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September 13, 2017, 11:42 am
In advance of IBC, Adobe announced new features coming to its Creative Cloud video applications, including the release of Team Projects, new VR support in Premiere Pro and, at last, Character Animator v1.0. 360-degree video creation in Premiere Pro should be easier now that Adobe has introduced a way for users to keep working using […]
The post Adobe Sets Expanded Immersive Video Features for Premiere Pro appeared first on Studio Daily.
February 17, 2018, 6:43 am
Oscar and BAFTA nominee Ben Morris, creative director of Industrial Light & Magic’s London Studio, was the overall visual effects supervisor for Star Wars: The Last Jedi. Morris has received an Oscar and a BAFTA award for The Golden Compass, a BAFTA nomination for War Horse, a Primetime Emmy and VES award for Dinotopia, and […] The post VFX Supervisor Ben Morris on Star Wars: The Last Jedi appeared first on Studio Daily.
February 15, 2018, 8:07 pm
The Visual Effects Oscar nomination for Kong: Skull Island is senior visual effects supervisor and second unit director Stephen Rosenbaum’s third. He has received two Oscars and two BAFTAs for Avatar and Forrest Gump. The first film Rosenbaum worked on was The Abyss at Industrial Light & Magic. He was a CG artist there for […] The post VFX Supervisor Stephen Rosenbaum on Kong: Skull Island appeared first on Studio Daily.
February 14, 2018, 1:19 pm
With War for the Planet of the Apes, Dan Lemmon, VFX supervisor at Weta Digital, received his fourth Oscar nomination. Last year, he received an Oscar and a BAFTA award for The Jungle Book. He has also received Oscar and BAFTA nominations for Dawn of the Planet of the Apes and Rise of the Planet of the […] The post VFX Supervisor Dan Lemmon on War for the Planet of the Apes appeared first on Studio Daily.
February 13, 2018, 1:19 pm
The only thing I am 100% sure about in our industry is that things will change. 2017 was certainly a year of change from a content distributor’s perspective — we started the year being asked by our clients who license programming from us for HD, which then changed to all 4K, and then 4K with HDR. […] The post To 8k, or Not to 8k, That Is the Question! appeared first on Studio Daily.
February 13, 2018, 1:19 pm
Oscar nominee Christopher Townsend was the overall visual effects supervisor for Marvel’s Guardians of the Galaxy, Vol. 2. This is the second Oscar nomination for Townsend; his first was for the 2013 film Iron Man 3, which resulted in VES and BAFTA nominations for best visual effects, as well. His 13 award nominations also include […] The post Oscar-Nominated VFX Supervisor Christopher Townsend on Guardians of the Galaxy Vol. 2 appeared first on Studio Daily.
February 12, 2018, 6:06 pm
The commercial division of Reel FX is rebranding as ATK PLN, bringing on board Shilo founder Jose Sebastian Gomez and former Digital Domain production head Jim Riche. Reel FX GM David Bates will lead overall strategy as managing director, while Gomez will lead the creative vision and Riche will be executive producer. The team will work […] The post Reel FX Launches ATK PLN Commercial Division with Shilo Founder Jose Sebastian Gomez appeared first on Studio Daily.
February 12, 2018, 12:46 pm
The Marvelous Mrs. Maisel, the latest from Gilmore Girls creator Amy Sherman-Palladino, is a period piece about a recently separated New York City housewife who bucks convention to become a stand-up comic. The Golden Globe-winning show stars Rachel Brosnahan but also New York City, where it is shot. This late 1950s-era New York is populated […] The post VFX Supe Lesley Robson-Foster on Expanding The Marvelous Mrs. Maisel’s World appeared first on Studio Daily.
February 9, 2018, 1:42 pm
The Orville presents a marked departure from creator Seth McFarlane’s usual fare. While never short on his trademark irreverent humor, this starship-based series set in the 25th century is surprisingly earnest in its presentation of a better and brighter future. The series has also not shied away from difficult contemporary subject matters presented in a sci-fi […] The post VFX for a Better, Brighter Future in Fox’s The Orville appeared first on Studio Daily.
February 7, 2018, 1:49 pm
The USC Annenberg Inclusion Initiative (AII) has revealed the results of its annual report on Inclusion in the Director’s Chair and, again, Hollywood got a failing grade when it comes to putting women in positions of power on set. USC Annenberg associate professor Stacy Smith, who is the founder and executive director of the AII, […] The post Focus on Women in Production and Post appeared first on Studio Daily.
February 6, 2018, 7:04 pm
Technicolor announced its newest expansion in the Asia Pacific market with the establishment of Mill Film, a new VFX studio based in Adelaide, Australia. The move coincides with the South Australia Film Corporation offer of a new, un-capped Post Production, Digital and Visual Effects (SA PDV) rebate. Beginning last month, the new SA PDV rebate offers a […] The post Technicolor Opens VFX Studio Mill Film in Adelaide, Australia appeared first on Studio Daily.
Gordon sits down with Alan Baumgarten and Josh Schaeffer to discuss their Eddie nominated work on the film Molly's Game.
Tom Cross and Gordon Burkell sit down to discuss the editing of Hostiles and how to work with footage to affect the pacing an ...
Gordon Burkell interviews Paul Machliss about timing and editing Baby Driver.
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