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  • AOTG

    News: Avid Announces Next Generation Maestro

    September 18, 2018, 5:31 am
    (AMSTERDAM, IBC2018--September 15, 2018) IBC (Hall 7, Stand B.55) — Avid® (Nasdaq: AVID), the leading technology provider that powers the media and entertainment industry, today announced the next generation Maestro™ | Engine real-time graphics and video hardware rendering platform for its Maestro Graphics product line. Maestro | Engine scales from HD and 1080P to UHD supporting both SDI and Video Over IP interfaces. With Maestro | Engine, broadcasters can produce graphics, virtual studios, augmented reality and video wall content in the industry’s highest achievable quality.

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  • Other Postings By Member

    • AOTG
      EDITING

      FRAME.IO Launches Ultimate Post Workflow

      December 11, 2018, 10:25 am
      There are a lot of great resources to be found on the internet. Wikipedia, for one, is wonderful for certain high-level information, but when it comes to filmmaking, it doesn't often dig down deep into the weeds of workflow. We like to believe that there is a lot of great information on No Film School, but of course, we cover a wide range of subjects and news that are mixed in with workflow and interviews.

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    • The Frame.io Ultimate Workflow Guide
      EDITING

      The Frame.io Ultimate Workflow Guide

      December 11, 2018, 10:25 am
      Every now and then there’s a great online resource that doesn’t come from the experts here on ProVideo Coalition that is worth mentioning and today is such a day! Or friends at Frame.io have released their mammoth Frame.io: The Ultimate Workflow Guide. It’s a huge resource with sections that cover Capture, Prep, Edit, Conform, VFX, Color, Sound, Delivery and Case Studies.

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    • AOTG
      VFX

      Outlaw King VFX Breakdown

      December 11, 2018, 10:25 am
      Let’s made a tour in the 14th century to discover the various armies and environments created by Method Studios on OUTLAW KING...

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    • Adobe adds ProRes export support on Windows
      EDITING

      Adobe adds ProRes export support on Windows

      December 11, 2018, 6:11 am
      Today may very well be seen as a seminal moment in post-production as Adobe announced ProRes encode and export support on the Windows platform. Check your Creative Cloud app as the update is rolling out.

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    • Pixar and the Craft of Storytelling
      EDITING

      Pixar and the Craft of Storytelling

      December 11, 2018, 6:11 am
      20 movies produced. 19 movies #1 at the box office. Worldwide B.O. gross $13.3 billion. Average B.O. per film: $663M by far the highest average per film of any studio in Hollywood history.

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    • AOTG
      VFX

      Crazy Rich Asians VFX

      December 11, 2018, 6:10 am
      Pixomondo presents their invisible work on CRAZY RICH ASIANS...

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    • Premiere adds Apple ProRes export for Windows
      EDITING

      Premiere adds Apple ProRes export for Windows

      December 11, 2018, 6:10 am
      Premiere Pro CC 13.0.2 adds Apple ProRes export support for Windows. Adobe Premiere Pro CC 13.0.2 update has added ProRes export support for Windows users.

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    • AOTG
      VFX

      Creating the Kessel Run ILM

      December 11, 2018, 6:10 am
      Industrial Light & Magic presents the Kessel Run sequence on SOLO – A STAR WARS STORY...

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    • AOTG
      VFX

      Next Step Hologram

      December 11, 2018, 6:10 am
      With the dawn of AI and the rise of social media, technology is scarier — and more exciting — than ever. Here’s how it’s changing music, TV, sports and more

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    • AOTG
      VFX

      Can Special Effects be Special Again?

      December 10, 2018, 1:18 pm
      “You’ll believe a man can fly.” So proclaimed billboards and posters across the nation in 1978, in anticipation of the December release of Richard Donner’s Superman — The Movie. It wasn’t an idle promise. Although the Man of Steel had been depicted in numerous TV shows and cartoons over the years, Donner’s film vowed something special: It would convince us that what we were seeing was actually happening. And the visual effects did, indeed, prove to be remarkable: Aided by a clever front projection technique developed by inventor Zoran Perisic, as well as star Christopher Reeve’s ability to move the way an actual airplane might, Superman set new standards for what could be accomplished onscreen.

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