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  • Kerry

    Sound Design Uses Fairlight for GRAMMY® Awards

    March 14, 2017, 1:37 pm
    Blackmagic Design today announced that Sound Design Corporation uses Fairlight DAWs with Xynergi controllers to deliver audio for major award shows, including the 59th Annual GRAMMY® Awards. For more than 20 years, Fairlight has helped Sound Design Corporation deliver all its audio post and broadcast projects, including variety and award shows, television series and specials, documentaries, shorts, commercials, video games and more.

    Fremont, CA - March 14, 2017 - Blackmagic Design today announced that Sound Design Corporation uses Fairlight DAWs with Xynergi controllers to deliver audio for major award shows, including the 59th Annual GRAMMY® Awards. For more than 20 years, Fairlight has helped Sound Design Corporation deliver all its audio post and broadcast projects, including variety and award shows, television series and specials, documentaries, shorts, commercials, video games and more.
     
    Led by Founder and CEO Paul Sandweiss, Sound Design Corporation relies on 12 Xynergi systems, with six in daily use at the company’s Los Angeles facility and two in daily use on TBS’ “Conan,” for which Sound Design Corporation built the audio broadcast facility. Sound Design Corporation also uses four Xynergi systems in flypacks to record award shows and specials, such as the American Music Awards, the BET Awards, the Billboard Music Awards, the Academy of Country Music Awards, the Emmy Awards, the Kennedy Center Honors, the Soul Train Music Awards and more.
     
    “We mix sound, music and voice over for all audio packages on Fairlight ahead of time for live and pre-taped award shows and specials and deliver them to the client for playback,” explained Sandweiss. “For pre-taped shows, live shows that will be re-aired later or special deliverables, we also multitrack and video record the events on-site with Fairlight systems and post the entire shows at Sound Design afterwards. This includes dialogue clean up, edits, smoothing out the audience, sweeteners, bumpers, sound effects design, music mixing and more. These are high profile shows with top talent, so our deliverables need to match that. Reliability is number one, and failure is definitely not an option.”
     
    Sound Design Corporation has five Fairlight-equipped mixing suites, consisting of four dialogue rooms and one room equipped with Fairlight’s XE-6 fader for mixing music and vocal writing. All the machines are networked together, which Sandweiss noted is essential to their workflow. “The networking is great because we can pass files back and forth with ease,” he said. “The machine room has a networked Xynergi that we can all access for sound effects, backup files from past work and more. We could be working on TV shows from any decade, so we have to hang onto content, and Fairlight lets us access it in just a few clicks.”
     
    Efficiency is a big part of Sound Design Corporation’s workflow as many taped shows need to air quickly. As Sandweiss noted, today’s miracle is tomorrow’s standard, and as soon as something is done in one less day, that will become the new norm. “We might need 80 hours to do full post and only have two days until delivery, so we have to work efficiently, sometimes using multiple mix suites, and save as much time as possible,” he said. “Even late night shows have a small one hour window for fixes. For example, one of the rooms on ‘Conan’ uses a Fairlight Xynergi system for mixing pre-taped segments, which are played back as video elements during show time, and the whole show is recorded in Fairlight. If any audio fixes are necessary, they can be mixed and fixed in Fairlight, then Broadcast WAV files are dropped on the timeline for the video editors, and they can drop them into their final edited show and feed to TBS in Atlanta for broadcast a few hours later.”
     
    For Sound Design Corporation, it’s not just about the amount of time until a deadline, but also the amount of deliverables for each project. The team is often tasked with delivering on networks’ censoring guidelines and time zones, extra foreign language deliverables, stem delivery and more, which can add up to 80 tracks of deliverables for one airing. “For example, we may need to deliver multiple dialogue stems, music stems, effects stems, etc. Fairlight lets us record as many channels as we need in real time, or even render them in less than real time, which keeps us on track for network delivery,” Sandweiss explained.
     
    “Having audio and video in the same box is a necessity, and I know Fairlight will always be frame and field accurate,” Sandweiss continued. “If your reference video is incorrectly prepared and you drop it in, you’re going to worry if you’re locked or not. But I know when I record with Fairlight on-site, I am locked in. I can record a show and start on post the next morning without having to drag files in and wait while they load. Audio and video are already there in the timeline.”
     
    While latency often occurs in monitors due to the nature of digital media, Sound Design Corporation relies on Fairlight’s built-in ability to independently advance or delay video to compensate. “While mixing, video monitors will sometimes be a field or frame late, which can add up to two or three frames of latency,” explained Sandweiss. “All monitors have different latency, and while you want audio in sync, you don't want to delay the audio because then you’re asking the faders to move late. Instead, Fairlight’s video playback advance tells it how many frames to advance, and boom, you are synced up.”
     
    Each one of Fairlight’s built-in features helps Sound Design Corporation save time, and when added up, the overall savings are significant. While machine control is less of a necessity now that digital file delivery is more prevalent than tape, Sandweiss and his team still benefit from Fairlight’s integrated nine-pin control. “It works with every tape-based machine and having that control built-in is great, as we don’t have to think about it as an extra step or setup; it’s just a keystroke away,” he noted. “It helps us be more flexible too because we can offer more solutions to our clients if they walk in with tape‑based footage.”
     
