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December 22, 2017, 6:56 am
Mindhunter is one of those binge-able shows that has people talking. I spent a few days last summer at the Fincher production facility in LA where the show is cut and met one of the show’s editors, Tyler Nelson. One of the other editors on the series is Oscar-winner, Kirk Baxter, ACE, whom I interviewed previously for his work on Gone Girl. Both Gone Girl and Mindhunter were edited in Premiere Pro. (I was not able to talk to the third editor on the series, Byron Smith, who also cut the Netflix series, Altered Carbon.)
May 24, 2018, 5:00 am
In part 10 of our Getting To Grips With Pro Tools series, we are going to take a look at how to use Clip Groups. formerly known as Region Groups, in Pro Tools.
May 24, 2018, 4:59 am
In 2014, Alex O’Flinn was awarded Sundance’s Sally Menke Memorial Film Editing Fellowship. He has edited The Bad Batch, A Girl Walks Home Alone at Night, and Autism in Love. Most recently he was nominated for an Independent Spirit Award for Best Editing for The Rider (also nominated as Best Picture and Best Director and Best Cinematography), which is the film we sat down to talk about for this Art of the Cut interview. This film has generated a lot of buzz. I loved seeing it at Chicago’s historic Music Box Theater.
May 23, 2018, 1:57 pm
Don’t miss Videoguys’ live webinar is on the new G-Technology SSD Solutions, featuring mobile, desktop, and ruggedized RAID storage.
May 23, 2018, 1:57 pm
In this new Pro Tools Expert video series, brought to you with the support of Waves, we test the entire range of Waves OneKnob Series plug-ins. Each of these OneKnob plug-ins provides an individual process that users set by use of a single dial.
May 23, 2018, 4:22 am
The Nashville Filmmakers Guild is more than just a Facebook group. It’s an active organization in and around Nashville , Tennessee that has spent the last several years doing many different things: The Great NLE Debate, the Camera Debate, #Setlife Roles as well as workshops on lighting, VR 360, shooting film, the business side of filmmaking and many others. StoryGive was a way for filmmakers to give back by giving a weekend of their time to make a film for a non-profit.
May 22, 2018, 6:19 am
Gigantic Studios, a post-production house in New York City, recently built a dual-purpose room for both sound mixing and colour correction. When the room is in sound mixing mode, it is a dual-operator 5.1, 7.1 and Dolby Atmos cinema mixing studio, nothing revolutionary there, the innovation comes in the form the floor sliding away to reveal a pit, allowing the mixers to work standing up whilst retaining an unobstructed view of the screen for both editors and clients alike.
Gordon Burkell sits down to talk Punk Rock, documentary editing and directing with Shaun Colon. Check out his film A Fat Wrec ...
Gordon Burkell sits down with Tristan Oliver to discuss his work on Isle of Dogs for Wes Anderson.
Gordon Burkell sits down with Joe Letteri to discuss his Oscar-nominated work on War for the Planet of the Apes.
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