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June 19, 2009, 2:08 pm
This was blogged about by Scott Simmons and I encourage you to read his blog on this video. The video was posted by a Japan Software group who are looking for new ways to engage artists.
February 20, 2019, 6:58 am
r/vintageCGI is my new favorite subreddit. Embedded above is a collection of the rendered scenes from 1983 laserdisc game Star Rider, reputed to have cost Williams $50m in development, production and marketing costs. Below, Ronald Peterson's 1988 image demonstrating a ray-tracing package.
February 20, 2019, 6:58 am
In this free video tutorial, brought to you with the support of Waves, we show you how to shape the dynamics of your lead vocal tracks in seconds using dual compression in Waves MV2 Plug-in. In a previous video I showed you a way to mix your lead vocal tracks with two compressor plug-ins, Waves CLA-2A & CLA-76, in this video we show you an alternative way to double dip the dynamics on your vocals using this, waves MV2.
February 20, 2019, 6:58 am
In a new format we are producing videos offering tips and solutions to common problems in under a minute. In this free video tutorial we show you how easy it is to create reverse reverb using an AudioSuite plug-in.
February 20, 2019, 6:57 am
The Kona 5, which shipped in November, is an eight-lane PCIe 3.0 capture card with 12G-SDI input and output, HDMI 2.0 output, and deep-color and multiformat HDR support. An AJA-provided SDK for Mac, Windows and Linux systems allows third parties to exploit the card’s 8K capabilities.
February 19, 2019, 1:43 pm
Blackmagic Design announced today that it has formed a strategic partnership with the USC School of Cinematic Arts to provide Blackmagic hardware and software to the School over three years. The products will be used by USC students studying filmmaking and post-production, while broadcast production students will now have the opportunity to work with UltraHD in the school’s television station, Trojan Vision.
February 19, 2019, 1:43 pm
The traditional planning tools used in film and television production are being left behind, as companies use game development engines such as Unity 3D and Unreal Engine to plan new productions.
February 19, 2019, 1:43 pm
Before we get to the list, let’s acknowledge the elephant in the room. Film Riot, Peter McKinnon, and . . . I guess . . . Philip Bloom(?) are nowhere on this list. Yes, they all have big, creative, popular YouTube channels. But while they have millions of subscribers, this list is about some of the smaller channels that are just as good — if not better. So, without further ado, here are my personal favorite channels of 2019.
February 19, 2019, 7:35 am
Come discover the work of Industrial Light & Magic on SOLO – A STAR WARS STORY explain by VFX Supervisor Julian Foddy in this really cool video by BBC Click...
February 19, 2019, 7:34 am
HitFilm Pro is known for its easy to use interface. The software was designed to be intuitive and easy to use from the very beginning, and in its Express version made for an entirely free way to get a very capable NLE. However as a professional editing system HitFilm could often be seen to be overlooked in favour of certain rivals such as Resolve and Premiere. In some ways though HitFilm it is a very poorly kept secret. It does after all have a user base of 3.2 million users, which is nothing to be sniffed at.
February 18, 2019, 1:01 pm
A new batch of Oscars 2019 updates has arrived thanks to an interview with the ceremony’s lead producer, Donna Gigliotti. She says the ceremony won’t meet its self-imposed three-hour limit after all, and we won’t have to endure any of those stupid “everyday people” bits that previous host Jimmy Kimmel incorporated over the past couple of years. Plus, Queen and Adam Lambert will be on stage to perform.
Gordon sits down with the Sound Design team (Just nominated for an Oscar) for A Quiet Place. Ethan Van der Ryn and Erik Aadah ...
Gordon sits down with Wyatt Smith to discuss the editing of Mary Poppins Returns and the challenges the film presented him in ...
Gordon sits down with Chayse Irvin to discuss his approach to shooting BlacKkKlansman and his theories about cinematography.
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