Welcome to AOTG.com

Sign up free

Be a part of a unique online community that connects post production professionals and film academics worldwide.

You'll have access to personalize your news feed, access to Live Post Talks and much more. Contribute to the community by posting interesting post production content.

Member Login

Social Login!

Not a Member? Sign Up!

(minimum 3 characters)
I agree with the Terms of Use and Privacy Policy
To receive account info and prevent it landing in your spam folder, add info@aotg.com as an email contact.

  • AOTG

    THE EVOLUTION OF STOP-MOTION

    August 26, 2016, 4:41 am
    With the release of Kubo and the Two Strings, it is a perfect moment to go back in time and see the evolution of stop-motion animation throughout the years.





    • Report
    • Share
    • Save

    Share this posting

  • Other Postings By Member

    • AOTG
      VFX

      Spiderman Far From Home VFX Discussion

      July 18, 2019, 10:00 am
      Julian Foddy began his visual effects career in 2006 at DNEG. He works on films like GREEN ZONE, PAUL, FURIOUS 6 and HERCULES. He joined the ILM teams in 2015 and took care of the effects of films such as TEENAGE MUTANT NINJA TURTLES: OUT OF THE SHADOWS, TRANSFORMERS: THE LAST KNIGHT, READY PLAYER ONE and SOLO: A STAR WARS STORY.

      • Report
      • Share
      • Save

      Share this posting

    • AOTG
      EDITING

      Animate Text without Keyframes or Plugins in FCPX

      July 18, 2019, 5:50 am
      Join longtime editor, VFX artist, plug-in developer, Creative COW leader Bret Williams of BretFX to learn how the FCPX Custom text tool allows you to animate text in Final Cut Pro X without using keyframes or plugins. With the often overlooked custom text tool you can easily create great text animation with just a couple of clicks. Change opacity, position, rotation, scale, duration, spread, blur and easing all without creating a single keyframe!

      • Report
      • Share
      • Save

      Share this posting

    • Han Yang on finding new 3D workflows for The Lande
      VFX

      Han Yang on finding new 3D workflows for The Lande

      July 18, 2019, 5:50 am
      When 3D artist Han Yang posted work in progress stills and then a trailer for his personal project, The Lander, he received much acclaim for the look of this Predator-inspired short. But, in addition, he captivated viewers by explaining his mix of V-Ray and Unreal Engine in lighting and rendering the film.

      • Report
      • Share
      • Save

      Share this posting

    • AOTG
      VFX

      Spiderman Far from home VFX interview

      July 17, 2019, 9:56 am
      Last year, Kevin Souls and Raphael A. Pimentel explained the work of Luma Pictures on ANT-MAN AND THE WASP. They then worked on THE NUTCRACKER AND THE FOUR REALMS, MARY POPPINS RETURNS, CAPTAIN MARVEL and ONCE UPON AT TIME IN HOLLYWOOD. Raphael A. Pimentel also worked on PEPPERMINT and AQUAMAN.

      • Report
      • Share
      • Save

      Share this posting

    • AOTG
      EDITING

      AE & Mocha Pro - Reverse Stabilization Workflow

      July 17, 2019, 9:56 am
      Use Mocha Pro's planar tracking to reverse stabilize your shots for clean-ups and more. Mocha Pro 2019 now includes the CC Power Pin export format, making a simple workflow to achieve a "stabilized pre-comp" workflow for compositing tasks.

      • Report
      • Share
      • Save

      Share this posting

    • AOTG
      ANIMATION

      Re-visit the CG of 1994's Lion King

      July 17, 2019, 6:45 am
      In the 1990s, traditional 2D animation was in a major state of transition. Digital technologies were allowing animation studios, including Walt Disney Feature Animation, to do things in very different ways. Partly, that came about via Disney’s adoption of the Computer Animation and Production System (CAPS) that had been developed in conjunction with Pixar to aid in digital ink and paint, compositing, and production and library management. By the time The Lion King was released in 1994, CAPS had already been utilized on a number of films, including Rescuers Down Under, Beauty and the Beast and Aladdin.

      • Report
      • Share
      • Save

      Share this posting

    • AOTG
      VFX

      VFX veteran Jody Madden becomes new Foundry CEO

      July 17, 2019, 6:42 am
      Foundry’s chief product and customer officer Jody Madden (pictured above) has been appointed the new CEO of the leading visual effects and design software developer.

      • Report
      • Share
      • Save

      Share this posting

    • AOTG
      EDITING

      The 30 Degree Rule

      July 16, 2019, 12:26 pm
      We all know the 180-degree rule. It's a technique filmmakers use to make sure that the talent is always looking in the right direction on-screen by never letting your camera cross the centerline of the action.

      • Report
      • Share
      • Save

      Share this posting

    • AOTG
      VFX

      Spiderman Far from Home VFX Supervisor

      July 16, 2019, 9:58 am
      In 2017, Alexis Wajsbrot explained the work of Framestore on THOR: RAGNAROK. He then worked on MARY POPPINS RETURNS. He is back in the MCU with SPIDER-MAN: FAR FROM HOME.

      • Report
      • Share
      • Save

      Share this posting

    • AOTG
      VFX

      Captain Marvel VFX Breakdown

      July 16, 2019, 9:58 am
      Australian studio Rising Sun Pictures presents their work on CAPTAIN MARVEL in this VFX Breakdown...

      • Report
      • Share
      • Save

      Share this posting





    SUBMIT A LINK

    Newest From Aotg.com
    Stay Informed
    • Mail List

      E-Mail Newsletter

      Choose what Post News gets sent directly to your E-Mail, daily or weekly.

    • Apple iOS Mobile App

      AOTG App for iOS

      Get your post news on your favourite Apple device, when you want it where you want it.

    • Android Mobile App

      AOTG App for Android Devices

      Get your post news on your favourite Android device with the AOTG Android App.