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  • Sherri

    VFX Legion Wraps Three-Year’s Work Title

    May 22, 2018, 5:07 pm
    The Studio Created Hundreds of Photorealistic CG Shots, Seamlessly Matching The Shondaland Production’s Live-Action Footage and Transported The LA-Based Show To A Virtual D.C. Environment



    Los Angeles: The recent airing of the series finale of ‘Scandal’ on ABC capped off VFX Legion’s three-year run as the sole visual effect company for award-winning creator/producer/writer/director Shonda Rhimes’ political thriller. The Burbank studio has been the driving force behind the hundreds of computer-generated effects that the show’s viewers didn’t see each week. Currently a streaming favorite on Netflix, Legion’s team takes great pride in the fact that the photorealistic digital world they created now goes unnoticed by a new crop of fans binge-watching the groundbreaking series.
    'Scandal' is shot in LA, while its story unfolds in D.C. where deception and intrigue ensue as its central character, Olivia Pope, (Kerry Washington) the staff of her crisis management firm, and the White House’s inner circle ravenously vie for power. 

    While the episodic drama didn’t call for futuristic CG worlds, the Los Angeles-based production relied heavily on VFX Legion to create composited sequences, set extensions, full computer-generated environments and exacting digital replications of iconic buildings in D.C. that would have been too expensive, impractical, or impossible to shoot.

    Right out of the gate ‘Scandal’ put VFX Legion through its paces. The studio’s first task was to recreate the White House’s Truman Balcony from multiple viewpoints revealing different sections of the building’s façade with various historic structures in the background.  The studio nailed the first episode, turning around over 50 shots in less than a week, and went on to build a solid working relationship with ‘Scandal’s’ team that paved the way for increasingly challenging effects each season. 

    Once ‘Scandal’ brought VFX Legion onboard, founder, creative director James David Hattin’s first order of business was to customize a new digital pipeline that optimized the efficiency and quality control of the show’s visual effects.  Hattin, the architect of the studio’s state-of-the-art pipeline, designed its infrastructure to support transparent communication with each artist and enable his management team to work one-to-one, supervising every phase of the production. Nuke-based compositing facilitated collaborative workflow and streamlined ‘Scandal’s’ visual effects process. Redshift was key to completing the CG renderings on schedule, while maintaining consistently high-quality.

    The studio’s multi-disciplined collective of 70+ artists was already in place, providing the workforce needed to handle the volume of visual effects that the show required, and spread out the shots to allow the talent to focus on creating quality work, rather than looming deadlines. Autodesk’s Shotgun enabled Legion to manage the large quantity of complex assets while working as a single unit with its artists. 

    While Legion is a young studio, it’s built on the experience, technical ingenuity, and creativity of veteran talent. Hattin brings 20-years of experience working at top-tier Los Angeles visual effects studios as a senior creative, and lead supervisor on dozens of high-profile television shows and feature films. Rooted in the epicenter of the industry, the company’s management, support staff and core senior artists bring a shared LA sensibility to Hollywood-based productions like ‘Scandal.'

    Spearheaded by Hattin, Legion handled every facet of the visual effects process for the last 50 episodes of the series, from pre-production, budgeting, establishing shot lists and developing concepts to on-set supervision and production. 

    VFX supervisor Matthew Lynn, on-set coordinator, Mathew Noren and support staff were on-set during shoots, working closely with ‘Scandal’s’ directors, ADs, camera crews and post teams. They provided input and gathered data on green-screen placement, the positioning of tracking markers, lighting placement, camera angles and other specs, ensuring that Legion had the information and assets needed to produce visual effects that seamlessly blended with the live-action, as well as the lighting and look of the show.

    “As confidence in the our capabilities grew, more ambitious visual effects were incorporated into the show,” says Nate Smalley, Legion’s head of production.  "The escalation continued during season six with an exploding cabin effect integrated into a live-action scene, and then moved on to more advanced full CG environments and set extensions. Our artists built a tight computer-generated replication of Marine One that closed the season finale as president ‘Fitz’ (Tony Goldwyn) ended his term and boarded the helicopter. For this year’s final season, we created a photorealistic digital aircraft that’s indistinguishable from a practical shot of the plane when cut back-to-back, before blowing up in a fiery explosion.”

    Legion made time to explore ways to optimize production value and the show’s visual effects budget. Its team revisited the original CG shots they created of the White House and developed new, highly detailed White House assets that supported an updated set of environments and shots with fresh, interesting angles.

    “’Scandal’s’ series finale marks the culmination of three year’s work on a breakthrough television show,” says Hattin. “The team at VFX Legion is proud of its contribution to the series and thrilled to have had the opportunity work with Shondaland Productions and ABC Studios on the final three seasons of the show.”

    Currently, VFX Legion is readying to begin work on its fourth season of another Shonda Rhimes series, ‘How to Get Away with Murder,’ and is about to wrap this season’s finale of the CBS series, ‘Madam Secretary.’ The company is also finishing up visual effects for two feature films, award-winning Director X’s remake of the 70’s classic, ‘Superfly’ and the highly anticipated hundred-million-dollar epic film, ‘Asura.’ 

    Never stagnant, vetting exceptional talent, upgrading its pioneering pipeline, devising innovative ways to interface technology and raising the creative bar remain integral elements of VFX Legion’s process.

    The release of ’Scandal’s’ VFX breakdown reel, ‘VFX Legion Goes to Washington…In LA,’ provides a retrospect of some of the CG sequences that the studio created for the show over the last three seasons.


