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  • Review: Maxon Cinema 4D Studio Release 18

    Review: Maxon Cinema 4D Studio Release 18

    February 13, 2017, 6:06 pm
    By Brady Betzel
    Each year I get to test out some of the latest and greatest software and hardware releases our industry has to offer. One of my favorites and most challenging is Maxon’s Cinema 4D. I say challenging because while I love Cinema 4D, I don’t use every day, Continue reading →
    February 13, 2017
    The post Review: Maxon Cinema 4D Studio Release 18 appeared first on Randi Altman's postPerspective.

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  • Other Postings By Member

    • AJA and Avid intro Avid Artist | DNxIP hardware in
      EDITING

      AJA and Avid intro Avid Artist | DNxIP hardware in

      November 15, 2017, 5:37 pm
      AJA has collaborated with Avid to develop Avid Artist | DNxIP, a new hardware interface option for Avid Media Composer users that supports high frame rate, deep color and HDR IP workflows is a Thunderbolt 3-equipped I/O device that enables the transfer of SMPTE standard HD video over 10 GigE IP networks, Continue reading → November 15, 2017 The post AJA and Avid intro Avid Artist | DNxIP hardware interface appeared first on Randi Altman's postPerspective.

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    • Kevin Tent, ACE, on directorial debut Crash Pad, e
      EDITING

      Kevin Tent, ACE, on directorial debut Crash Pad, e

      November 15, 2017, 5:37 pm
      By Randi Altman To say that Kevin Tent, ACE, is a prolific editor is in no way hyperbole. He has cut some of the most celebrated films of the last few years as a frequent collaborator of director Alexander Payne. They worked together on seven films, including the upcoming Downsizing as well as About Schmidt, Continue reading → November 15, 2017 The post Kevin Tent, ACE, on directorial debut Crash Pad, editing Downsizing appeared first on Randi Altman's postPerspective.

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    • Review: Blackmagic Resolve 14
      EDITING

      Review: Blackmagic Resolve 14

      November 15, 2017, 7:58 am
      By David Cox Blackmagic has released Version 14 of its popular Da Vinci Resolve “color grading” suite, following a period of open public beta development. I put color grading in quotes, because one of the most interesting aspects about the V14 release is how far-reaching Resolve’s ambitions have become, Continue reading → November 14, 2017 The post Review: Blackmagic Resolve 14 appeared first on Randi Altman's postPerspective.

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    • Color plays big role in director Sean Baker’s Th
      COLOR

      Color plays big role in director Sean Baker’s Th

      November 13, 2017, 2:41 pm
      Director Sean Baker is drawing wide praise for his realistic portrait of life on the fringe in America in his new film The Florida Project. Baker applies a light touch to the story of a precocious six-year-old girl living in the shadow of Disney World, giving it the feel of a slice-of-life documentary. Continue reading → November 13, 2017 The post Color plays big role in director Sean Baker’s The Florida Project appeared first on Randi Altman's postPerspective.

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    • Behind the Titles: Something’s Awry Productions
      EDITING

      Behind the Titles: Something’s Awry Productions

      November 10, 2017, 6:04 pm
      NAME: Amy Theorin NAME: Kris Theorin NAME: Kurtis Theorin COMPANY: Something’s Awry Productions CAN YOU DESCRIBE YOUR COMPANY? We are a family owned production company that writes, Continue reading → November 10, 2017 The post Behind the Titles: Something’s Awry Productions appeared first on Randi Altman's postPerspective.

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    • Creating sounds for Battle of the Sexes
      SOUND

      Creating sounds for Battle of the Sexes

      November 9, 2017, 1:52 pm
      By Jennifer Walden Fox Searchlight’s biographical sports, drama Battle of the Sexes, delves into the personal lives of tennis players Bobby Riggs (Steve Carell) and Billie Jean King (Emma Stone) during the time surrounding their famous televised tennis match in 1973, known as the Battle of the Sexes. Continue reading → November 9, 2017 The post Creating sounds for Battle of the Sexes appeared first on Randi Altman's postPerspective.

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    • Detroit editors William Goldenberg, ACE, and Harry
      EDITING

      Detroit editors William Goldenberg, ACE, and Harry

      November 9, 2017, 5:53 am
      By Chris Visser Kathryn Bigelow’s Detroit is not an easy film to watch. It deals with some very ugly moments in our nation’s history — specifically, Detroit’s 1967 12th Street Riot — and the challenge of adapting that history into a narrative feature film was no easy task. Continue reading → November 8, 2017 The post Detroit editors William Goldenberg, ACE, and Harry Yoon appeared first on Randi Altman's postPerspective.

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    • Red Giant Universe 2.2 gets 11 new transitions, su
      EDITING

      Red Giant Universe 2.2 gets 11 new transitions, su

      November 8, 2017, 2:53 pm
      Red Giant is now offering Universe 2.2, which features 11 new transition tools — 76 transitions and effects in total — for editors and motion graphics artists. In addition to brand new transitions, Red Giant has made updates to two existing plugins and added support for Avid Media Composer. Continue reading → November 8, 2017 The post Red Giant Universe 2.2 gets 11 new transitions, supports Media Composer appeared first on Randi Altman's postPerspective.

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    • A Closer Look: VR solutions for production and pos
      VFX

      A Closer Look: VR solutions for production and pos

      November 2, 2017, 5:33 pm
      By Alexandre Regeffe Back in September, I traveled to Amsterdam to check out new tools relating to VR and 360 production and post. As a producer based in Paris, France, I have been working in the virtual reality part of the business for over two years. While IBC took place in September, Continue reading → November 2, 2017 The post A Closer Look: VR solutions for production and post appeared first on Randi Altman's postPerspective.

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    • Tackling VR storytelling challenges with spatial a
      EDITING

      Tackling VR storytelling challenges with spatial a

      October 30, 2017, 1:28 pm
      By Matthew Bobb From virtual reality experiences for brands to top film franchises, VR is making a big splash in entertainment and evolving the way creators tell stories. But, as with any medium and its production, bringing a narrative to life is no easy feat, especially when it’s immersive. Continue reading → October 30, 2017 The post Tackling VR storytelling challenges with spatial audio appeared first on Randi Altman's postPerspective.

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