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December 6, 2018, 6:01 am
Film editor Wyatt Smith admits that working on “Mary Poppins Returns” was “a little daunting” and “a little scary to be honest because you’re treading on sacred ground.” The 1964 original is “one of the most beloved, perfect movies ever made that’s stood the test of time over 50 years.” Suffice it to say that the stakes were high for this sequel. Watch our exclusive video interview with Smith above.
January 26, 2021, 5:51 pm
Nathan McGuinness has over 20 years experience in visual effects. He founded the studio Asylum in 1999 where he has worked on films such as Pearl Harbor, Black Hawk Down, Pirates of the Caribbean: At World’s End and The Curious Case of Benjamin Button. When Asylum closes in 2011, he joins the DNEG team and has worked on projects such as Battleship, Total Recall, Furious 6 and Westworld.
January 26, 2021, 1:55 pm
The Morning Watch is a recurring feature that highlights a handful of noteworthy videos from around the web. They could be video essays, fanmade productions, featurettes, short films, hilarious sketches, or just anything that has to do with our favorite movies and TV shows.
January 26, 2021, 1:55 pm
Weta Digital have posted a VFX breakdown for The Christmas Chronicles 2.
January 25, 2021, 1:05 pm
The Gnomon Workshop has released Creating Creature Hair & Fur Grooms in Houdini, a masterclass in current VFX production workflows recorded by ILM groom artist Kristin Farrensteiner.
January 22, 2021, 5:53 pm
Recently launched creative collective and technology studio Preymaker has welcomed Ruben Vandebroek to its growing team. Utilizing an advanced custom cloud-based platform created in collaboration with Amazon Web Services (AWS), the collective innovates and creates content for leading brands. VFX artist Vandebroek brings with him a wealth of experience in combining creative vision and technical expertise in CGI and emerging technology. He will lead the studio’s work on cutting edge visual effects to helping nurture and advance the studio’s culture of innovation and invention.
January 22, 2021, 5:53 pm
To be able to output a legal video signal from your computer, you will most likely need some kind of external hardware that supports correct 10bit Rec.709 video signals @50Hz. Blackmagic, of course, has a whole range of solutions on offer that can do just that (and more): Their Ultrastudio line of I/O devices, for example.
January 22, 2021, 1:29 pm
Not too long ago getting raw video was a daunting and expensive proposition. Now there are competing raw formats that work on your average laptop. We’ve come a long way.
January 22, 2021, 1:29 pm
VFX Legion recently created over 200 visual effects shots for Black Box, the latest entry in the Welcome to the Blumhouse film anthology that tapped the LA/B.C.-based company’s end-to-end services. The thematically connected series of dark genre movies marks Amazon's first-ever global direct to services deal.
January 22, 2021, 1:29 pm
FEATURING SYNTHETIC SHIPS AND SUBS AND A CG OCEAN FROM DNEG.
January 22, 2021, 1:29 pm
NEW YORK CITY— Senior Colorist Alex Berman has joined the team at Goldcrest Post. Berman brings more than 20 years of experience in color grading and credits across feature films, episodic television, documentaries, and commercials. His recent work includes The Family for Netflix and executive producer Alex Gibney, College Behind Bars for WETA, Washington, and executive producer Ken Burns, and Hip Hop: The Songs That Shook America for AMC and producers Ahmir “Questlove” Thompson and Tarik “Black Thought” Trotter. He has also graded advertising campaigns for United Healthcare, Ralph Lauren, and other national brands.
Gordon sits down with Marco Capalbo to discuss editing for Werner Herzog and crafting Fireball: Visitors from Darker Worlds. ...
Editor Mikeel Nielsen and Sound Designer Nicolas Becker discuss creating the film The Sound of Metal. We explore how to make ...
Jody McVeigh-Schultz and Lane Farnham discuss tackling HBO's documentary series McMillion$, a series that explores the f ...
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