    According to Sandweiss, it’s both bigger features along with smaller, more obvious tools that create the most efficiencies. “Having the tactile control is amazing. I can build a screen with six modes, move things around, and it’s the most ergonomic keyboard, greatly speeding up what I can do,” he said. “You also need a scrub wheel, so the jogger comes in handy. Many times, the only way you can evaluate something is to scrub it and park it in the right place.”
     
    Sandweiss concluded, “We originally chose Fairlight because it simply sounded great, and when working in audio, that’s the main factor. Throughout the years, Fairlight has read my mind when it comes to innovations and delivered tools that I thought, ‘How did they know I wanted to do that?’ Especially when it comes to creating efficient, quick and better ways to do things while maintaining reliability, because whatever I need to do, it needs to be done fast and sound sweet.”
     
    Press Photography
    Product photos of Blackmagic Design products are available at www.blackmagicdesign.com/press/images.
     
    About Blackmagic Design
    Blackmagic Design creates the world’s highest quality video editing products, digital film cameras, color correctors, video converters, video monitoring, routers, live production switchers, disk recorders, waveform monitors and real time film scanners for the feature film, post production and television broadcast industries. Blackmagic Design’s DeckLink capture cards launched a revolution in quality and affordability in post production, while the company’s Emmy™ award winning DaVinci color correction products have dominated the television and film industry since 1984. Blackmagic Design continues ground breaking innovations including 6G-SDI and 12G-SDI products and stereoscopic 3D and Ultra HD workflows. Founded by world leading post production editors and engineers, Blackmagic Design has offices in the USA, UK, Japan, Singapore and Australia. For more information, please go to "www.blackmagicdesign.com.

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  • Other Postings By Member

    • Kerry
      EDITING

      Chris Conley Creates Film with Blackmagic Design

      August 11, 2020, 3:01 pm
      Blackmagic Design today announced that Jacksonville Jaguars Wide Receiver Chris Conley recently shot “Quarantime,” a new short film created during isolation, using a Blackmagic URSA Mini Pro G2 digital film camera shooting in Blackmagic RAW. Conley also edited and graded the film himself using DaVinci Resolve Studio, which he learned at home during football’s hiatus.

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    • Kerry
      EDITING

      Digital Sprockets Relies on Cintel Scanner

      August 6, 2020, 2:00 pm
      Cintel Scanner and DaVinci Resolve Studio are being used at film restoration and post production facility Digital Sprockets to restore a number of 35mm classic Mexican films from the 1940s, 1950s and 1980s.

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    • Kerry
      EDITING

      UC Berkeley's Virtual Graduation in Minecraft

      July 31, 2020, 3:05 pm
      Blackmagic Design today announced that OS Studios used its gear to help produce a virtual graduation and two day music festival for the University of California, Berkley (UC Berkeley) class of 2020 in Blockeley University. Blockeley University is a detailed replica of the UC Berkeley campus in Minecraft, the popular video game platform, built and maintained entirely by the university’s students.

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    • Kerry
      EDITING

      Blackmagic Design Announces New ATEM Mini Pro ISO

      July 30, 2020, 6:08 pm
      New model adds a 5 channel recording engine to write all video inputs as separate video files for editing a live production after the event!

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    • Kerry
      EDITING

      YouTuber Cherry Wallis Switches to DaVinci Resolve

      July 30, 2020, 3:00 pm
      Blackmagic Design today announced that YouTube personality and creator Cherry Wallis now relies on DaVinci Resolve Studio for all aspects of post production on her Harry Potter Wizarding World themed channel.

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    • Kerry
      VFX

      Looks That Kill VFX Created with Fusion Studio

      July 24, 2020, 3:33 pm
      Blackmagic Design today announced that visual effects (VFX) company Flying Turtle Post used Fusion Studio VFX and motion graphics software on the new comedy “Looks That Kill.”

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    • Kerry
      EDITING

      Elton John’s Performance Posted in DaVinci Resol

      July 23, 2020, 2:18 pm
      Blackmagic Design today announced that DaVinci Resolve Studio was used for end to end post production on Elton John’s performance of “I'm Still Standing” for One World: Together At Home, a global broadcast and digital special to support frontline healthcare workers and the WHO. With more than two million views on YouTube alone, the entire project was completed by a team of four people in just 20 hours.

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    • Kerry
      COLOR

      Creating PSAs ASAP for Magellan Healthcare

      July 21, 2020, 7:57 pm
      Magellan Healthcare teams up with Sugar Skull Creative and Director/DP Adam Goldfine to quickly create content to aid with COVID-19 awareness

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    • Kerry
      VFX

      Chalk Warfare Created With Blackmagic Design

      July 21, 2020, 5:37 pm
      Blackmagic Design announced today that Chalk Warfare 4.0, the newest installment of popular YouTube series Chalk Warfare, was produced using a full Blackmagic Design workflow, from production through post. This includes using URSA Mini Pro 4.6K G2, Pocket Cinema Camera 4K shooting in Blackmagic RAW for production and DaVinci Resolve Studio for all of the film’s post production.

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    • Kerry
      EDITING

      Blackmagic Design Announces UltraStudio Monitor 3G

      July 16, 2020, 6:03 pm
      Blackmagic Design today announced UltraStudio Monitor 3G and UltraStudio Recorder 3G, two new capture and playback solutions featuring 3G-SDI and HDMI connections plus high speed Thunderbolt™ 3 technology. UltraStudio Monitor 3G and UltraStudio Recorder 3G are extremely portable, pocket sized products powered by their Thunderbolt connections so they can be operated from a computer’s battery or power source.

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