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  • Thelma Schoonmaker Talks about Her Career

    Thelma Schoonmaker Talks about Her Career

    July 21, 2009, 4:30 pm
    Thelma Schoonmaker has edited every one of director Martin Scorsese's movies, from Raging Bull to The Aviator. She talks about how film editing has changed over the past 30 years and how she got her first big break editing Scorsese's student film at NYU.



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  • Other Postings By Member

    • The Pursuit (feat. Josh Meyers)
      EDITING

      The Pursuit (feat. Josh Meyers)

      October 22, 2019, 1:14 pm
      Ever want to cut a whole feature length doc in FCPX? Yea… it can be done alright. Josh Meyers his head of Post Production at Emergent Order in Austin Texas and has vast experience with both Premier and FCPX. EO has cut docs in both and Josh’s insight is interesting. As always, we diverged into a lot of other topics, light the “Fight against Marginalization” and On-boarding new editors to work in FCPX.

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    • Instagram for Artists
      VFX

      Instagram for Artists

      October 22, 2019, 1:12 pm
      Welcome to Episode 217! One of the things I will be talking a lot down the road is building your personal brand. I think there is nothing more important than networking and building your brand. I just interviewed an expert on the topic. I wanted to talk specifically about Instagram: my experience of growing from 0 to 50K. I want to talk a lot about Instagram because it’s the perfect medium for artists and other creatives.

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    • AOTG
      COLOR

      Glowing Results: Grading Skin Tones in Resolve

      October 22, 2019, 1:10 pm
      First, you need to isolate the skin with a selection so you can work with it without affecting the rest of the image. Then, you can even out the skin, unifying the tone so it’s a universal color, without making the person look like they’re wearing too much foundation. Next, decrease the mid-tone density so that small imperfections disappear. Finally, add a layer mixer node so that the skin color you’ve just worked on is protected from other grades you might make. Let’s look at them in turn.

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    • AOTG
      EDITING

      Adobe Illustrator could be coming to your iPad soo

      October 22, 2019, 1:10 pm
      It looks like Photoshop isn't going to be the only big Adobe CC tool to expand onto the iPad. According to Bloomberg, Adobe plans to preview an iPad version of its vector graphics editor, Illustrator CC, at its upcoming Adobe MAX 2019 conference.

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    • AOTG
      ANIMATION

      51 FREE Eye-Catching Accent Animation Motion Graph

      October 22, 2019, 1:10 pm
      Most of the time, those little extra touches are things like really small details and additional motion in small portions of the scene. These are things that the viewers might not even fully notice but, when added as part of a whole, these accents and animations can really bring your work to a whole new level.

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    • AOTG
      VFX

      THE TERROR - INFAMY: VFX Breakdown by FuseFX

      October 22, 2019, 1:10 pm
      Come have a look at the work of FuseFX on THE TERROR – INFAMY...

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    • AOTG
      SOUND

      Sounds In Sync EdiCue V3.1 Released With macOS Cat

      October 21, 2019, 7:40 pm
      Mark Franken from Sounds In Sync has been in touch to tell us about the release of EdiCue version 3.1.0, which includes support for macOS Catalina.

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    • AOTG
      EDITING

      Resolve 16.1 Final Version is Available to Downloa

      October 21, 2019, 4:20 pm
      Blackmagic Design just released the final version of DaVinci Resolve 16.1. You now have access to enhanced tools on the cut page like a smart indicator, the new Boring Detector, Sync-Bins and other improvements – without having to worry using a beta version.

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    • AOTG
      VFX

      VFX Video for 'Gemini Man' Show the De-Aging

      October 21, 2019, 12:45 pm
      Sony released Ang Lee's new sci-fi action movie Gemini Man in theaters a few weeks ago. Aside from the HFR cinematography, the film is boasting "groundbreaking" technology with its de-aging VFX. Gemini Man is about the world's best assassin, played by Will Smith at his current age (51), attempting to retire until he's pursued by a younger version of himself.

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    • AOTG
      VFX

      The tech of 'Terminator 2' - an oral history

      October 21, 2019, 12:45 pm
      Ever since James Cameron’s Terminator 2: Judgment Day was released in 1991, I’ve been reading about the many ways ILM, led by visual effects supervisor Dennis Muren, had to basically invent new ways to realise the CG ‘liquid metal’ T-1000 shots in that film, of which there are surprisingly few. Tools like ‘Make Sticky’ and ‘Body Sock’ are ones that I’d heard referenced several times, but I’ve always wanted to know more about how those pieces of software were made.

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