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August 15, 2018, 12:28 pm
While it is a popular maxim that ‘Dying is easy; comedy is hard,’ visual effects supervisor Sheena Duggal has had her share of films containing both. Death and destruction have included Marvel’s Agent Carter television series, Ridley Scott’s Body of Lies and The Hunger Games; comedies have included the first Sex and the City feature, Christmas with the Kranks, and the Adam Sandler vehicles Big Daddy and 50 First Dates.
February 18, 2019, 10:44 am
In 2015, Angela Barson told us about BlueBlot‘s work on THE MAN FROM U.N.C.L.E.. She then worked on films such as SPECTRE, NOW YOU SEE ME 2, WAR MACHINE and ENTEBBE.
February 18, 2019, 10:44 am
Continuing our theme of often-overlooked utility plug-ins in Adobe After Effects that can create interesting composites with a minimum of layers and precomps, Calculations is a real Swiss Army Knife effect that can perform grayscale conversion and composite one layer with another with a variety of options.
February 18, 2019, 10:44 am
It isn’t always appropriate to spend £30k on a grading monitor. Lower-budget productions may well be graded in a small suite – often doubling as the edit suite – with no cash available for high-end equipment. One option for these small suites is a monitor that sits halfway between a full grading unit and one designed for photography and print. The BenQ PV270 is a 27in post-production grading monitor with DVI-DP, HDMI 1.4 and DisplayPort 1.2 inputs, but none of the I/O associated with higher-end monitors – SDI, analogue and the like.
February 18, 2019, 8:16 am
French studio Unit Image presents their work on this GOD OF WAR commercial...
February 17, 2019, 3:07 pm
Much has been written about Rami Malek’s electrifying performance as Queen frontman Freddie Mercury in Fox’s acclaimed biopic “Bohemian Rhapsody.” However, Malek’s portrayal of the charismatic musician wouldn’t have been quite as striking without the work of the movie’s sound editing and mixing teams. The Envelope caught up with sound and music editor John Warhurst, sound editor Nina Hartstone, sound mixer Paul Massey, re-recording mixer Tim Cavagin and sound mixer John Casali earlier this month to understand how the process came together.
February 17, 2019, 8:13 am
Congratulations to our User Adriano Ariganello for an excellent score of 83.33% when predicting the 2019 Cinema Audio Society Awards winners on Saturday. He is actually tied with justwibi at that percentage but has the better point score total of 4,865 by using the 500 super bets wisely.
February 16, 2019, 8:56 am
In this free tutorial, brought to you with the support of Avid, Pro Tools Expert team member Julian Rodgers demonstrates how to set up custom macros on the buttons on the Avid Dock.
February 16, 2019, 8:56 am
Transitions are key building blocks for putting together cohesive videos in your NLE of choice. In Final Cut Pro X, there are many shortcuts, tips, and tricks that can be used while inserting or editing transitions. In this week’s episode of Final Cut Friday, I share 10 transition tips to help you master this vital part of the editing process.
February 16, 2019, 8:56 am
Editors Guild President Alan Heim has joined the chorus of dissent to the Academy’s plans to present four Oscar categories during commercial breaks and air the moments in condensed form later in the telecast.
February 16, 2019, 8:56 am
After cutting the subversive complexities of “The Big Short” with Adam McKay, editor Hank Corwin quickly realized that it was just a warm up for “Vice,” the Shakespearean dramedy about the unprecedented rise to power of political operative-turned VP Dick Cheney (Oscar nominee Christian Bale).
Gordon sits down with the Sound Design team (Just nominated for an Oscar) for A Quiet Place. Ethan Van der Ryn and Erik Aadah ...
Gordon sits down with Wyatt Smith to discuss the editing of Mary Poppins Returns and the challenges the film presented him in ...
Gordon sits down with Chayse Irvin to discuss his approach to shooting BlacKkKlansman and his theories about cinematography.
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