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May 19, 2017, 12:24 pm
Motion Design Artist Ed Brown is convinced that there will be a flurry of rainy urban scenes coming, that will have a neon sign or two in them. Thanks to a lot of inspiration from
The Post Creating and Animating a Neon Sign in Cinema 4D originally appeared and published on %%BLOGLINK%,by lesterbanks
March 15, 2018, 1:34 pm
Dennis Porter’s Free Material Manager Gets a Massive Overhaul in Version 5 Material Manager is a handy all-in-one panel that allows you to interact with the materials in your Maya scene quickly. With it, you
March 15, 2018, 10:23 am
VFX Supervisor Damian Allen Has Put Together a Free Previs Course for Moviola Looking to learn more about previs and its workflow? Now there is a place where you can start. VFX Supervisor and founder
March 15, 2018, 10:22 am
Silverwing’s Raphael Rau Provides a Great Overview of Octane’s New Metal Material in 3.08 Glass and metal always seems to carry a lot of work. There are a lot of subtle nuances and settings that
March 14, 2018, 9:17 am
James Ramirez Takes a Quick Look at Using Stardust’s Feild Node to Control Particles for Pixel Portraits Art Director James Ramirez (friedpixels) breaks down one of his Stardust experiments, creating pixel portraits using various types
March 14, 2018, 9:16 am
Eli Prenten Looks at Modeling, Texturing, and Animating a Tiny Castle Using Cinema 4D Interaction Designer & Teacher Eli Prenten (mobox) covers creating a tiny castle in Cinema 4D from modeling to texturing, lighting and
March 12, 2018, 9:32 am
Greg Hendrix Shares a Technique for Creating Procedural Polygon Clouds Using an Updated Way to Copy Objects to Points 3D Artist Greg Hendrix (Polygon Pig) shares a way to create procedural polygon clouds using Side
March 12, 2018, 9:32 am
Arvid Schneider Explains the Benefits of Light Path Expressions in Arnold for Creating Custom AOVs ILM Lighting TD Arvid Schneider covers using Light Path Expressions (LPE) With Arnold in Maya. Light Path Expressions are to
March 10, 2018, 12:45 pm
Maximilian Schönherr Walks Through Using MASH dynamic Constraints Including Glue and Motors. Artist Maximilian Schönherr covers working with MASH dynamic constraints to create some dynamic effects. MASH added the ability to use dynamics, based on
March 10, 2018, 9:50 am
VFX Artist Deko Explains a Simple Oil-Water Effect In Side Effects Houdini Valdemaras Dzengo is a VFX artist & 3D generalist originally from Lithuania, who shows how to create a great-looking oil-water effect in Side
March 9, 2018, 3:26 pm
Plugin Everything Has an In-Depth Look at Working With Their New Plugin Effect Matte Effect Matte is one of those things that is so simple; you wonder why it hasn’t been around sooner. From the
Gordon Burkell sits down with Nathan Robitaille and Nelson Ferreira to discuss the sound design of The Shape of Water, for wh ...
Gordon Burkell sits down to talk to Bruno Verdoni, who plays Pat in Molly's Game, about acting, working with Aaron Sorki ...
Gordon sits down with Alan Baumgarten and Josh Schaeffer to discuss their Eddie nominated work on the film Molly's Game.
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