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  • Thelma Schoonmaker Talks about Her Career

    Thelma Schoonmaker Talks about Her Career

    July 21, 2009, 4:30 pm
    Thelma Schoonmaker has edited every one of director Martin Scorsese's movies, from Raging Bull to The Aviator. She talks about how film editing has changed over the past 30 years and how she got her first big break editing Scorsese's student film at NYU.



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  • Other Postings By Member

    • AOTG
      EDITING

      SHAZAM! Editor on Balancing Horror and Comedy

      April 19, 2019, 12:37 pm
      Just like director David F. Sandberg, editor Michel Aller came into Shazam! from the horror genre. But as odd a transition as that may seem, going from editing films like The Nun and Annabelle: Creation to editing this year’s most joyful superhero movie was pretty seamless for Aller.

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    • AOTG
      ANIMATION

      Destructing Elements in Maya with PullDownIt: Part

      April 19, 2019, 12:37 pm
      Destructing Elements in Maya with PullDownIt: Part 12

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    • AOTG
      EDITING

      Resolve 16: Hands on with the new Cut Page

      April 19, 2019, 5:46 am
      A year or so back I took the plunge and invested in DaVinci Resolve Studio 15. Previously I had used FCP X with a smidgen of Adobe Premiere thrown in for compatibility with one of my clients. But I had usually used Resolve for correction and grading - well as far as what this non full time 'colourist' can class as grading at any rate. So it made sense with Resolve's ever increasing NLE abilities to gradually move over. Particularly as I was using it increasingly more.

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    • AOTG
      VFX

      Now Showing Cinefex 164

      April 18, 2019, 9:31 am
      Spring is here, and it reminds me that, for Cinefex, every year is a bifurcated one. Roughly, the six-month period of April through September brings with it the release of many large-scale, effects-heavy movies – the kind of movies that are our raison d’être. In contrast, the six months between October and March offer up a very different – shall we say, ‘more serious’? – type of film, those in which Nicole Kidman’s fake nose piece in The Hours is the most effects-y thing on the menu. Those are the ‘What the heck are we going to cover?’ months for us – not always, of course (thank you, movie gods, for the Lord of the Rings trilogy, Interstellar and First Man) – but often.

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    • AOTG
      EDITING

      How to Make a Video Slideshow in Premiere Pro

      April 18, 2019, 9:31 am
      A video slideshow is a way of storytelling, through video – even if that is adding movement to still images through transitions. Using a combination of video footage, still images, text, animations and effects, you can build something unique to share with your audience.

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    • AOTG
      EDITING

      Upload to Youtube Directly from DaVinci

      April 18, 2019, 6:23 am
      Blackmagic is bringing DaVinci Resolve to online content creation with simplified interfaces and direct upload to YouTube and Vimeo.

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    • AOTG
      EDITING

      Film Editors: What is a Radio Edit?

      April 18, 2019, 6:22 am
      A radio edit is when you edit a project (short film, feature film, music video – anything) and lay out all the audio first.

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    • Backup software maker Hedge acquires collaborative
      EDITING

      Backup software maker Hedge acquires collaborative

      April 18, 2019, 6:22 am
      Hedge, makers of backup software for filmmakers, have acquired Postlab. Postlab allows teams of editors to collaborate on Final Cut Pro X projects with version control, file sharing and commenting. As a result of the acquisition, both Jasper Siegers and Felipe Baez have joined the Hedge team.

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    • AOTG
      EDITING

      Editing ET, Lessons from Carol Littleton

      April 18, 2019, 6:22 am
      E.T. the Extra-Terrestrial is a beloved film for most children of the 80s, myself included. I fondly remember that weird green VHS tape and my stuffed E.T. doll.

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    • AOTG
      SOUND

      Your Reverb Effects Don't Always Have To Sound So

      April 17, 2019, 11:01 am
      In this free video tutorial, brought to you with the support of Waves, we show you a very simple way of injecting some instant attitude into your reverb effects. Break free from the comfort of natural sounding reverbs, experiment with this creative technique as the results are explosive.

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