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  • Autodesk releases Maya 2019

    Autodesk releases Maya 2019

    January 16, 2019, 11:43 am
    Faster animation playback, higher quality 3D previews and performance improvements are some of the features highlighted by Autodesk on the announcement of Maya 2019 availability.

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  • Other Postings By Member

    • AOTG
      VFX

      Captain Marvel VFX Supervisor Interview

      March 19, 2019, 12:26 pm
      In 2017, Christopher Townsend explained his work on GUARDIANS OF THE GALAXY VOL.2. He talks to us today about his fifth film in the Marvel Cinematic Universe, CAPTAIN MARVEL.

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    • AOTG
      VFX

      Captain Marvel VFX Reel

      March 19, 2019, 9:31 am
      If there was one defining theme to Captain Marvel‘s visual effects, it was transformation. Many of the characters (spoiler alert)—including Goose the cat—are not what they appear. That’s most evident in the film’s would-be bad guys, the Skrulls. Their main ability is to transform themselves into any person (or object, apparently) they see. This could be an old lady on a train, a surfer, or Clark Gregg’s Agent Coulson.

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    • AOTG
      EDITING

      Psychology, editing and production in the era of h

      March 19, 2019, 9:31 am
      Horror films, thrillers, scary movies — no matter what you call them, you know them when you see them, and you see them a lot.

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    • AOTG
      ANIMATION

      Why Animation Co-Productions Are Risky and Slow

      March 19, 2019, 6:24 am
      China’s Wink Animation, a division of Huayi Brothers, is a Chinese animation company that creates both Chinese-language films and globally-skewing features for the young adult market. It produces both fully animated and hybrid content that combines live action with animated characters.

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    • AOTG
      VFX

      Spiderman: Far From Home VFX Breakdown

      March 19, 2019, 6:24 am
      ​This morning, the Spiderman: Far From Home Trailer was released. This is a VFX Case Study I did for it.

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    • AOTG
      VFX

      Venom VFX Breakdown

      March 19, 2019, 6:24 am
      ​I’m going behind the scenes on the visual effects for the movie Venom -- and discussing the VFX for the film not as an artist, but as a VFX Supervisor.

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    • AOTG
      VFX

      Nike - Awaken The Phantom VFX Breakdown

      March 18, 2019, 11:59 am
      Come have a look at the work of The Mill on this NIKE commercial directed by Matthew Vaughn...

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    • Channel Mixer by Chris and Trish Meyer
      SOUND

      Channel Mixer by Chris and Trish Meyer

      March 18, 2019, 11:59 am
      Continuing our exploration of a few choice Channel Operation effects, we look at the initially daunting Channel Mixer.

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    • AOTG
      EDITING

      'Bohemian Rhapsody' editor addresses scene

      March 18, 2019, 11:59 am
      Bohemian Rhapsody editor John Ottman received quite a bit of backlash after the film took home the Academy Award for Best Film Editing. Now, the Oscar-winning editor has addressed the viral mocking over one specific scene, and it looks like he just might agree with the fans on this one.

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    • AOTG
      ANIMATION

      Visiting Laika

      March 18, 2019, 11:59 am
      We offer you a glimpse at a legendary creature, lost in time. Neither ape nor man, but a giant. He wears his heart not on his sleeve but his face. His grin stretches the entire width of his figure-eight-shaped head surrounded by a ball of bright orange mixed fur. His eyes hang at the top, pinched tightly together but still capable of darting, pointing, inquiring, and absorbing his surroundings. Resting right above his lip is a pink pig nose, almost as wide and open as his smile. You can’t shrink in fear from a beast with such a snout. Your only impulse is to nuzzle him, and yet, all he has known is scorn.

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