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February 16, 2017, 1:16 pm
NAME: Steve Porter
COMPANY: MTI Film
CAN YOU DESCRIBE YOUR COMPANY?
We are a Hollywood-based post facility that specializes in TV finishing, film restoration and software development.
AS A COLORIST, WHAT WOULD SURPRISE PEOPLE ABOUT WHAT FALLS UNDER THAT TITLE? Continue reading →
February 16, 2017
The post Behind the Title: MTI colorist Steve Porter appeared first on Randi Altman's postPerspective.
April 25, 2017, 5:14 pm
Bluefish444 announced that version 1.1 of its IngeSTore multichannel capture software is now available free from the Bluefish444 website. Compatible with all Bluefish444 video cards, IngeSTore captures multiple simultaneous channels of 3G/HD/SD-SDI to popular media files for archive, edit, encoding or analysis. IngeSTore improves efficiency in the digitisation workflow by enabling multiple simultaneous recordings from VTR’s, Continue reading → April 25, 2017 The post Bluefish444 releas...
April 25, 2017, 5:13 pm
Autodesk has launched several new versions of its solutions for media and entertainment, including the Autodesk Flame Family 2018 update 1 for VFX, the Arnold 5.0 renderer, Maya 2017 update 3 for 3D animation, performance updates for Shotgun production tracking and review software, and 3ds Max 2018 software for 3D modeling. Continue reading → April 25, 2017 The post Latest Autodesk Flame family updates and more appeared first on Randi Altman's postPerspective.
April 23, 2017, 2:26 pm
MTI Film is updating its family of Cortex applications and tools, highlighted by Cortex V.4. In addition to legacy features, such as a dailies toolset, IMF and AS-02 packaging and up-res algorithms, Cortex V.4 adds DCP packaging (with integrated ACES color support), an extended edit tool and officially certified Dolby Vision metadata editing capabilities. Continue reading → April 23, 2017 The post MTI Film updates Cortex for V.4, includes Dolby Vision HDR metadata editing appeared first ...
April 21, 2017, 5:03 pm
FilmLight is at NAB demo-ing Version 5.0 of its color tools. The upgraded toolkit maintains a consistent user experience across the Baselight color grading and finishing system, Baselight Editions, Daylight and FilmLight’s new on-set application, Prelight. “We are delivering 5.0 everywhere, bringing a new level of color control and creative possibilities from the very start of a production right to the final deliverables,” says Wolfgang Lempp, Continue reading → April 21, 2017 The...
April 20, 2017, 10:34 am
After graduation, these artists have been working on projects for Marvel, Disney, Fox and HBO. By Randi Altman With an estimated 1 in 68 children in the US being born with some sort of autism spectrum disorder, according to the Centers for Disease Control’s Autism and Developmental Disabilities Monitoring, Continue reading → April 19, 2017 The post Exceptional Minds: Autistic students learn VFX, work on major feature films appeared first on Randi Altman's postPerspective.
April 18, 2017, 7:30 pm
By Brady Betzel Color grading is an art unto itself. A dedicated colorist can make your footage look so good, your response upon seeing it will likely be, “I had no idea it could look like this.” Unfortunately, as an editor you don’t have the opportunity to spend 10 hours a day honing the craft of color correction. Continue reading → April 18, 2017 The post Red Giant Magic Bullet Suite: Looks 4 and Colorist IV appeared first on Randi Altman's postPerspective.
April 17, 2017, 9:44 am
The new PD2710QC from BenQ America is a 100 percent sRGB and Rec. 709 monitor offering a range of features. The design monitor includes a USB-C docking station for MacBook and PC users, allowing designers to charge devices, transfer data, transmit audio and video, and connect to the internet, Continue reading → April 14, 2017 The post BenQ launches color-critical monitor with USB-C connectivity appeared first on Randi Altman's postPerspective.
April 17, 2017, 9:44 am
EditShare, makers of shared storage and media management solutions, has introduced the XStream EFS 200 and XStream EFS 300 storage products. Like other XStream EFS products, these new products are based on the EditShare File System and provide fault tolerance while streamlining administrative tasks and providing a plug-and-play upgrade path. Continue reading → April 17, 2017 The post EditShare intros scalable XStream EFS 200, EFS 300 storage appeared first on Randi Altman's postPerspective.
In this episode of The Cutting Room, we explain just where we have been for the past four months. We'll begin regularly ...
Joe Walker joins Gordon to discuss the editing of Denis Villeneuve's film Arrival. They focus on Time and manipulating t ...
Gordon sits down with Steven Rosenblum to discuss the editing of Birth of a Nation. They talk about lack of footage and how t ...
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