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  • Review: Maxon Cinema 4D Studio Release 18

    Review: Maxon Cinema 4D Studio Release 18

    February 13, 2017, 6:06 pm
    By Brady Betzel
    Each year I get to test out some of the latest and greatest software and hardware releases our industry has to offer. One of my favorites and most challenging is Maxon’s Cinema 4D. I say challenging because while I love Cinema 4D, I don’t use every day, Continue reading →
    February 13, 2017
    The post Review: Maxon Cinema 4D Studio Release 18 appeared first on Randi Altman's postPerspective.

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  • Other Postings By Member

    • Building a workflow for The Great Wall
      EDITING

      Building a workflow for The Great Wall

      March 27, 2017, 5:43 pm
      Bling Digital, which is part of the SIM Group, was called on to help establish the workflow on Legendary/Universal’s The Great Wall, starring Matt Damon as European mercenary imprisoned within the wall. While being held he sees exactly why the Chinese built this massive barrier in the first place — and it’s otherworldly. Continue reading → March 27, 2017 The post Building a workflow for The Great Wall appeared first on Randi Altman's postPerspective.

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    • Killer Tracks launches production music label for
      SOUND

      Killer Tracks launches production music label for

      March 23, 2017, 2:21 pm
      Killer Tracks, an online resource offering pre-cleared music, has started a new label, called Icon, featuring music for movie trailers, television promos, advertising, sports, games and other media. The initial release includes 16 albums created and produced by award-winning composers Frederik Wiedmann and Joel Goodman, Continue reading → March 22, 2017 The post Killer Tracks launches production music label for promos, trailers and more appeared first on Randi Altman's postPerspective.

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    • VFX: Where are the women?
      VFX

      VFX: Where are the women?

      March 23, 2017, 9:19 am
      By Jennie Zeiher As anyone in the visual effects industry would know, Marvel’s Victoria Alonso was honored earlier this year with the Visual Effects Society Visionary Award. Victoria is an almighty trailblazer, one of whom us ladies can admire, aspire to and want to be. Her acceptance speech was an important reminder to us of the imbalance of the sexes in our industry. Continue reading → March 23, 2017 The post VFX: Where are the women? appeared first on Randi Altman's postPerspective.

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    • Killer Tracks Launches Icon – New Production Mus
      SOUND

      Killer Tracks Launches Icon – New Production Mus

      March 23, 2017, 3:39 am
      Killer Tracks, an online resource offering pre-cleared music, has launched a new label, Icon, featuring music for movie trailers, television promos, advertising, sports, games and other media. The initial release includes 16 albums created and produced by award-winning composers Frederik Wiedmann and Joel Goodman, the founders of independent music producer Icon Trailer Music. Continue reading → March 22, 2017 The post Killer Tracks Launches Icon – New Production Music Label appeared f...

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    • Creating the color of Hacksaw Ridge
      COLOR

      Creating the color of Hacksaw Ridge

      March 22, 2017, 12:37 pm
      Australian colorist Trish Cahill first got involved in the DI on Mel Gibson’s Hacksaw Ridge when when she was approached by cinematographer Simon Duggan about her interest in the project and her availability. See didn’t have to consider the idea long before saying yes. Hacksaw Ridge, Continue reading → March 22, 2017 The post Creating the color of Hacksaw Ridge appeared first on Randi Altman's postPerspective.

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    • Behind the Title: Director/Designer Ash Thorp
      EDITING

      Behind the Title: Director/Designer Ash Thorp

      March 20, 2017, 12:28 pm
      NAME: Ash Thorp (@ashthorp) COMPANY: ALT Creative, Inc. CAN YOU DESCRIBE YOUR COMPANY? ALT Creative is co-owned by my wife Monica and myself. She helps coordinate and handle the company operations, Continue reading → March 20, 2017 The post Behind the Title: Director/Designer Ash Thorp appeared first on Randi Altman's postPerspective.

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    • Flavor Detroit welcomes VFX artist/designer Scott
      VFX

      Flavor Detroit welcomes VFX artist/designer Scott

      March 14, 2017, 9:27 am
      Twenty-year industry veteran Scott Stephens has joined Flavor Detroit as senior VFX artist/designer. Previously the lead designer at Postique, Stephens has been a key part of the post boutique Section 8 as co-founder and lead designer since its launch in 2001. Known for his work with top brands and directors on major commercial campaigns for Blue Cross Blue Shield (BCBS), Continue reading → March 14, 2017 The post Flavor Detroit welcomes VFX artist/designer Scott Stephens appeared firs...

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    • Review: Logic’s Astra PC keyboard for Resolve 12
      EDITING

      Review: Logic’s Astra PC keyboard for Resolve 12

      March 14, 2017, 6:03 am
      By Brady Betzel I love a good keyboard. In fact, my favorite keyboards have always been mechanical, or pseudo-mechanical, like those old Windows keyboards you can find at thrift stores for under 10 bucks — in fact I went back and bought one just the other day at a Goodwill. Continue reading → March 13, 2017 The post Review: Logic’s Astra PC keyboard for Resolve 12/12.5 appeared first on Randi Altman's postPerspective.

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    • Looking at the ACES color workflow on Café Societ
      COLOR

      Looking at the ACES color workflow on Café Societ

      March 2, 2017, 5:33 pm
      By Sarah Priestnall Last year’s Café Society marked a milestone in Woody Allen’s cinematic career — the first of his movies to be acquired digitally, mostly with the Sony F65 camera, and with additional use of the Sony F55. To accompany him in this endeavor, he turned to legendary Italian cinematographer Vittorio Storaro, Continue reading → March 2, 2017 The post Looking at the ACES color workflow on Café Society appeared first on Randi Altman's postPerspective.

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    • Timecode’s new firmware paves the way for VR
      EDITING

      Timecode’s new firmware paves the way for VR

      March 2, 2017, 1:50 pm
      Timecode Systems, which makes wireless technologies for sharing timecode and metadata, has launched a firmware upgrade that enhances the accuracy of its wireless genlock. Promising sub-line-accurate synchronization, the system allows Timecode Systems products to stay locked in sync more accurately, setting the scene for development of a wireless sensor sync solution able to meet the requirements of VR/AR and motion capture. Continue reading → March 2, 2017 The post Timecode’s new firm...

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