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  • Alt breaks down VFX work for Asahi campaign

    Alt breaks down VFX work for Asahi campaign

    December 21, 2018, 1:08 pm
    SYDNEY — The Monkeys Melbourne, In The Thicket and Alt recently teamed up to create a new campaign for Asahi that takes viewers on a journey through landscapes built around surreal Japanese iconography. The shoot for the Enter Asahi spot took place at Sydney’s Fox Studios, with In The Thicket’s Marco Prestini directing and Genevieve Triquet executive producing. Alt was brought on to help realize the creative vison through visual effects.

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  • Other Postings By Member

    • Quickfx.com launches as cloud-based VFX production
      VFX

      Quickfx.com launches as cloud-based VFX production

      May 23, 2019, 8:21 am
      HOLLYWOOD — In a move to bring high-end visual effects services to content producers anywhere, and at lower costs, VFX studio Engine Room has launched QuickFX.com, a cloud-based service platform.

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    • Adobe brings Premiere Rush to Android platform
      EDITING

      Adobe brings Premiere Rush to Android platform

      May 21, 2019, 10:31 am
      SAN JOSE, CA — Adobe (adobe.com) has released its cross-device editing app Premiere Rush on Android phones. The app is now available for download through the Google Play Store and Samsung Galaxy Store, allowing Android users to capture, edit and share online videos fast and easy.  

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    • Supervising sound editor Martín Hernández joins
      SOUND

      Supervising sound editor Martín Hernández joins

      May 16, 2019, 5:39 pm
      MEXICO CITY — Cinematic Media (www.cinematicmedia-mx.com), one of Mexico City’s largest, full-service post production facilities focused on television and cinema content, is teaming up with two-time Academy Award-nominated supervising sound editor Martín Hernández to bring Hollywood-caliber sound services to region. Hernández, sound supervisor for such films as The Revenant,  Birdman and  Pan’s Labyrinth, is overseeing construction of a new sound division at Cinematic Media...

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    • Pixar releases RenderMan V.22.5
      ANIMATION

      Pixar releases RenderMan V.22.5

      May 16, 2019, 10:25 am
      EMERYVILLE, CA — Pixar (https://renderman.pixar.com) has released RenderMan Version 22.5, featuring a completely rewritten RenderMan for Houdini plug-in, along with important new features and performance gains. 

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    • Veteran colorist Jeremy Sawyer returns to Light Ir
      COLOR

      Veteran colorist Jeremy Sawyer returns to Light Ir

      May 16, 2019, 4:15 am
      LOS ANGELES — Jeremy Sawyer is returning to Panavision’s Light Iron (www.lightiron.com) facility in Los Angeles as a senior colorist. He brings over 20 years of color finishing experience to his role, and previously worked at the studio from 2015 to 2018. While there, he contributed to projects that include I’m Dying Up Here,  Easy,  The First,  Goliath,  Mr. Mercedes and  The Walking Dead. 

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    • Veteran colorist Tony Dustin joins Deluxe's Efilm
      COLOR

      Veteran colorist Tony Dustin joins Deluxe's Efilm

      May 11, 2019, 7:13 am
      LOS ANGELES — Tony Dustin has joined the Deluxe Post Production (www.bydeluxe.com) creative team as senior colorist, working from the Efilm and Encore post facilities in Hollywood. He brings more than 20 years of experience in color grading and a credit list that includes work on the Netflix dramatic series Sense8, the Hulu horror series  Castle Rock, the Best Picture Academy Award nominee  Silver Linings Playbook and Clint Eastwood’s  Gran Torino.

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    • Adobe's 'Content-Aware Fill' removes Starbucks
      EDITING

      Adobe's 'Content-Aware Fill' removes Starbucks

      May 7, 2019, 10:22 am
      SAN JOSE — Adobe’s Jason Levine used the recent Game of Thrones goof to show just how well the software maker’s tools work. In the recent  GOT episode (Season 8, Episode 4), fans spotted a Starbucks coffee cup on the set of the show during an interior scene. Adobe’s After Effects software has a new feature called ‘Content-Aware Fill’, which helps users solve problems just like this. Levine created a short video showing how After Effects can fix production problems, leaving v...

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    • NAB 2019: FilmLight
      COLOR

      NAB 2019: FilmLight

      May 2, 2019, 9:18 am
      FilmLight had a number of grading solutions on display at NAB. This video highlights the company’s Prelight, Daylight and Baselight tools, as well as solutions for Avid, Nuke and Flame workflows. In addtion, colorists Doug Delaney (Captain Marvel) and Andrea Chlebak (Elysium, Chappie) stop by. Replay NAB2019 with FilmLight from FilmLight on Vimeo.

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    • Post Picks: Autodesk Flame 2020 - Winner
      VFX

      Post Picks: Autodesk Flame 2020 - Winner

      April 29, 2019, 9:13 am
      Autodesk (www.autodesk.com) announced Flame 2020, the latest release of the Flame family of integrated visual effects (VFX), color grading, look development and finishing system for artists, during the 2019 NAB Show in a demo suite at the Renaissance Hotel. A new machine learning-powered feature set along with a host of new capabilities bring Flame artists significant creative flexibility and performance boosts.

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    • Post Picks: Blackmagic Design Resolve 16 & Editor
      EDITING

      Post Picks: Blackmagic Design Resolve 16 & Editor

      April 29, 2019, 9:13 am
      Blackmagic Design (www.blackmagicdesign.com) introduced Version 16 of DaVinci Resolve at NAB 2019. The software, which is now in public beta, features more than 100 improvements, along with the new cut page feature. Cut page is an alternate edit page that offers a streamlined interface and new tools designed to help users work faster than before. 

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