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  • Chapter 34 – Roto Brush

    Chapter 34 – Roto Brush

    August 1, 2011, 6:55 pm
    We're going through our book Creating Motion Graphics with After Effects 5th Edition (CMG5) and pulling out a few "hidden gems" from each chapter. These will include essential advice for new users, plus timesaving tips that experienced users may not be aware of.

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  • Other Postings By Member

    • AOTG
      ANIMATION

      New Ways To Master Lighting

      September 25, 2018, 10:33 am
      Light up your workflow with our 23 top tips for upgrading your lighting work! Artists from a range of industries including game, film and TV, lend us their techniques so that you can create more compelling artwork than ever before!

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    • AOTG
      VFX

      The Predator: VFX Work

      September 25, 2018, 10:33 am
      MPC have just release a full package of before & after pictures about their work on THE PREDATOR...

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    • AOTG
      VFX

      Jurassic World Fallen Kingdom VFX Breakdown

      September 25, 2018, 5:53 am
      Have a look at this VFX Breakdown by Image Engine about their work on JURASSIC WORLD – FALLEN KINGDOM...

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    • AOTG
      VFX

      RSP Delivers VFX for The Predator

      September 25, 2018, 5:52 am
      Adelaide, South Australia -- In The Predator, 20th Century Fox’s reboot of the sci-fi horror franchise, the universe’s most lethal hunters return to Earth, stronger and deadlier than ever. Having upgraded themselves with DNA from other species, they take on a ragtag crew of ex-soldiers and an evolutionary biology professor in a battle that could mean the demise of the human race.

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    • AOTG
      SOUND

      The CEO of Sennheiser about audio, vR and the noti

      September 24, 2018, 12:46 pm
      Working as a technology journalist is a privilege that allows me to play with hardware that I could never afford to own. Last week, while I was in Montreal for the opening of Sennheiser's new Canadian office, for example, I was able to spend some quality time with the company's crazy $50,000 made-to-order HE 1 headphones. For a guy that reviews audio hardware for a living, it was a ridiculous treat.

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    • AOTG
      EDITING

      Fun With Titles in Final Cut Pro X

      September 24, 2018, 12:46 pm
      One of the fun benefits to creating titles in FCP X is that so many of them are already created. In the current (10.4.3) version of Final Cut there are seemingly hundreds to choose from, with a vibrant 3rd-party community creating hundreds more.

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    • AOTG
      VFX

      Andrew Morley Named Head of VFX at Outpost VFX

      September 24, 2018, 12:46 pm
      BOURNEMOUTH, U.K. -- Outpost VFX has announced that Andrew Morley – the renowned visual effects supervisor known for Avengers: Infinity War and Fantastic Beasts and Where to Find Them – has joined the studio as head of VFX. With a decade of experience supervising major motion pictures, Morley will work with all artists at Outpost VFX’s 80-seat facility in Bournemouth to ensure that the team continues to deliver outstanding visual effects and, equally, an outstanding level of service for clients.

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    • Resolve Mini Panel Used for Grading RUMOR WOMAN
      COLOR

      Resolve Mini Panel Used for Grading RUMOR WOMAN

      September 24, 2018, 12:46 pm
      (Fremont, CA--September 19, 2018) Blackmagic Design announced today that DaVinci Resolve Studio and DaVinci Resolve Mini Panel were used for the color grading of BS Japan's popular drama series "Rumor Woman.”

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    • AOTG
      EDITING

      Lisa Churgin - Editing The Old Man and the Gun

      September 24, 2018, 12:46 pm
      At 82 years young (and in what may or may not be his final starring role in a motion picture), Robert Redford stars in David Lowery's quietly complex The Old Man & The Gun as Forrest Tucker, an obsessive bank robber who's just so damn charming.

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    • AOTG
      EDITING

      15 ways to stay motivated for longer

      September 24, 2018, 8:59 am
      Art has been a huge gift for me and I’m grateful to my past self for taking the chance to pursue it. I didn’t try to make a career in art until I turned 30, and I didn’t get my foot in the door until I was 33. Because of what I considered were my limitations, I didn’t take this opportunity for granted. I was pretty fearless early on because I felt as though I had nothing to lose. It was a tough road filled with self-doubt.

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