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  • Kerry

    DaVinci Resolve Studio Used for Elton John Videos

    July 23, 2018, 8:16 am
    Blackmagic Design today announced that DaVinci Resolve Studio and DaVinci Resolve Mini Panel are being used by Video Director John Steer and On-tour Post Production Specialist Chris Sobchack for end-to-end post on a variety of video productions for Grammy-winning legend and singer/songwriter Elton John.

    Fremont, CA - July 23, 2018 -Blackmagic Design today announced that DaVinci Resolve Studio and DaVinci Resolve Mini Panel are being used by Video Director John Steer and On-tour Post Production Specialist Chris Sobchack for end-to-end post on a variety of video productions for Grammy-winning legend and singer/songwriter Elton John.

     

    A Micro Studio Camera 4K is also used on tour, in conjunction with a Micro Cinema Camera, Video Assist and Video Assist 4K to shoot interview and behind-the-scenes (BTS) footage, along with HyperDeck Studio Pro and HyperDeck Studio Mini to record the live performances, and MultiView 4 to monitor camera feeds. Teranex Mini and UltraStudio Express are also used to send camera signals to the video wall on stage.

     

    “While on tour, John and I are responsible for shooting and post on a variety of video productions, such as content for Elton’s YouTube channel, clips for broadcast television and award shows, packages for fan clubs and VIPs, dedication videos, and more,” said Sobchack. “It can involve archival footage, current tour footage and new footage that we, or outside video production companies, shoot, such as interviews and BTS, so we rely heavily on DaVinci Resolve Studio in post to bring everything together, often on very tight deadlines.”

     

    The process involves taking tour footage with reference audio tracks from the sound engineer and deconstructing the footage, along with archival elements, BTS and newly shot footage, into component shots for editing, grading and audio sweetening all in DaVinci Resolve Studio. According to Sobchack, audio post can be as simple as compression and leveling, or as complex as getting some or all of the multi-track files the team records each night to augment, or even create a complete studio mix. “I’ll also add and keyframe audience microphones to enhance the live ambiance or use the Fairlight page to minutely fix any visual sync issues,” he noted.

     

    For editing, Steer splices the archival footage, BTS and newly shot footage with the raw footage from the tour’s live shows. “I handle the offline edit, while Chris handles the online, and that’s where DaVinci Resolve Studio works so well, as we can work simultaneously by sharing files back and forth,” he said. “I also use DaVinci Resolve Studio to make copies of the whole show in a lower resolution, so we have a backup viewing copy. We use DaVinci Resolve Studio to put together everything from video idents to full songs from the show while we are on the road touring, and I find it so intuitive and easy to use. Also, with Fairlight, it's so easy to sweeten the audio, and its features keep expanding.”

     

    As Steer noted, Sobchack is responsible for online editing, grading, audio editing and sweetening, and delivery.

     

    “During the live performances, the lighting is constantly changing, and overall, the footage is darker than what’s needed for broadcast or the web, as the concerts are lit for the human eye rather than for a camera. My main objective is to retain the flair of the live show’s lighting design, but also be able see Elton’s face. I also have to make the performance footage cohesive with any BTS or newly shot footage,” explained Sobchack. “In DaVinci Resolve Studio, I use gradients, vignettes on faces, HSL qualifiers and Power Windows to brighten things up and meld the radically different colors in the shots.”

     

    He continued, “I also reframe shots on occasion and rely on DaVinci Resolve Studio’s temporal noise reduction. Since we don’t shoot in light that is really video project-friendly, when we make the kinds of adjustments we need for broadcast, especially if it’s being up-resed for a prime time network for instance, this feature can take a shot from a zoomed in camera that was 60 yards away from the stage and make it look perfect.”

     

    As multi-camera recording has not been feasible on the tour, the footage also has burned in transitions, so when grading, Sobchack picks a cut point from shot A to shot B and implements an animated color transition using keyframes, ensuring the first frame of shot B matches the last frame of shot A. “Instead of using primary wheels, I use levels, and being able to jot down numbers and easily match them using the DaVinci Resolve Mini Panel is great. The panel not only adds a great tactile feel to my workflow, but since it has both dedicated and soft, page-specific knobs, it really lets me dial in and drop down to exact values, which helps with getting everything to match really quickly,” added Sobchack.

     

    He concluded, “John and I have our regular tour duties on top of the video production work, so there’s no time for transcoding and bouncing between programs. DaVinci Resolve Studio is a one-stop-shop that gives us the capability to go from media ingest all the way through to final output in one system, and that capability is huge.”

