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  • Kerry

    DaVinci Resolve Studio Used for Elton John Videos

    July 23, 2018, 8:16 am
    Blackmagic Design today announced that DaVinci Resolve Studio and DaVinci Resolve Mini Panel are being used by Video Director John Steer and On-tour Post Production Specialist Chris Sobchack for end-to-end post on a variety of video productions for Grammy-winning legend and singer/songwriter Elton John.

    Fremont, CA - July 23, 2018 -Blackmagic Design today announced that DaVinci Resolve Studio and DaVinci Resolve Mini Panel are being used by Video Director John Steer and On-tour Post Production Specialist Chris Sobchack for end-to-end post on a variety of video productions for Grammy-winning legend and singer/songwriter Elton John.

     

    A Micro Studio Camera 4K is also used on tour, in conjunction with a Micro Cinema Camera, Video Assist and Video Assist 4K to shoot interview and behind-the-scenes (BTS) footage, along with HyperDeck Studio Pro and HyperDeck Studio Mini to record the live performances, and MultiView 4 to monitor camera feeds. Teranex Mini and UltraStudio Express are also used to send camera signals to the video wall on stage.

     

    “While on tour, John and I are responsible for shooting and post on a variety of video productions, such as content for Elton’s YouTube channel, clips for broadcast television and award shows, packages for fan clubs and VIPs, dedication videos, and more,” said Sobchack. “It can involve archival footage, current tour footage and new footage that we, or outside video production companies, shoot, such as interviews and BTS, so we rely heavily on DaVinci Resolve Studio in post to bring everything together, often on very tight deadlines.”

     

    The process involves taking tour footage with reference audio tracks from the sound engineer and deconstructing the footage, along with archival elements, BTS and newly shot footage, into component shots for editing, grading and audio sweetening all in DaVinci Resolve Studio. According to Sobchack, audio post can be as simple as compression and leveling, or as complex as getting some or all of the multi-track files the team records each night to augment, or even create a complete studio mix. “I’ll also add and keyframe audience microphones to enhance the live ambiance or use the Fairlight page to minutely fix any visual sync issues,” he noted.

     

    For editing, Steer splices the archival footage, BTS and newly shot footage with the raw footage from the tour’s live shows. “I handle the offline edit, while Chris handles the online, and that’s where DaVinci Resolve Studio works so well, as we can work simultaneously by sharing files back and forth,” he said. “I also use DaVinci Resolve Studio to make copies of the whole show in a lower resolution, so we have a backup viewing copy. We use DaVinci Resolve Studio to put together everything from video idents to full songs from the show while we are on the road touring, and I find it so intuitive and easy to use. Also, with Fairlight, it's so easy to sweeten the audio, and its features keep expanding.”

     

    As Steer noted, Sobchack is responsible for online editing, grading, audio editing and sweetening, and delivery.

     

    “During the live performances, the lighting is constantly changing, and overall, the footage is darker than what’s needed for broadcast or the web, as the concerts are lit for the human eye rather than for a camera. My main objective is to retain the flair of the live show’s lighting design, but also be able see Elton’s face. I also have to make the performance footage cohesive with any BTS or newly shot footage,” explained Sobchack. “In DaVinci Resolve Studio, I use gradients, vignettes on faces, HSL qualifiers and Power Windows to brighten things up and meld the radically different colors in the shots.”

     

    He continued, “I also reframe shots on occasion and rely on DaVinci Resolve Studio’s temporal noise reduction. Since we don’t shoot in light that is really video project-friendly, when we make the kinds of adjustments we need for broadcast, especially if it’s being up-resed for a prime time network for instance, this feature can take a shot from a zoomed in camera that was 60 yards away from the stage and make it look perfect.”

     

    As multi-camera recording has not been feasible on the tour, the footage also has burned in transitions, so when grading, Sobchack picks a cut point from shot A to shot B and implements an animated color transition using keyframes, ensuring the first frame of shot B matches the last frame of shot A. “Instead of using primary wheels, I use levels, and being able to jot down numbers and easily match them using the DaVinci Resolve Mini Panel is great. The panel not only adds a great tactile feel to my workflow, but since it has both dedicated and soft, page-specific knobs, it really lets me dial in and drop down to exact values, which helps with getting everything to match really quickly,” added Sobchack.

     

    He concluded, “John and I have our regular tour duties on top of the video production work, so there’s no time for transcoding and bouncing between programs. DaVinci Resolve Studio is a one-stop-shop that gives us the capability to go from media ingest all the way through to final output in one system, and that capability is huge.”

