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  • ART OF THE CUT with Joe Walker, ACE, on “Arrival

    ART OF THE CUT with Joe Walker, ACE, on “Arrival

    November 30, 2016, 3:38 pm
    Readers who follow Art of the Cut will be familiar with Joe Walker, ACE. I originally talked to Walker after his nomination for the Best Editing Oscar for 12 Years a Slave. Then again for a film many Art of the Cut interviewees have called out for its exceptional editorial artistry, Sicario (nominated for an
    The post ART OF THE CUT with Joe Walker, ACE, on “Arrival” appeared first on ProVideo Coalition.

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  • Other Postings By Member

    • ART OF THE CUT with Evan Schiff, editor of “John
      EDITING

      ART OF THE CUT with Evan Schiff, editor of “John

      May 17, 2019, 8:02 pm
      Evan Schiff started his film industry career at the Stan Winston animatronic studio in 1999 working on such films as Jurassic Park III and Terminator 3: Rise of the Machines. His work as a VFX editor or assistant editor include work on Sky Captain and the World of Tomorrow, Rocky Balboa and Pan’s Labyrinth, Rambo,... The post ART OF THE CUT with Evan Schiff, editor of “John Wick 3” appeared first on ProVideo Coalition.

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    • Adobe After Effects fixes Game of Thrones Starbuck
      EDITING

      Adobe After Effects fixes Game of Thrones Starbuck

      May 17, 2019, 8:02 pm
      The new Content-Aware Fill feature present in After Effects is ideal to clean mistakes made during video production. Adobe just demonstrated it, by cleaning the Starbucks cup from Game of Thrones. No, the Starbucks cup that appears in a recent Game of Thrones episode (Season 8, Episode 4), wasn’t there to confirm that Starbucks is... The post Adobe After Effects fixes Game of Thrones Starbucks cup goof appeared first on ProVideo Coalition.

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    • Premiere Pro 6, After Effects 11, PS 13: did Adobe
      EDITING

      Premiere Pro 6, After Effects 11, PS 13: did Adobe

      May 15, 2019, 10:03 am
      Adobe distributed a document to its clients with the new CC download rules, but the document also suggests that owners of Premiere Pro 6 or After Effects 11 may no longer be licensed to use them. Adobe has been in the news recently and not for good reasons: besides limiting the download of the CC... The post Premiere Pro 6, After Effects 11, PS 13: did Adobe just say you can’t use them? appeared first on ProVideo Coalition.

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    • Adobe Tightens The Leash
      EDITING

      Adobe Tightens The Leash

      May 15, 2019, 6:36 am
      Adobe Tightens The Leash How does this effect me as a user and product developer for After Effects? First things first A few notes and disclaimers: Prices mentioned in this article and any related URL links are subject to change without notice. The info I state below about pricing was accurate at the time of... The post Adobe Tightens The Leash appeared first on ProVideo Coalition.

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    • Cartoon Animator 4 and Facial Mocap: real time ani
      ANIMATION

      Cartoon Animator 4 and Facial Mocap: real time ani

      May 15, 2019, 6:35 am
      For those dealing with extreme deadlines and limited manpower, Reallusion introduces Cartoon Animator 4 and Facial Mocap Plug-in, to simplify and fasten the whole animation production. Reallusion launches Cartoon Animator 4 (formerly CrazyTalk Animator), the complete professional 2D character system, and it’s new Facial Mocap Plug-in (Motion LIVE 2D) which allows users to animate characters... The post Cartoon Animator 4 and Facial Mocap: real time animation for anyone appeared first on P...

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    • Advanced keying with After Effects: Part 2
      EDITING

      Advanced keying with After Effects: Part 2

      May 14, 2019, 5:48 am
      In Part 1 I did a quick overview of the most commonly used keying plugins for After Effects.  Regardless of which keying plugin you’re using, and no matter how advanced their algorithms are, you can always get better results by pre-processing your footage. The term “pre-processing” refers to any effects / plugins applied to the... The post Advanced keying with After Effects: Part 2 appeared first on ProVideo Coalition.

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    • Attach Splines To Animated Objects
      ANIMATION

      Attach Splines To Animated Objects

      May 13, 2019, 12:48 pm
      Attach Splines To Animated Objects Learn how to attach splines to animated objects, and alembics. Splines This article is slightly different than my usual format, as I will be presenting two tutorials on splines. One video will show splines being used more in a visual effects based shot. The other will show how to attach... The post Attach Splines To Animated Objects appeared first on ProVideo Coalition.

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    • Harvard University Athletics uses AJA gear for mul
      EDITING

      Harvard University Athletics uses AJA gear for mul

      May 13, 2019, 5:58 am
      Harvard University Athletics relies on AJA HELO, U-TAP and Ki Pro Ultra for streaming collegiate sports broadcasts to ESPN+, regional outfit NESN and the Ivy League’s international streaming platform. Harvard University consistently ranks among U.S. News and World Reports Best Colleges not only for its academic stature but also for its top-notch collegiate athletics program.... The post Harvard University Athletics uses AJA gear for multimedia production appeared first on ProVideo Coalition.

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    • Digital Extra Crowds for Free with Miarmy
      VFX

      Digital Extra Crowds for Free with Miarmy

      May 10, 2019, 3:52 am
      Think digital crowds are too expensive for your indie budget short film? Think again. If you’ve ever watched a behind-the-scenes doco on The Lord of the Rings, you’ve probably marveled at the hordes of digital extras that populated the battle scenes. These artificially intelligent digital “agents” were created using the Massive crowd simulation software that... The post Digital Extra Crowds for Free with Miarmy appeared first on ProVideo Coalition.

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    • ART OF THE CUT with Jeffrey Ford, ACE, of “Aveng
      EDITING

      ART OF THE CUT with Jeffrey Ford, ACE, of “Aveng

      May 9, 2019, 1:26 pm
      Jeffrey Ford, ACE and Matthew Schmidt have been collaborating in the cutting room since the first Avengers movie. Back then Matthew was an assistant but rose quickly to the editing chair and has been co-editing with Ford since Captain America: The Winter Soldier. Together they have worked on The Avengers, Iron Man 3, Captain America:... The post ART OF THE CUT with Jeffrey Ford, ACE, of “Avengers: Endgame” appeared first on ProVideo Coalition.

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