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June 9, 2018, 9:12 am
This is part 2 of my After Effects diary on the Xian project, and in it I’ll be looking at colour grading. If you missed part 1, I mentioned that the Xian project marked several milestones for me, and that I had been trying to cram so many different subjects together that it had taken me two years and four attempts just get to part 1 out. The mistake I had been making was to confuse two distinct topics – compositing and colour grading – which is interesting in hindsight, as the theme of this article is the importance of keeping them separate.
December 15, 2018, 9:43 am
Promos are marketing tools used to showcase products, services, and content. This feature presents three eye-catching promo video templates for Adobe After Effects. We'll look at three popular categories: portfolios, websites, and channels. Each one offers great opportunities to elevate your After Effects projects to the next level.
December 14, 2018, 1:33 pm
We know you're excited to create beautiful video productions in 2019. So, we thought we'd give you a jumpstart with 50 of the best Final Cut Pro templates from Envato Elements. Elements lets you download as many creative resources as you want, for one low monthly fee.
December 14, 2018, 10:11 am
Terrence Malick is well known and widely celebrated for being one of the medium's most visually conscious filmmakers. Ethereal and light, natural and nature-dependent, Malick's films show the beauty of the world and, in doing so, his filmography remains timeless.
December 14, 2018, 10:11 am
Foundry has released Nuke 11.3, the next update to its line-up of compositing and editorial tools, extending the Live Groups system and adding support for eGPU units when working with Mac hardware.
December 14, 2018, 6:13 am
The Netflix drama 22 July chronicles the 2011 Norway massacre hat left 77 dead when a far-right extremist detonated a car bomb in Oslo before carrying out a mass shooting at a teen leadership camp on the nearby island of Utoya. During Deadline’s The Contenders Los Angeles recently, editor William Goldenberg discussed how he and director Paul Greengrass adapted the real-life tragedy and its aftermath while taking care not to exploit the incident and those involved.
December 13, 2018, 10:19 am
Why does ADR get a bad reputation especially amongst actors and directors who say “it just doesn’t work” or “it is never as good as the original”? In my experience, bad ADR primarily comes down to the performance of the actor in the studio on the ADR record day but there are other factors that can play a part. Are the correct mics being used? It is a properly sized room and a good team of people present on the record day? These will always help make sure bad ADR won’t happen as long as the talent is on form.
Gordon Sits down with Christopher Tellefsen to discuss A Quiet Place.
Gordon sits down with Marcus Schioler, Antoine Rotondo, & Marc-André Ferguson to discuss the big announcement at A ...
Gordon sits down with Joe Walker to discuss Steve McQueen's new film Widows.
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