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May 9, 2018, 2:16 pm
Industrial Light & Magic (ILM) has named Rob Bredow as SVP, executive creative director and head of ILM, which is division of Lucasfilm. Bredow will be in charge of all of ILM’s four studios worldwide — in San Francisco, London, Singapore and Vancouver — and report to Lucasfilm GM Lynwen Brennan. Continue reading →
May 9, 2018
The post VFX vet Rob Bredow takes helm at ILM, Gretchen Libby upped to VP appeared first on Randi Altman's postPerspective.
December 14, 2018, 10:13 am
Foundry has launched Nuke 11.3, introducing new features and updates to the company’s family of compositing and review tools. The release is the fourth update to the Nuke 11 Series and is designed to improve the user experience and to speed up heavy processing tasks for pipelines and individual users. Nuke 11.3 lands with major enhancements to its Live Groups feature. Continue reading → December 14, 2018 The post Foundry Nuke 11.3’s performance, collaboration updates appeared first ...
December 13, 2018, 5:59 am
The Academy of Motion Picture Arts and Sciences will be celebrating nine scientific and technical achievements represented by 27 individual award recipients at its annual Scientific and Technical Awards presentation on February 9 at the Beverly Wilshire in Beverly Hills. In addition, cinematographer Curtis Clark, ASC, will receive the John A. Continue reading → December 12, 2018 The post The Academy names Sci-Tech Oscar winners appeared first on Randi Altman's postPerspective.
December 11, 2018, 1:17 pm
With recent spot work that includes jobs for Comcast, AT&T, T-Mobile and Trojan, this editor jokes, “A good Netflix and chill Tinder date was made possible thanks to the results of my commercial work.” Name: Kyle Brown Company: New York- and Santa Monica-based Exile Can you describe your company? Continue reading → December 11, 2018 The post Behind the Title: Exile Editor Kyle Brown appeared first on Randi Altman's postPerspective.
December 10, 2018, 1:18 pm
Walter Volpatto, a colorist with 15 years under his belt, has joined LA’s Efilm. His long list of credits includes Dunkirk, Star Wars: The Last Jedi and, most recently, Amazon Studios’ series Homecoming. As a colorist, Volpatto’s style gravitates toward an aesthetic of realism, though his projects span genres from drama and action to comedy and documentary, Continue reading → December 10, 2018 The post Veteran colorist Walter Volpatto joins Efilm appeared first on Randi Altman's...
December 10, 2018, 1:18 pm
Technicolor in Los Angeles will be beefing up its color department in January with the addition of colorists Andrew Francis and Trent Johnson. Francis joins Technicolor after spending the last three years building the digital intermediate department of Sixteen19 in New York. With recent credits that include Second Act, Night School, Continue reading → December 10, 2018 The post Technicolor welcomes colorists Andrew Francis and Trent Johnson appeared first on Randi Altman's postPerspective.
December 8, 2018, 7:56 am
By Mike McCarthy In a departure from my normal film production technology focus, I have also been working on an animated web series called Grounds of Freedom. Over the past year I have been directing the effort and working with a team of people across the country who are helping in various ways. Continue reading → December 7, 2018 The post Making an animated series with Adobe Character Animator appeared first on Randi Altman's postPerspective.
December 6, 2018, 1:07 pm
Simon Carr has joined visual effects house Territory, bringing with him 20 years of experience as a VFX supervisor. He most recently served that role at London’s Halo, where he built the VFX department from scratch. He has also supervised at Realise Studio, Method Studios, Pixomondo, Digital Domain and others. While Carr will be based in London, Continue reading → December 6, 2018 The post VFX supervisor Simon Carr joins London’s Territory appeared first on Randi Altman's postPer...
December 5, 2018, 11:19 am
Autodesk Shotgun 8 is the newest version of the company’s cloud-based review and production tracking software. Targeted to busy creative teams, Shotgun 8 aims to improve the artist and reviewer experience with updates that reduce interruptions to creative flow and facilitate the feedback loop. Shotgun 8 includes the first public version of Shotgun Create, Continue reading → December 5, 2018 The post Shotgun 8: cloud-based Shotgun Create for studio artists, new UI, more appeared firs...
December 5, 2018, 5:05 am
By Randi Altman The world of storage is ever changing and complicated. There are many flavors that are meant to match up to specific workflow needs. What matters most to users? Scalability, speed, data protection, the cloud and the need to handle higher and higher frame rates with higher resolutions — meaning larger and larger files. Continue reading → December 4, 2018 The post Virtual Roundtable: Storage appeared first on Randi Altman's postPerspective.
Gordon Sits down with Christopher Tellefsen to discuss A Quiet Place.
Gordon sits down with Marcus Schioler, Antoine Rotondo, & Marc-André Ferguson to discuss the big announcement at A ...
Gordon sits down with Joe Walker to discuss Steve McQueen's new film Widows.
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