     

    Press Photography

    Product photos of DaVinci Resolve Studio, DaVinci Resolve Mini Panel, Micro Studio Camera 4K, Micro Cinema Camera, Video Assist, Video Assist 4K, HyperDeck Studio Pro, HyperDeck Studio Mini, MultiView 4, Teranex Mini, UltraStudio Express, and all other Blackmagic Design products are available at www.blackmagicdesign.com/media/images

     

    About Blackmagic Design

    Blackmagic Design creates the world’s highest quality video editing products, digital film cameras, color correctors, video converters, video monitoring, routers, live production switchers, disk recorders, waveform monitors and real time film scanners for the feature film, post production and television broadcast industries. Blackmagic Design’s DeckLink capture cards launched a revolution in quality and affordability in post production, while the company’s Emmy™ award winning DaVinci color correction products have dominated the television and film industry since 1984. Blackmagic Design continues ground breaking innovations including 6G-SDI and 12G-SDI products and stereoscopic 3D and Ultra HD workflows. Founded by world leading post production editors and engineers, Blackmagic Design has offices in the USA, UK, Japan, Singapore and Australia. For more information, please go to www.blackmagicdesign.com.

    Fremont, CA - July 23, 2018 - Blackmagic Design today announced that DaVinci Resolve Studio and DaVinci Resolve Mini Panel are being used by Video Director John Steer and On-tour Post Production Specialist Chris Sobchack for end-to-end post on a variety of video productions for Grammy-winning legend and singer/songwriter Elton John.     

    A Micro Studio Camera 4K is also used on tour, in conjunction with a Micro Cinema Camera, Video Assist and Video Assist 4K to shoot interview and behind-the-scenes (BTS) footage, along with HyperDeck Studio Pro and HyperDeck Studio Mini to record the live performances, and MultiView 4 to monitor camera feeds. Teranex Mini and UltraStudio Express are also used to send camera signals to the video wall on stage.     

    “While on tour, John and I are responsible for shooting and post on a variety of video productions, such as content for Elton’s YouTube channel, clips for broadcast television and award shows, packages for fan clubs and VIPs, dedication videos, and more,” said Sobchack. “It can involve archival footage, current tour footage and new footage that we, or outside video production companies, shoot, such as interviews and BTS, so we rely heavily on DaVinci Resolve Studio in post to bring everything together, often on very tight deadlines.”     

    The process involves taking tour footage with reference audio tracks from the sound engineer and deconstructing the footage, along with archival elements, BTS and newly shot footage, into component shots for editing, grading and audio sweetening all in DaVinci Resolve Studio. According to Sobchack, audio post can be as simple as compression and leveling, or as complex as getting some or all of the multi-track files the team records each night to augment, or even create a complete studio mix. “I’ll also add and keyframe audience microphones to enhance the live ambiance or use the Fairlight page to minutely fix any visual sync issues,” he noted.     

    For editing, Steer splices the archival footage, BTS and newly shot footage with the raw footage from the tour’s live shows. “I handle the offline edit, while Chris handles the online, and that’s where DaVinci Resolve Studio works so well, as we can work simultaneously by sharing files back and forth,” he said. “I also use DaVinci Resolve Studio to make copies of the whole show in a lower resolution, so we have a backup viewing copy. We use DaVinci Resolve Studio to put together everything from video idents to full songs from the show while we are on the road touring, and I find it so intuitive and easy to use. Also, with Fairlight, it's so easy to sweeten the audio, and its features keep expanding.”     

    As Steer noted, Sobchack is responsible for online editing, grading, audio editing and sweetening, and delivery.     

    “During the live performances, the lighting is constantly changing, and overall, the footage is darker than what’s needed for broadcast or the web, as the concerts are lit for the human eye rather than for a camera. My main objective is to retain the flair of the live show’s lighting design, but also be able see Elton’s face. I also have to make the performance footage cohesive with any BTS or newly shot footage,” explained Sobchack. “In DaVinci Resolve Studio, I use gradients, vignettes on faces, HSL qualifiers and Power Windows to brighten things up and meld the radically different colors in the shots.”     

    He continued, “I also reframe shots on occasion and rely on DaVinci Resolve Studio’s temporal noise reduction. Since we don’t shoot in light that is really video project-friendly, when we make the kinds of adjustments we need for broadcast, especially if it’s being up-resed for a prime time network for instance, this feature can take a shot from a zoomed in camera that was 60 yards away from the stage and make it look perfect.”     

    As multi-camera recording has not been feasible on the tour, the footage also has burned in transitions, so when grading, Sobchack picks a cut point from shot A to shot B and implements an animated color transition using keyframes, ensuring the first frame of shot B matches the last frame of shot A. “Instead of using primary wheels, I use levels, and being able to jot down numbers and easily match them using the DaVinci Resolve Mini Panel is great. The panel not only adds a great tactile feel to my workflow, but since it has both dedicated and soft, page-specific knobs, it really lets me dial in and drop down to exact values, which helps with getting everything to match really quickly,” added Sobchack.     

    He concluded, “John and I have our regular tour duties on top of the video production work, so there’s no time for transcoding and bouncing between programs. DaVinci Resolve Studio is a one-stop-shop that gives us the capability to go from media ingest all the way through to final output in one system, and that capability is huge.”     

