut to the Chase, based on interviews with her late husband and colleague, legendary film editor Sam O'Steen. This fascinating book takes the reader behind the scenes of some of the most influential movies in motion picture history, including "The Graduate" and "Chinatown."
December 11, 2019, 5:54 pm
Eric Barba began his visual effects career more than 27 years ago. After working for nearly 20 years at Digital Domain, he joined ILM in 2016. He took care of the effects of films such as ZODIAC, TRON: LEGACY, OBLIVION and ONLY THE BRAVE. He won an Oscar for Best Visual Effects for THE CURIOUS CASE OF BENJAMIN BUTTON.
December 11, 2019, 5:54 pm
A pair of excellent videos, shows off Apple’s massive Mac Pro packaging (recyclable, of course) and a chance to see the new shiny at work. Both Marques Brownlee and iJustine have had the machines for a few weeks now, which gives them a chance to share some real world experience.
December 11, 2019, 5:54 pm
Available in 250 GB, 500 GB and 1 TB, the newest member of the award-winning WD Blue portfolio, is announced: meet the WD Blue SN550 NVMe SSD.
December 11, 2019, 5:54 pm
Unless you’re living under a rock or locked in a dark post-production room you know by now that Apple’s new Mac Pro and Pro Display XDR went on sale yesterday with deliveries looking to begin mainly after the first of the year. Apple shipped out what looks to be some mid-level configurations for some early testing. There are the obvious YouTubers who all seemed to enjoy the unboxing more than the actual testing but okay since this post is mooching off all the content from those folks lucky enough to be testing the thing here’s one of the unboxing videos.
December 11, 2019, 5:54 pm
Frame.io is pretty well known to have one of the best mobile apps for its service on smartphones. Today the company has announced a dedicated app for use on iPad, taking advantage of the larger screen real estate on offer, as well as the fluidity made possible by the Apple Pencil.
December 11, 2019, 1:41 pm
The Oscar-nominated supervising sound editor talks about creating the sound for 'the John Wayne generation meeting the Easy Rider generation' and how it could foretell the future of sound in cinema.
December 11, 2019, 1:41 pm
A two-time Oscar nominee who has been working on Marvel pics since 2013, visual effects supervisor Dan Deleeuw found some of the most complex blockbuster work of his 26-year career in Joe and Anthony Russo’s Avengers: Endgame.
December 11, 2019, 1:41 pm
For many of us there often isn’t a clear distinction between mixing and arranging. If we are creatively involved in producing a track then it’s not at all unusual to be deciding not just how an element should fit into the track but whether it should be in the track at all. I need to say that I’m not suggesting that mixing isn’t creative, just that it isn’t the same as writing or producing - OK?
December 10, 2019, 8:23 pm
The highly popular macOS-only colour grading plug-in for Final Cut Pro X (FCPX) from UK company ColorTrix, has been superseded by Color Finale 2 and Color Finale 2 Pro.
December 10, 2019, 8:23 pm
In 2011, Justin Ball explained the work of Brainstorm Digital on BOARDWALK EMPIRE. He then worked on projects such as THE ADJUSTMENT OFFICE, TRUE DETECTIVE, AMERICAN HORROR STORY and AMERICAN MADE.
Gordon sits down with Jeffrey Ford and Matthew Schmidt to discuss the editing of Endgame.
Gordon sits down with Spencer Averick to discuss editing "When They See Us" and his working relationship with Ava D ...
Lawrence Jordan joins Gordon to discuss editing, 2-pop, and his new venture Master the workflow.
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