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September 26, 2011, 9:47 am
Here's some insights into broadcast television series post production- The explosion of digital camera formats has given producers an unprecedented variety of choices for shooting scenes: Flip Phones, iPhones, Canon D5 and D7 cameras, Panasonic P2 and AVX-HD cameras, Arri Alexa, Sony F3 and numerous others, each with its own unique CODEC
February 16, 2012, 5:02 pm
PPD has been working closely with a prominent Canadian production company's TV division to deliver a flawless Avid offline to online workflow.
September 6, 2011, 10:51 am
DOLBY E is an audio encoding/decoding technology that allows up to 8 channels of discrete audio to be compressed on to only 2 audio tracks. Typically it's used to embed a 5.1 surround and a stereo mix on to a tape master.
September 1, 2011, 9:48 am
When independent filmmakers finally get their film sold through a distributor they are often faced with a daunting list of deliverables. PPD has been working with independent producer Judd Tilyard of Dimeworth Films to prepare all the deliverables for their 88 min. HD Feature “Battleground”.
August 19, 2011, 11:26 am
At Post Producers Digital we've been using this great Mac OSX shareware application to help safely copy large files from one drive to another. Using 'Carbon Copy Cloner' is proving to be faster than copying via the Finder, it can be stopped and started, and it'll verify the integrity of the copied files.
August 12, 2011, 12:50 pm
We have discovered a great piece of inexpensive gear that will enable HD playback without having to author a Blu-Ray disc or output to an expensive HD tape. The WD TV media player is an extremely small device that supports the playback of almost all video and audio file formats.
Gordon Burkell sits down to talk to Bruno Verdoni, who plays Pat in Molly's Game, about acting, working with Aaron Sorki ...
Gordon sits down with Alan Baumgarten and Josh Schaeffer to discuss their Eddie nominated work on the film Molly's Game.
Tom Cross and Gordon Burkell sit down to discuss the editing of Hostiles and how to work with footage to affect the pacing an ...
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