     

    Press Photography

    Product photos of DaVinci Resolve Studio, DaVinci Resolve Mini Panel, Micro Studio Camera 4K, Micro Cinema Camera, Video Assist, Video Assist 4K, HyperDeck Studio Pro, HyperDeck Studio Mini, MultiView 4, Teranex Mini, UltraStudio Express, and all other Blackmagic Design products are available at www.blackmagicdesign.com/media/images

     

    About Blackmagic Design

    Blackmagic Design creates the world’s highest quality video editing products, digital film cameras, color correctors, video converters, video monitoring, routers, live production switchers, disk recorders, waveform monitors and real time film scanners for the feature film, post production and television broadcast industries. Blackmagic Design’s DeckLink capture cards launched a revolution in quality and affordability in post production, while the company’s Emmy™ award winning DaVinci color correction products have dominated the television and film industry since 1984. Blackmagic Design continues ground breaking innovations including 6G-SDI and 12G-SDI products and stereoscopic 3D and Ultra HD workflows. Founded by world leading post production editors and engineers, Blackmagic Design has offices in the USA, UK, Japan, Singapore and Australia. For more information, please go to www.blackmagicdesign.com.

    Fremont, CA - July 23, 2018 - Blackmagic Design today announced that DaVinci Resolve Studio and DaVinci Resolve Mini Panel are being used by Video Director John Steer and On-tour Post Production Specialist Chris Sobchack for end-to-end post on a variety of video productions for Grammy-winning legend and singer/songwriter Elton John.     

    A Micro Studio Camera 4K is also used on tour, in conjunction with a Micro Cinema Camera, Video Assist and Video Assist 4K to shoot interview and behind-the-scenes (BTS) footage, along with HyperDeck Studio Pro and HyperDeck Studio Mini to record the live performances, and MultiView 4 to monitor camera feeds. Teranex Mini and UltraStudio Express are also used to send camera signals to the video wall on stage.     

    “While on tour, John and I are responsible for shooting and post on a variety of video productions, such as content for Elton’s YouTube channel, clips for broadcast television and award shows, packages for fan clubs and VIPs, dedication videos, and more,” said Sobchack. “It can involve archival footage, current tour footage and new footage that we, or outside video production companies, shoot, such as interviews and BTS, so we rely heavily on DaVinci Resolve Studio in post to bring everything together, often on very tight deadlines.”     

    The process involves taking tour footage with reference audio tracks from the sound engineer and deconstructing the footage, along with archival elements, BTS and newly shot footage, into component shots for editing, grading and audio sweetening all in DaVinci Resolve Studio. According to Sobchack, audio post can be as simple as compression and leveling, or as complex as getting some or all of the multi-track files the team records each night to augment, or even create a complete studio mix. “I’ll also add and keyframe audience microphones to enhance the live ambiance or use the Fairlight page to minutely fix any visual sync issues,” he noted.     

    For editing, Steer splices the archival footage, BTS and newly shot footage with the raw footage from the tour’s live shows. “I handle the offline edit, while Chris handles the online, and that’s where DaVinci Resolve Studio works so well, as we can work simultaneously by sharing files back and forth,” he said. “I also use DaVinci Resolve Studio to make copies of the whole show in a lower resolution, so we have a backup viewing copy. We use DaVinci Resolve Studio to put together everything from video idents to full songs from the show while we are on the road touring, and I find it so intuitive and easy to use. Also, with Fairlight, it's so easy to sweeten the audio, and its features keep expanding.”     

    As Steer noted, Sobchack is responsible for online editing, grading, audio editing and sweetening, and delivery.     

    “During the live performances, the lighting is constantly changing, and overall, the footage is darker than what’s needed for broadcast or the web, as the concerts are lit for the human eye rather than for a camera. My main objective is to retain the flair of the live show’s lighting design, but also be able see Elton’s face. I also have to make the performance footage cohesive with any BTS or newly shot footage,” explained Sobchack. “In DaVinci Resolve Studio, I use gradients, vignettes on faces, HSL qualifiers and Power Windows to brighten things up and meld the radically different colors in the shots.”     

    He continued, “I also reframe shots on occasion and rely on DaVinci Resolve Studio’s temporal noise reduction. Since we don’t shoot in light that is really video project-friendly, when we make the kinds of adjustments we need for broadcast, especially if it’s being up-resed for a prime time network for instance, this feature can take a shot from a zoomed in camera that was 60 yards away from the stage and make it look perfect.”     

    As multi-camera recording has not been feasible on the tour, the footage also has burned in transitions, so when grading, Sobchack picks a cut point from shot A to shot B and implements an animated color transition using keyframes, ensuring the first frame of shot B matches the last frame of shot A. “Instead of using primary wheels, I use levels, and being able to jot down numbers and easily match them using the DaVinci Resolve Mini Panel is great. The panel not only adds a great tactile feel to my workflow, but since it has both dedicated and soft, page-specific knobs, it really lets me dial in and drop down to exact values, which helps with getting everything to match really quickly,” added Sobchack.     

    He concluded, “John and I have our regular tour duties on top of the video production work, so there’s no time for transcoding and bouncing between programs. DaVinci Resolve Studio is a one-stop-shop that gives us the capability to go from media ingest all the way through to final output in one system, and that capability is huge.”     

