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  • Review: Maxon Cinema 4D Studio Release 18

    Review: Maxon Cinema 4D Studio Release 18

    February 13, 2017, 6:06 pm
    By Brady Betzel
    Each year I get to test out some of the latest and greatest software and hardware releases our industry has to offer. One of my favorites and most challenging is Maxon’s Cinema 4D. I say challenging because while I love Cinema 4D, I don’t use every day, Continue reading →
    February 13, 2017
    The post Review: Maxon Cinema 4D Studio Release 18 appeared first on Randi Altman's postPerspective.

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  • Other Postings By Member

    • Skywalker’s Michael Semanick: Mixing SFX for Sta
      SOUND

      Skywalker’s Michael Semanick: Mixing SFX for Sta

      February 21, 2018, 2:48 pm
      By Jennifer Walden Oscar-winning re-recording mixer Michael Semanick from Skywalker Sound mixed the sound effects, Foley and backgrounds on Star Wars: The Last Jedi, which has earned an Oscar nomination for Sound Mixing. Technically, this is not Semanick’s first experience with the Star Wars franchise — he’s credited as an additional mixer on Rogue One — but on The Last Jedi he was a key figure in fine-tuning the film’s soundtrack. Continue reading → February 21, 2018 The pos...

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    • Behind the Title: MTI Senior Colorist Trent Johnso
      COLOR

      Behind the Title: MTI Senior Colorist Trent Johnso

      February 20, 2018, 5:50 pm
      NAME: Trent Johnson COMPANY: MTI Film CAN YOU DESCRIBE YOUR COMPANY? MTI Film works in multiple post production disciplines, including TV and feature post, film restoration and software development. AS A SENIOR COLORIST, WHAT WOULD SURPRISE PEOPLE THE MOST ABOUT WHAT FALLS UNDER THAT TITLE? Continue reading → February 20, 2018 The post Behind the Title: MTI Senior Colorist Trent Johnson appeared first on Randi Altman's postPerspective.

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    • Super Bowl: Sound Lounge’s audio post for Pepsi,
      SOUND

      Super Bowl: Sound Lounge’s audio post for Pepsi,

      February 15, 2018, 8:06 pm
      By Jennifer Walden Super Bowl Sunday is an unofficial national holiday in this country, with almost as much excitement for the commercials that air as for the actual game. And regardless of which teams are playing, New York’s advertising and post communities find themselves celebrating, because they know the work they are providing will be seen by millions and talked about repeatedly in offices and on social media. Continue reading → February 15, 2018 The post Super Bowl: Sound Lounge...

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    • Super Bowl: Sound Lounge’s audio post for Pespi,
      SOUND

      Super Bowl: Sound Lounge’s audio post for Pespi,

      February 15, 2018, 1:26 pm
      By Jennifer Walden Super Bowl Sunday is an unofficial national holiday in this country, with almost as much excitement for the commercials that air as for the actual game. And regardless of which teams are playing, New York’s advertising and post communities find themselves celebrating, because they know the work they are providing will be seen by millions and talked about repeatedly in offices and on social media. Continue reading → February 15, 2018 The post Super Bowl: Sound Lounge...

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    • The challenges of creating a shared storage ‘spe
      EDITING

      The challenges of creating a shared storage ‘spe

      February 15, 2018, 10:47 am
      By James McKenna The specification — used in a bid, tender, RFQ or simply to provide vendors with a starting point — has been the source of frustration for many a sales engineer. Not because we wish that we could provide all the features that are listed, but because we can’t help but wonder what the author of those specs was thinking. Continue reading → February 14, 2018 The post The challenges of creating a shared storage ‘spec’ appeared first on Randi Altman's postPerspective.

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    • The 16th annual VES Award winners
      VFX

      The 16th annual VES Award winners

      February 14, 2018, 5:19 pm
      The Visual Effects Society (VES) celebrated artists and their work at the 16th Annual VES Awards, which recognize outstanding visual effects artistry and innovation in film, animation, television, commercials, video games and special venues. Seven-time host, comedian Patton Oswalt, presided over more than 1,000 guests at the Beverly Hilton. Continue reading → February 14, 2018 The post The 16th annual VES Award winners appeared first on Randi Altman's postPerspective.

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    • Behind the Title: Encore (and Ryan Murphy) Coloris
      COLOR

      Behind the Title: Encore (and Ryan Murphy) Coloris

      February 14, 2018, 10:21 am
      NAME: Kevin Kirwan COMPANY: Encore Hollywood CAN YOU DESCRIBE YOUR COMPANY? Encore specializes in television post production. I’ve been at Encore forever — they have nice people and it’s a nice working environment. JOB TITLE: Colorist WHAT WOULD SURPRISE PEOPLE THE MOST ABOUT WHAT FALLS UNDER THAT TITLE? Continue reading → February 14, 2018 The post Behind the Title: Encore (and Ryan Murphy) Colorist Kevin Kirwan appeared first on Randi Altman's postPerspective.

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    • Oscar Watch: The Shape (and sound) of Water
      SOUND

      Oscar Watch: The Shape (and sound) of Water

      February 13, 2018, 6:16 pm
      Post production sound mixers Christian Cooke and Brad Zoern, who are nominated (with production mixer Glen Gauthier) for their work on Fox’s The Shape of Water, have sat side-by-side at mixing consoles for nearly a decade. The frequent collaborators, who handle mixing duties at Deluxe Toronto, Continue reading → February 13, 2018 The post Oscar Watch: The Shape (and sound) of Water appeared first on Randi Altman's postPerspective.

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    • Review: HP’s ZBook Studio G4 mobile workstation
      EDITING

      Review: HP’s ZBook Studio G4 mobile workstation

      February 7, 2018, 1:46 pm
      By Brady Betzel It seems like each year around this time, I offer my thoughts on an HP mobile workstation and how it serves multimedia professionals. This time I am putting the HP ZBook Studio G4 through its paces. The ZBook Studio line of HP’s mobile workstations seem to fit right in the middle between ease of mobility, Continue reading → February 7, 2018 The post Review: HP’s ZBook Studio G4 mobile workstation appeared first on Randi Altman's postPerspective.

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    • Cinesite VFX supervisor Stephane Paris: 860 shots
      VFX

      Cinesite VFX supervisor Stephane Paris: 860 shots

      February 6, 2018, 1:21 pm
      By Randi Altman The Commuter once again shows how badass Liam Neeson can be under very stressful circumstances. This time, Neeson plays a mild-mannered commuter named Michael who gets pushed too far by a seemingly benign but not-very-nice Vera Farmiga. For this Jaume Collet-Serra-directed Lionsgate film, Continue reading → February 6, 2018 The post Cinesite VFX supervisor Stephane Paris: 860 shots for The Commuter appeared first on Randi Altman's postPerspective.

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