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April 21, 2017, 4:46 am
Ok, as said in NAB Part I, there is a lot going on for NAB this year. We are a mere few days away from 2017 NAB and you can feel the energy level starting to really pick up. Ask anyone on the ProductionHUB team and they will tell you the shear amount of news coming in from over 1700 exhibitors is a lot of info. But not to worry, I’ve cherry picked more of the must see booths at the show. NAB Part II is going to be a blast. But if you don’t see your favorite lens or gear here, be sure...
May 24, 2017, 10:33 am
The key to generating income from your creative endeavors is a portfolio that speaks volumes. Your portfolio should not only represent your skill set, but also your passion and dedication to producing quality work. If your portfolio can successfully showcase both your adept skill and extraordinary devotion to your craft, it will, without a doubt, attract the interest you need to make a living. Creating a massively impressive portfolio is no easy task, however, especially for a young profess...
May 17, 2017, 10:29 am
Is this not a great business to be in? Hard to believe not to long ago that the 2017 NAB was wrapping up. Officially, the National Association of Broadcasters tabbed the attendance at 103,443. Which after twenty something NAB shows sounds and feels about right. But before we get into some of the cool new products we looked at, some perspective and analysis is definitely in order.
May 16, 2017, 9:31 am
Virtual reality (VR) has slowly been coming into its own in the last several years. These days, anybody can buy a VR headset compatible with a smartphone and dive into an immersive game experience. VR isn’t just for gaming anymore, however—it’s also making a splash in several industries. It’s a growing market, and with 685 VR startups diligently advancing the technology, the VR market is expected to be worth about $30 billion by 2020. So what’s the next step for VR? Most likely, we...
April 18, 2017, 5:23 am
In an industry where gear plays such an important role, you know a piece of equipment is worth a look when it becomes the consensus choice of the pros. For many, the Sony FS7 has achieved that status among cameras currently on the market. For the scoop on this topic, we interviewed Tammy Rogers, a seasoned production manager with a pulse on what video service clients and providers are talking about.
April 5, 2017, 4:37 pm
Audio Network has recently introduced their World Documentary Series, a collection of beautifully recorded cinematic scores that evoke scenes from around the globe. Ali Johnson, Audio Network Global Head of Music, gives us an exclusive look into the idea behind the series.
March 21, 2017, 4:33 am
As I looked out of my office window this morning at the raging snowstorm currently hammering New England, it occurred to me that NAB 2017 is right around the corner! I hope you will have your best walking/running shoes ready because this year's NAB is shaping up to be a real whopper of a show. All preliminary indications tell me that this could be the year of some exciting new breakout products and as always the continued refinement of existing products. Someone who knows me asked, “Are...
March 14, 2017, 9:27 am
If I had to pick one constant among independent film festival submissions it would be unintelligible dialogue. The cause of desperation of every director; the bane of every mixing engineer’s existence; the source of suffering of your friends and family, forced to go through a whole movie they don’t understand because the actors’ words simply can’t be heard. This and many other nuances of your film’s sound are the victims of a few often overlooked details, which in turn result in th...
January 24, 2017, 10:16 am
Your average VR project requires a lot of complicated equipment, a number of complicated steps, and a co-ordinated, full on team effort. In the distant future – think ‘flying cars and robot butlers’ distant – you may well be able to shoot 360 VR films on your iPhone (or future equivalent). For now, the process involves more than just reaching into your pocket and whipping out your phone.
January 5, 2017, 4:23 pm
Making any kind of film is time consuming and expensive. A large part of the cost comes from buying, or more realistically for a student crew with just a handful of people, renting high quality equipment. Not least because insurance could make the rental prohibitively expensive.
November 28, 2016, 1:19 pm
Sooner or later, every commercial filmmaker comes across a project that, for one reason or another, requires him or her to conduct an interview. Whether it’s a brand film, documentary, or testimonial, interviews with ‘real people’ (non-actors) bring a unique set of challenges. Most producers know this, and they also know that they ought to prepare for this kind of interview—but how?
Stuart joins Gordon to discuss A Series of Unfortunate Events for Netflix and what the difference is between working for Broa ...
In this episode of The Cutting Room, we explain just where we have been for the past four months. We'll begin regularly ...
Joe Walker joins Gordon to discuss the editing of Denis Villeneuve's film Arrival. They focus on Time and manipulating t ...
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