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April 17, 2019, 11:00 am
Colorfront, which makes on-set dailies and transcoding systems, has rolled out new 8K HDR capabilities and updates across its product lines. The company has also deepened its technology partnership with AJA and entered into a new collaboration with Pomfort to bring more efficient color and HDR management on-set.
Colorfront Transkoder is a post workflow tool for handling UHD, Continue reading →
April 17, 2019
The post Colorfront at NAB showing 8K HDR, product updates appeared first on Ra...
July 14, 2020, 4:57 pm
“Clients need to have the confidence that no matter what problems arise you have the skills, to provide intelligent solutions and deliver the project to their liking,” says colorist Rob Pizzey. What Company do you work for? Goldcrest Post Production London Can you describe Goldcrest and the services it provides? Continue reading → July 13, 2020 The post Behind the Title: Goldcrest London colorist Rob Pizzey appeared first on postPerspective.
July 14, 2020, 12:54 pm
Post production has its own language, but as we incorporate the cloud more and more into production and post, we need to integrate and adopt cloud vernacular. In an effort to help pros better understand what it all means, we’ve asked Michael Kammes of 5 Things to explain a few commonly used cloud terms. Continue reading → July 13, 2020 The post Video: Michael Kammes explains cloud workflow terms appeared first on postPerspective.
July 14, 2020, 12:53 pm
By Karen Moltenbrey We’ve been hearing a lot about studios leveraging “the cloud” for post work, some embracing it and others approaching it warily. But when the COVID-19 pandemic struck, post facilities around the globe had no choice but to go all-in when it came to remote workflows through cloud networking. In terms of advantages cloud setups offer, Continue reading → July 13, 2020 The post Post Production in the Cloud appeared first on postPerspective.
July 14, 2020, 12:53 pm
By Karen Moltenbrey Sometimes innovation occurs as a natural progression; sometimes it results from necessity. When editing facilities went into lockdown due to the pandemic, post companies had to devise a way to continue working, albeit remotely. Post facility Gorilla TV was in the process of testing remote editing when the virus hit, Continue reading → July 13, 2020 The post Editing and Producing Using the Cloud appeared first on postPerspective.
July 14, 2020, 12:53 pm
By Karen Moltenbrey For a while now, there has been reluctance when it comes to a cloud-based visual effects workflow, especially in terms of content security. But when COVID-19 forced studios into a remote work situation, there was little choice – take the leap and trust the security measures or cease operation in the midst of deadlines. Continue reading → July 13, 2020 The post Visual Effects and Private Cloud appeared first on postPerspective.
July 9, 2020, 1:42 pm
Avid’s new Media Composer 2020 release includes a redesigned customizable user interface, a new Universal Media Engine, finishing and delivery tools, and support for Apple ProRes for Windows and Catalina. These updates are based on user feedback and are available now Here are some details of the updates: – Customization— Users can tailor their workspace to exactly how they want to work. Continue reading → July 8, 2020 The post Media Composer 2020: customizable UI, ProRes for Win...
July 9, 2020, 1:41 pm
Colorfront, which provides dailies and transcoding, has a new remote working/cloud initiative that lets TV and film post users to continue working safely and efficiently to fulfill the growing global demand for content during the worldwide COVID-19 crisis. Colorfront has been developing its remote working practices, particularly cloud-based operations, over many years. Continue reading → July 8, 2020 The post Colorfront intros Transkoder with remote/cloud capabilities appeared first on p...
July 8, 2020, 1:11 pm
Platinum Equity has acquired Deluxe Entertainment Services Inc.’s distribution business (Deluxe). Financial terms were not disclosed. Deluxe Entertainment’s creative businesses are not included in the acquisition. Former Deluxe CEO Cyril Drabinsky, who left the company in 2016 to found CineVizion, is returning to lead the business as CEO under Platinum Equity’s ownership. As part of the transition, Continue reading → July 6, 2020 The post Deluxe sells distribution biz, former CEO ...
July 8, 2020, 1:10 pm
By Randi Altman The Netflix drama Ozark, now streaming Season 3, has always been a fan favorite, but since the COVID-19 shutdown, it’s been credited with making quarantining just a bit more tolerable for a lot of people. The series stars Jason Bateman — who also directs and executive produces — and Laura Linney as Marty and Wendy Byrde, Continue reading → July 7, 2020 The post Editing Ozark: Cindy Mollo, ACE, talks importance of tone appeared first on postPerspective.
July 2, 2020, 1:01 pm
Partnering with creatives Nick & Nadja at agency AMV BBDO, Framestore provided animation and VFX for the latest campaign for Libresse and Bodyform. The campaign was directed by Golden Globe winner and Emmy-nominated Nisha Ganatra (Late Night). Framestore provided six animated sequences, each featuring a different style of animation to show the inner worlds that act as reflections to the realities of the uterus. Continue reading → July 1, 2020 The post Framestore creates variety of animat...
Gordon sits down with Sam Ejnes, Re-Recording Mixer, and Pete Nichols, SFX Editor, who helped craft the sound for Mythic Ques ...
Kyle Gilman discusses the editing of Unbreakable Kimmy Schmidt: Kimmy Vs. The Reverend. This film is a "Pick your own ad ...
Doug Abel sits down with Gordon to discuss editing Netflix's hit, Tiger King. They discuss getting through the mounds of ...
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