    Press Photography  
    Product photos of DaVinci Resolve Studio, DaVinci Resolve Mini Panel, Micro Studio Camera 4K, Micro Cinema Camera, Video Assist, Video Assist 4K, HyperDeck Studio Pro, HyperDeck Studio Mini, MultiView 4, Teranex Mini, UltraStudio Express, and all other Blackmagic Design products are available at www.blackmagicdesign.com/media/images     

    About Blackmagic Design  
    Blackmagic Design creates the world’s highest quality video editing products, digital film cameras, color correctors, video converters, video monitoring, routers, live production switchers, disk recorders, waveform monitors and real time film scanners for the feature film, post production and television broadcast industries. Blackmagic Design’s DeckLink capture cards launched a revolution in quality and affordability in post production, while the company’s Emmy™ award winning DaVinci color correction products have dominated the television and film industry since 1984. Blackmagic Design continues ground breaking innovations including 6G-SDI and 12G-SDI products and stereoscopic 3D and Ultra HD workflows. Founded by world leading post production editors and engineers, Blackmagic Design has offices in the USA, UK, Japan, Singapore and Australia. For more information, please go to www.blackmagicdesign.com.  

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  • Other Postings By Member

    • Kerry
      SOUND

      Classmates Posted with DaVinci Resolve

      May 28, 2020, 1:04 pm
      Blackmagic Design today announced that Singapore based Echo Entertainment used URSA Mini Pro G2 cameras shooting in Blackmagic RAW to capture the first season of Mediacorp Singapore’s upcoming TV dramedy “Classmates.” Echo Entertainment also used DaVinci Resolve Studio for color correction and VFX work, with the DaVinci Resolve Fairlight page used for audio editing.

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    • Kerry
      VFX

      Lightstorm Entertainment Using Blackmagic Design

      May 27, 2020, 3:19 pm
      Blackmagic Design announced today that Lightstorm Entertainment used an extensive array of Blackmagic products, including the Teranex AV, Smart VideoHub 40x40 12G, ATEM 4 M/E Broadcast Studio 4K and more for their recent work during production for the “Avatar” sequels.

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    • Kerry
      COLOR

      Same Sun Video Shot with Pocket Cinema Camera 6K

      May 22, 2020, 2:57 pm
      Blackmagic Design today announced Jasmine Ash’s music video for her new single “Same Sun” was shot by Brendan Walter using Pocket Cinema Camera 6K. Walter also used the Blackmagic RAW codec and DaVinci Resolve for color correction on the video, which allowed him to be able to capture a whole neighborhood of people in their homes while shooting in natural light through their windows.

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    • Kerry
      ANIMATION

      Stargate Creates Real Time Virtual Environments

      May 18, 2020, 3:56 pm
      Blackmagic Design announced today that Award winning visual effects facility Stargate Studios utilized a wide range of Blackmagic Design products in creating “ThruView”, the company’s cutting edge, proprietary real time virtual production system.

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    • Kerry
      COLOR

      AADAI and Andhaghaaram Graded with DaVinci Resolve

      May 12, 2020, 3:12 pm
      Blackmagic Design today announced India based digital cinema designer and colorist G. Balaji used DaVinci Resolve Studio to grade the recent Indian hit film “AADAI” and the upcoming “Andhaghaaram.”

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    • Kerry
      COLOR

      Stay Home PSA Created with Blackmagic Design

      May 8, 2020, 2:58 pm
      Blackmagic Design today announced the new ProBalance PSA “Stay Home” was shot by Clio Award winning director Kiran Koshy using a Blackmagic Pocket Cinema Camera. Koshy shot the PSA in his own backyard using his family dog Nigel and young daughter as talent, and worked with nearby colorist Charles Gerstner using DaVinci Resolve to grade the final spot.

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    • Kerry
      EDITING

      DaVinci Resolve Studio Used for Into the Mist

      May 4, 2020, 1:55 pm
      Blackmagic Design today announced that RealmSmith.tv is using its products to live stream the hit tabletop gaming series “Into the Mist” on Twitch, and using DaVinci Resolve Studio’s cut page to quickly edit each show’s highlights for YouTube.

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    • Kerry
      EDITING

      Everest VR Edited & Stitched with DaVinci Resolve

      April 28, 2020, 3:37 pm
      Blackmagic Design today announced that the stunning new 8K 3D documentary “Everest VR: Journey to the Top of the World,” produced by Facebook’s Oculus, was edited, graded and stitched with DaVinci Resolve Studio and Fusion Studio.

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    • Kerry
      COLOR

      Teranex Mini SDI to DisplayPort 8K HDR Is Shipping

      April 23, 2020, 6:56 pm
      Blackmagic Design today announced Teranex Mini SDI to DisplayPort 8K HDR, an advanced 8K DisplayPort monitoring solution for DisplayPort monitors such as the new Apple Pro Display XDR. With dual on screen scope overlays, HDR, scaled and pixel-by-pixel modes, and 33 point 3D LUTs, Teranex Mini SDI to DisplayPort has been specifically designed for use in professional film and television markets.

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    • Kerry
      COLOR

      Fantasy Island Captured with Blackmagic Design

      April 7, 2020, 2:52 pm
      Blackmagic Design today announced DP Toby Oliver, ACS used two Pocket Cinema Camera 4Ks to shoot the suspense/thriller “Blumhouse’s Fantasy Island.” Senior Colorist Alastor Arnold of FotoKem then used DaVinci Resolve Studio to grade the film.

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