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May 17, 2018, 7:43 am
Blackmagic Design today announced that Academy Award-winning DP Claudio Miranda, ASC, (“Life of Pi”) uses DaVinci Resolve Studio and the DaVinci Resolve Mini Panel for editing and color grading as part of his work as a cinematographer, as well as on his personal projects.
Fremont, CA - May 17, 2018 - Blackmagic Design today announced that Academy Award-winning DP Claudio Miranda, ASC, (“Life of Pi”) uses DaVinci Resolve Studio and the DaVinci Resolve Mini Panel for editing and color grading as part of his work as a cinematographer, as well as on his personal projects.
May 15, 2018, 9:58 am
Blackmagic Design today announced that Los Angeles-based visual effects (VFX) house Trick Digital used its VFX and motion graphics software, Fusion Studio, on the film “The Last Movie Star.”
May 10, 2018, 12:35 pm
Blackmagic Design today announced that the thriller “My Daughter Was Stolen” used a variety of its gear throughout production and post, including URSA Mini Pro, URSA Mini 4.6K and Pocket Cinema Camera digital film cameras, DaVinci Resolve 14 Studio for color grading, editing and sound design and Fusion 9 Studio for visual effects (VFX).
May 8, 2018, 9:22 am
Blackmagic Design announced today that DaVinci Resolve Studio was used on Ford’s latest 2018 F-150 campaign, produced by Big Block and agency GTB, with colorist Brandon Chavez and Director Paul Trillo.
May 2, 2018, 8:13 am
Blackmagic Design today announced that Editor Alan Edward Bell used its visual effects (VFX) and motion graphics software, Fusion 9 Studio, while editing the film “Red Sparrow.”
April 20, 2018, 7:23 am
Blackmagic Design today announced that its digital film cameras, including the URSA Mini 4.6K and URSA Mini Pro, were used in the filming of a new science fiction thriller from writer and director Nguyen Anh Nguyen (“Akira Project” and “Temple”). Post-production for Hyperlight was completed in DaVinci Resolve Studio, including the edit and grade, while the visual effects were completed in Fusion Studio and overseen by VFX supervisor Santiago Menghini.
April 4, 2018, 9:06 am
Join experts from the production and post production industries as they highlight their work on real-world projects using a variety of Blackmagic Design gear. Presenters, such as Editor Alan Bell (“Red Sparrow,” “The Hunger Games” series), DIT Joshua Callis-Smith (“Kingsman: The Golden Circle”), Colorist Walter Volpatto (“Star Wars: The Last Jedi,” “Dunkirk”) and more, will share their insights on the latest workflows, technologies and trends impacting the industry.
March 19, 2018, 7:34 am
Blackmagic Design today announced that Colorist Rob Bessette from Boston-based Finish Post used DaVinci Resolve Studio and a DaVinci Resolve Advanced Panel to grade Progressive’s latest commercial titled, “My Year of Me.” The spot follows the Progressive Box as he recounts his recent travels around the globe.
February 28, 2018, 8:30 am
Blackmagic Design today announced that DaVinci Resolve Studio was used by Colorist Lauren Malis of Chicago-based The Colonie to grade and finish several national broadcast spots for retail giant Kmart. The creative editorial and post production house was tapped to deliver the seasonal spots throughout 2017, and while each spot is different in content, they all have a similar feel essential to the Kmart brand.
February 9, 2018, 7:10 am
Blackmagic Design today announced that "Half-Life" and "Maturity," two new television pilots to air in January on New York City (NYC) Media, were edited and graded using DaVinci Resolve 14. The NYC Mayor's Office of Media and Entertainment (MOME) and Brooklyn College's Feirstein Graduate School of Cinema chose the two shows for development over 300 other scripts to be broadcast to the more than 18 million households that receive NYC Media.
Gordon Burkell sits down to talk Punk Rock, documentary editing and directing with Shaun Colon. Check out his film A Fat Wrec ...
Gordon Burkell sits down with Tristan Oliver to discuss his work on Isle of Dogs for Wes Anderson.
Gordon Burkell sits down with Joe Letteri to discuss his Oscar-nominated work on War for the Planet of the Apes.
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