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  • Aubrey Woodiwiss joins Carbon LA as lead colorist

    Aubrey Woodiwiss joins Carbon LA as lead colorist

    October 11, 2017, 11:56 am
    Full-service creative studio Carbon has added colorist Aubrey Woodiwiss as senior colorist/director of color grading to their LA roster. He comes to Carbon with a portfolio that includes spots for Dulux, NBA 2K17, Coors and Honda, and music videos for Beyonce’s Formation, Continue reading →
    October 11, 2017
    The post Aubrey Woodiwiss joins Carbon LA as lead colorist appeared first on Randi Altman's postPerspective.

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  • Other Postings By Member

    • Rogue takes us on VR/360 tour of Supermodel Closet
      VFX

      Rogue takes us on VR/360 tour of Supermodel Closet

      December 12, 2017, 8:09 pm
      Rogue is NYC-based creative boutique that specializes in high-end production and post for film, advertising and digital. Since its founding two years ago, executive creative director, Alex MacLean and his team have produced a large body of work providing color grading, finishing and visual effects for clients such as HBO, Continue reading → December 12, 2017 The post Rogue takes us on VR/360 tour of Supermodel Closets appeared first on Randi Altman's postPerspective.

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    • Shotgun 7.6 adds analytics feature set for VFX and
      VFX

      Shotgun 7.6 adds analytics feature set for VFX and

      December 12, 2017, 1:57 pm
      Shotgun Software has released Shotgun 7.6, the latest version of its cloud-based review and production tracking software, featuring a new set of analytics and reporting tools that give studios the ability to visualize key production information, keep a close eye on the progress of their projects and make business-critical decisions quickly. Continue reading → December 12, 2017 The post Shotgun 7.6 adds analytics feature set for VFX and animation appeared first on Randi Altman's postPers...

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    • Behind the Title: senior compositing artist Marcel
      VFX

      Behind the Title: senior compositing artist Marcel

      December 9, 2017, 5:17 am
      We recently reached out to Marcel Lemme to find out more about how he works, his background and how he relaxes. What is your job title and where are you based? I’m a senior compositing artist based out of Hamburg, Germany. What does your job entail? Continue reading → December 8, 2017 The post Behind the Title: senior compositing artist Marcel Lemme appeared first on Randi Altman's postPerspective.

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    • Abbe Daniel joins NYC’s Eight VFX as EP
      VFX

      Abbe Daniel joins NYC’s Eight VFX as EP

      December 7, 2017, 10:46 am
      Eight VFX, a New York- and Los Angeles-based visual effects, design and production studio, has named Abbe Daniel executive producer for its New York studio. Daniel joins Eight VFX (www.eightvfx.com) from Leroy & Clarkson, a brand design and identity boutique in New York. She’s held key positions at production companies and agencies, Continue reading → December 7, 2017 The post Abbe Daniel joins NYC’s Eight VFX as EP appeared first on Randi Altman's postPerspective.

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    • Foundry intros Mari 4.0
      VFX

      Foundry intros Mari 4.0

      December 7, 2017, 5:44 am
      Foundry’s Mari 4.0, the latest version of the company’s digital 3D painting and texturing tool. Foundry launches Mari 4.0 with a host of advanced features, making the tool easier to use and faster to learn. Mari 4.0 comes equipped with more flexible and configurable exporting, simpler navigation, Continue reading → December 6, 2017 The post Foundry intros Mari 4.0 appeared first on Randi Altman's postPerspective.

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    • Review: Red Giant Trapcode Suite 14
      EDITING

      Review: Red Giant Trapcode Suite 14

      December 6, 2017, 12:37 pm
      By Brady Betzel Every year we get multiple updates to Red Giant’s Adobe After Effects plug-in behemoth, Trapcode Suite. The 14th update to the Trapcode suite is small but powerful and brings significant updates to Version 3 of Trapcode as well as Form (Trapcode Form 3 is a particle system generator much like Particular, Continue reading → December 6, 2017 The post Review: Red Giant Trapcode Suite 14 appeared first on Randi Altman's postPerspective.

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    • John Gilroy, ACE, on editing Roman J. Israel, Esq.
      EDITING

      John Gilroy, ACE, on editing Roman J. Israel, Esq.

      December 5, 2017, 8:16 pm
      By Amy Leland John Gilroy, ACE, comes from an impressive storytelling family. His father, Frank D. Gilroy, was a Pulitzer Prize-winning playwright, as well as a screenwriter and director for film and television. His older brother Tony is a screenwriter and director, known for films such as Michael Clayton and the Jason Bourne films. Continue reading → December 5, 2017 The post John Gilroy, ACE, on editing Roman J. Israel, Esq. appeared first on Randi Altman's postPerspective.

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    • Storage Roundtable
      EDITING

      Storage Roundtable

      December 5, 2017, 1:16 pm
      Production, post, visual effects, VR… you can’t do it without a strong infrastructure. This infrastructure must include storage and products that work hand in hand with those systems. This year we spoke to a sampling of those providing storage solutions — of all kinds — for media and entertainment, Continue reading → December 5, 2017 The post Storage Roundtable appeared first on Randi Altman's postPerspective.

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    • Storage in the Studio: VFX Studios
      VFX

      Storage in the Studio: VFX Studios

      December 5, 2017, 10:53 am
      By Karen Maierhofer It takes talent and the right tools to generate visual effects of all kinds, whether it’s building breathtaking environments, creating amazing creatures or crafting lifelike characters cast in a major role for film, television, games or short-form projects. Indeed, we are familiar with industry-leading content-creation tools such as Autodesk’s Maya, Continue reading → December 5, 2017 The post Storage in the Studio: VFX Studios appeared first on Randi Altman's ...

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    • Post Supervisor: Planning an approach to storage s
      EDITING

      Post Supervisor: Planning an approach to storage s

      December 5, 2017, 10:53 am
      By Lance Holte Like virtually everything in post production, storage is an ever-changing technology. Camera resolutions and media bitrates are constantly growing, requiring higher storage bitrates and capacities. Productions are increasingly becoming more mobile, demanding storage solutions that can live in an equally mobile environment. Yesterday’s 4K cameras are being replaced by 8K cameras, Continue reading → December 5, 2017 The post Post Supervisor: Planning an approach to storag...

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