    Press Photography  
    Product photos of DaVinci Resolve Studio, DaVinci Resolve Mini Panel, Micro Studio Camera 4K, Micro Cinema Camera, Video Assist, Video Assist 4K, HyperDeck Studio Pro, HyperDeck Studio Mini, MultiView 4, Teranex Mini, UltraStudio Express, and all other Blackmagic Design products are available at www.blackmagicdesign.com/media/images     

    About Blackmagic Design  
    Blackmagic Design creates the world’s highest quality video editing products, digital film cameras, color correctors, video converters, video monitoring, routers, live production switchers, disk recorders, waveform monitors and real time film scanners for the feature film, post production and television broadcast industries. Blackmagic Design’s DeckLink capture cards launched a revolution in quality and affordability in post production, while the company’s Emmy™ award winning DaVinci color correction products have dominated the television and film industry since 1984. Blackmagic Design continues ground breaking innovations including 6G-SDI and 12G-SDI products and stereoscopic 3D and Ultra HD workflows. Founded by world leading post production editors and engineers, Blackmagic Design has offices in the USA, UK, Japan, Singapore and Australia. For more information, please go to www.blackmagicdesign.com.  

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  • Other Postings By Member

    • Kerry
      COLOR

      Blackmagic Design Forms Partnership with USC

      February 12, 2019, 8:37 am
      Blackmagic Design announced today that it has formed a strategic partnership with the USC School of Cinematic Arts to provide Blackmagic hardware and software to the school over three years. The products will be used by USC students studying filmmaking and post production, while broadcast production students will now have the opportunity to work with UltraHD in the school’s television station, Trojan Vision.

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    • Kerry
      COLOR

      Top Sundance Films Created With Blackmagic Design

      January 29, 2019, 11:42 am
      Blackmagic Design today announced that more than 35 films, episodic series and projects at the 2019 Sundance Film Festival were shot and completed using Blackmagic Design products.

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    • Kerry
      COLOR

      BYUtv Uses DaVinci Resolve Studio

      January 23, 2019, 10:08 am
      Blackmagic Design today announced BYUtv, part of Brigham Young University, one of the world’s largest college broadcasters, is using DaVinci Resolve Studio and DaVinci Resolve Advanced Panel and Resolve Mini Panels for color correcting and grading an average of 150 shows and promotions each month each month. DaVinci Resolve Studio is being used in BYUtv’s three 4K grading rooms located at BYU Broadcasting, on the school’s Provo, Utah campus.

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    • Kerry
      VFX

      Blackmagic Design Used for Steve Vai Music Video

      January 22, 2019, 9:36 am
      Blackmagic Design announced today that guitarist Steve Vai’s new music video for his latest single, “Dark Matter,” was completed utilizing a full Blackmagic Design pipeline, including editorial, visual effects and finishing in DaVinci Resolve 15. The video was also shot using Blackmagic Design URSA Mini Pro.

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    • Kerry
      EDITING

      Australia’s Stage Mums Shot with URSA Mini 4.6K

      January 9, 2019, 10:48 am
      Blackmagic Design today announced that season one of the popular Australian television comedy “Stage Mums” was shot using its URSA Mini 4.6K and Pocket Cinema Camera digital film cameras. The show’s editing, audio editing and color correction were also completed using DaVinci Resolve Studio.

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    • Kerry
      COLOR

      More than 55 Fall TV Shows Use Blackmagic Design

      December 13, 2018, 11:06 am
      Blackmagic Design today announced that the company’s production and post products were used to complete many of the fall 2018 season’s new and returning television shows and streaming series. More than 55 shows rely on Blackmagic Design’s digital film cameras; Fusion visual effects (VFX), compositing, 3D and motion graphics software; and DaVinci Resolve editing, color correction, VFX and digital audio software; as well as its switchers, routers, monitors and capture and playback devices.

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    • Kerry
      COLOR

      DP Eric Koretz Uses Blackmagic Design on Siberia

      December 11, 2018, 8:39 am
      Blackmagic Design today announced that DP Eric Koretz used a Micro Studio Camera 4K and Video Assist 4Kmonitor/recorder while shooting the new film “Siberia.” Koretz also used DaVinci Resolve Studio and a DaVinci Resolve Micro Panel on set to develop various looks while shooting.

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    • Kerry
      VFX

      Unreal Engine Supports DeckLink Products

      November 16, 2018, 8:47 am
      Blackmagic Design announced today Epic Games’ Unreal Engine 4.21 now supports Blackmagic Design’s DeckLink 8K Pro, DeckLink Duo 2 and DeckLink 4K Extreme 12G capture and playback cards. DeckLink SDK binaries and source code from Epic will also now be available free to download on the company’s Unreal Engine Marketplace.

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    • Kerry
      COLOR

      Austin Film Festival Films Used Blackmagic Designs

      November 15, 2018, 9:57 am
      Blackmagic Design announced today that more than 25 feature length and short films competing at the 2018 Austin Film Festival used Blackmagic Design digital film cameras and DaVinci Resolve Studio professional editing, grading and audio post production software.

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    • Kerry
      EDITING

      New Blackmagic Audio Monitor 12G

      November 14, 2018, 9:55 am
      New model features 12G-SDI for working in all formats up to 2160p60, along with a powerful new class D amplifier, dual subwoofers and extended range speakers for crystal clear sound.

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