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January 11, 2017, 11:09 am
Deluxe is going into business with stunt coordinator Guy Norris (Suicide Squad, Mad Max: Fury Road), who founded Australian VR production company Proxi with his son, stunt performer Harrison Norris. Deluxe VR has signed an agreement with Proxi to collaborate … more »
The post Deluxe VR Teams Up with Proxi on Feature-Driven VR Production appeared first on Studio Daily.
January 16, 2018, 2:06 pm
G-Technology said today it has filled a gap in its line of desktop storage solutions with the introduction of the new Thunderbolt 3 G-Speed Shuttle, a transportable device with four drive bays holding hard drives and/or the company’s bay adapters that can be used to dock compatible ev-series drives and card readers. The G-Speed Shuttle comes […] The post G-Technology Releases Four-Bay G-Speed Shuttle with Thunderbolt 3 appeared first on Studio Daily.
January 16, 2018, 2:05 pm
Industrial Color Studios, a production company offering photography, editorial, color-grading and CG services, has acquired New York design and animation studio Click 3X, the company announced today. Terms of the deal were not disclosed, but Industrial Color said Peter Corbett, who founded Click3X in 1993, is expected to stay on as president. “We’ve seen a […] The post Industrial Color Studios Acquires New York’s Click3X appeared first on Studio Daily.
January 11, 2018, 5:24 pm
Justice is elusive in Three Billboards outside Ebbing, Missouri, the story of Mildred Hayes (Frances McDormand), a divorced mother seeking some kind of closure after the unsolved rape and murder of her daughter in a rural American small town. The billboards of the title carry a three-part message that the local Sheriff Willoughby finds hard to ignore, […] The post Film Editor Jon Gregory, ACE, on Three Billboards outside Ebbing, Missouri appeared first on Studio Daily.
January 10, 2018, 5:42 pm
How do you follow up a 35-year-old science-fiction classic like Blade Runner? Without compromise. Anyone who expected Blade Runner, a dystopian drama told with the troubled visual style of 1940s film noir, to be rebooted as a tidy Hollywood blockbuster must have been surprised when French-Canadian filmmaker Denis Villeneuve (Arrival, Sicario) was hired to direct. The result — dark, […] The post Joe Walker, ACE, on Editing Blade Runner 2049 appeared first on Studio Daily.
January 8, 2018, 6:00 pm
Since its inception in 2010, Los Angeles design and creative visual effects studio Cantina Creative has earned an enviable list of credits that includes blockbusters such as Spider-Man Homecoming, Fate of the Furious, Avengers: Age of Ultron, Captain America: Civil War, The Hunger Games, Guardians of the Galaxy, Iron Man 3 and many more. Recently, Cantina […] The post Designing the Retro-Tech Look of the Future in Blade Runner 2049 appeared first on Studio Daily.
January 5, 2018, 8:18 am
The Shotover K1 six-axis-stabilized aerial mount, the waterproof Hydrascope telescoping camera crane, Side Effects Software’s Houdini VFX toolset, Foundry’s Nuke compositing system, Pixar’s Presto and Premo animation systems, ILM’s BlockParty procedural rigging system, and the Rhythm & Hues Construction Kit rigging system are among the achievements to be honored next month by the Academy of […] The post Nuke, Houdini, Shotover K1 Among Academy Sci-Tech Award Recipients appeared fi...
January 4, 2018, 8:42 am
The American Cinema Editors (ACE) announced its slate of nominees for the 2018 ACE Eddie Awards today. There were no big surprises on the list, though fans of Blade Runner 2049 will be pleased to see that the editors’ group dismissed complaints out of some quarters (including the mouth of original Blade Runner director Ridley Scott) that […] The post American Cinema Editors Announce 2018 Eddie Award Nominees appeared first on Studio Daily.
January 2, 2018, 1:40 pm
A Blade Runner 2049 action scene with crowds posed an interesting challenge for Framestore in Montreal. The VFX facility, which was making its way through 300 VFX shots for the mammoth SF project, needed to generate mocap data for figures that would populate wide shots in the sequence known as the “Trash Mesa attack.” (The film’s protagonist, […] The post Framestore on Mocap Across the Water for Blade Runner 2049 appeared first on Studio Daily.
December 29, 2017, 12:10 pm
Every December, we look back at the year that was to figure out which stories generated the most views among StudioDaily’s readers. It always opens an interesting window on what creative professionals were thinking about, and what they were most curious about, all year long. Here are the stories that drew the most traffic and drove […] The post StudioDaily’s Top Stories of 2017: Part Two appeared first on Studio Daily.
December 28, 2017, 7:29 am
Every December, we look back at the year that was to figure out which stories generated the most views among StudioDaily’s readers. It always opens an interesting window on what creative professionals were thinking about, and what they were most curious about, all year long. Here are the stories that drew the most traffic and drove […] The post StudioDaily’s Top Stories of 2017: Part One appeared first on Studio Daily.
Tom Cross and Gordon Burkell sit down to discuss the editing of Hostiles and how to work with footage to affect the pacing an ...
Gordon Burkell interviews Paul Machliss about timing and editing Baby Driver.
Gordon Burkell interviews Kenneth Branagh and Patrick Doyle about composing music and specifically composing the song Never F ...
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