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October 5, 2018, 6:11 am
Stop-motion legend Will Vinton has passed away at the age of 70. His family announced his death in a Facebook post Thursday afternoon. They said he battled multiple myeloma, a cancer in white blood cells, for 12 years. “We grieve heavily as our dad leaves a hole in our lives that will be impossible to fill,” they wrote in the post. “His wishes were for us to continue the projects he had started; we will try our best to do so.”
February 18, 2019, 1:01 pm
A new batch of Oscars 2019 updates has arrived thanks to an interview with the ceremony’s lead producer, Donna Gigliotti. She says the ceremony won’t meet its self-imposed three-hour limit after all, and we won’t have to endure any of those stupid “everyday people” bits that previous host Jimmy Kimmel incorporated over the past couple of years. Plus, Queen and Adam Lambert will be on stage to perform.
February 18, 2019, 10:44 am
In 2015, Angela Barson told us about BlueBlot‘s work on THE MAN FROM U.N.C.L.E.. She then worked on films such as SPECTRE, NOW YOU SEE ME 2, WAR MACHINE and ENTEBBE.
February 18, 2019, 10:44 am
Continuing our theme of often-overlooked utility plug-ins in Adobe After Effects that can create interesting composites with a minimum of layers and precomps, Calculations is a real Swiss Army Knife effect that can perform grayscale conversion and composite one layer with another with a variety of options.
February 18, 2019, 10:44 am
It isn’t always appropriate to spend £30k on a grading monitor. Lower-budget productions may well be graded in a small suite – often doubling as the edit suite – with no cash available for high-end equipment. One option for these small suites is a monitor that sits halfway between a full grading unit and one designed for photography and print. The BenQ PV270 is a 27in post-production grading monitor with DVI-DP, HDMI 1.4 and DisplayPort 1.2 inputs, but none of the I/O associated with higher-end monitors – SDI, analogue and the like.
February 18, 2019, 8:16 am
French studio Unit Image presents their work on this GOD OF WAR commercial...
February 17, 2019, 3:07 pm
Much has been written about Rami Malek’s electrifying performance as Queen frontman Freddie Mercury in Fox’s acclaimed biopic “Bohemian Rhapsody.” However, Malek’s portrayal of the charismatic musician wouldn’t have been quite as striking without the work of the movie’s sound editing and mixing teams. The Envelope caught up with sound and music editor John Warhurst, sound editor Nina Hartstone, sound mixer Paul Massey, re-recording mixer Tim Cavagin and sound mixer John Casali earlier this month to understand how the process came together.
February 17, 2019, 8:13 am
Congratulations to our User Adriano Ariganello for an excellent score of 83.33% when predicting the 2019 Cinema Audio Society Awards winners on Saturday. He is actually tied with justwibi at that percentage but has the better point score total of 4,865 by using the 500 super bets wisely.
February 16, 2019, 8:56 am
In this free tutorial, brought to you with the support of Avid, Pro Tools Expert team member Julian Rodgers demonstrates how to set up custom macros on the buttons on the Avid Dock.
February 16, 2019, 8:56 am
Transitions are key building blocks for putting together cohesive videos in your NLE of choice. In Final Cut Pro X, there are many shortcuts, tips, and tricks that can be used while inserting or editing transitions. In this week’s episode of Final Cut Friday, I share 10 transition tips to help you master this vital part of the editing process.
February 16, 2019, 8:56 am
Editors Guild President Alan Heim has joined the chorus of dissent to the Academy’s plans to present four Oscar categories during commercial breaks and air the moments in condensed form later in the telecast.
Gordon sits down with the Sound Design team (Just nominated for an Oscar) for A Quiet Place. Ethan Van der Ryn and Erik Aadah ...
Gordon sits down with Wyatt Smith to discuss the editing of Mary Poppins Returns and the challenges the film presented him in ...
Gordon sits down with Chayse Irvin to discuss his approach to shooting BlacKkKlansman and his theories about cinematography.
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