    CREDITS: 
    Project: VFX for ‘Scandal’ (Seasons 5,6,7)
    Production Company: Shondaland Productions / LA
    Production Company:  ABC Studios / LA
    Executive Producer/Creator/Head Writer: Shonda Rhimes      


    VFX Company: VFX Legion / LA
    Creative Director/Senior VFX Supervisor: James David Hattin 
    VFX Supervisor: Matthew T. Lynn 
    Production Manager: Andrew Turner
    VFX Head of Production: Nate Smalley
    CG Supervisor: Rommel S. Calderon
    VFX Coordinator: Matthew Noren
    VFX Coordinator: Lexi Sloan
    VFX Legion: CG Environments, Set Extensions, Compositing, Matte Painting, Lighting & Look Development, Dynamics, CG Modeling, Texturing, Tracking

    Visual Effects Executive Producers: Rajeev Dassani, Elan Dassani



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  • Other Postings By Member

    • Sherri
      VFX

      VFX Legion Expands it Team of Senior Artists

      October 25, 2018, 11:39 am
      VFX Legion recently signed Lead Matte Painter Marc Adamson, Head of Simulation and Dynamics Eric Ebling, and Lead Lighter Bryan Shepperd to its team. The artists bring a mix of skill-sets to the full-service Burbank-based visual effects studio, which specializes in augmenting footage for feature films and TV shows with photorealistic environments and CG imagery that would be too expensive and time-consuming to shoot live.

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    • Sherri
      VFX

      VFX Legion - Breakdown Reel 2018

      September 27, 2018, 4:10 pm
      VFX Legion specializes inproviding episodic television shows and feature films with efficient, high quality end-to-end visual effects services, The Burbank-based studio centrally manages visual effects for a steady stream of television shows that currently includes, ‘How to Get Away with Murder,’ ‘Madam Secretary,’ and ‘Legends of Tomorrow,’ among others, which have returned to work with VFX Legion season after season.

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    • Sherri
      VFX

      VFX Legion Marks 5th Year: Signing Senior Artists

      September 27, 2018, 4:04 pm
      VFX Legion, the LA studio specializing in providing episodic television shows and feature films with efficient, high quality end-to-end visual effects services, recently marked its fifth anniversary with the signing of senior talent and refinements to its next-generation infrastructure that continues to evolve the company’s technical landscape. The expansion and upgrades further increase the studio’s capacity to handle multiple projects of complex effects and challenging deadlines.

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    • Sherri
      VFX

      VFX Legion Completes Effects for ‘Superfly’ Re

      July 10, 2018, 11:08 am
      Producer Joel Silver and Director X Call on the LA Studio to Tackle 100+ Shots Designed to Amp Up the Impact of the Action and Raw Violence in Sony’s Reboot of the Iconic ‘70’s Film

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    • Sherri
      VFX

      VFX Legion Breakdown Reel, ‘Madam Secretary’ S

      May 31, 2018, 6:43 am
      LA-based studio, VFX Legion, follows up the airing of 'Madam Secretary' season final with the release of a breakdown reel that provides a behind-the-scene look at the most challenging FX and detailed CG environments its team created for the fourth season of CBS’s Acclaimed Series

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    • Sherri
      VFX

      VFX Legion Wraps FX for Madam Secretary 4th Season

      May 31, 2018, 6:34 am
      The season finale of CBS’s political drama ‘Madam Secretary’ aired last week, closing with Secretary of State Elizabeth McCord (Téa Leoni) revealing her plans to run for president to her husband Henry (Tim Daly). VFX Legion followed up the cliffhanger with the release of a breakdown reel that takes a behind-the-scenes look at the making of some of the most complex and exacting photorealistic computer-generated environments created by the Los Angeles-based studio for the show’s fourth season.

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    • Sherri
      VFX

      VFX Legion: VFX Breakdown Reel -Power Rangers Trai

      April 25, 2018, 12:10 pm
      VFX Legion created a computer-generated universe for the 'Power Rangers: Shattered Grid' trailer. The Burbank-based studio built a virtual sci-fi environment that blends with original live-action footage and scenes from the Power Rangers TV series to bring the comic book’s panel art into a live-action world. This new chapter of the iconic Power Rangers' story takes a dramatic turn, and marks the 25th anniversary of the franchise with the biggest event in its history.

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    • Sherri
      VFX

      VFX Legion Creates FX For‘Power Rangers: Shatter

      April 25, 2018, 12:07 pm
      VFX Legion created a computer-generated universe for the 'Power Rangers: Shattered Grid' trailer. The Burbank-based studio built a virtual sci-fi environment that blends with original live-action footage and scenes from the Power Rangers TV series to bring the comic book’s panel art into a live-action world. This new chapter of the iconic Power Rangers' story takes a dramatic turn, and marks the 25th anniversary of the franchise with the biggest event in its history.

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    • Sherri
      EDITING

      The Colonie Adds Editor Erich Wiemer To Its Roster

      April 5, 2018, 3:24 pm
      The Addition of Wiemer Expands The Creative Company's Diverse Roster of In-House Talent and Provides Chicago and Detroit Agencies and Brands with Access to An Award-Winning Creative Editor

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    • Sherri
      EDITING

      UTÖKA Creates Live-Action/CG Spot For Mizuno

      February 21, 2018, 2:14 pm
      The End-to-End Creative House Goes to Bat for The Global Sporting Goods Company Providing Concept, Creative Direction, Live-Action Production, CGI, Motion Graphics & Editing Services for Its Technology-Driven Message

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