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April 17, 2019, 11:00 am
Colorfront, which makes on-set dailies and transcoding systems, has rolled out new 8K HDR capabilities and updates across its product lines. The company has also deepened its technology partnership with AJA and entered into a new collaboration with Pomfort to bring more efficient color and HDR management on-set.
Colorfront Transkoder is a post workflow tool for handling UHD, Continue reading →
April 17, 2019
The post Colorfront at NAB showing 8K HDR, product updates appeared first on Ra...
June 24, 2019, 9:54 am
By Karen Moltenbrey Unlike features or series even, short-form projects such as commercials give the editor the opportunity for a fresh start with each new job. Indeed, some brands have a specific style that they adhere to, but even so, there is a good deal of creative flexibility placed in the hands of the editor. Continue reading → June 24, 2019 The post Editing for Short Form appeared first on postPerspective.
June 24, 2019, 9:53 am
By Karen Moltenbrey When editing a feature film, the cutter can often feel as if he or she is assembling a puzzle, putting together a plethora of pieces, from the acting, to the lighting, to the production design, and turning those raw elements into a cohesive, comprehensive story. With so much material to sort through, Continue reading → June 24, 2019 The post Editing for Features appeared first on postPerspective.
June 20, 2019, 1:40 pm
By Karen Moltenbrey Consistency is important when editing series. Initially, the editor may collaborate with the director and DP on the style of the show, and once it is set, the focus is on supporting that direction, reflecting the essence and feel of the show and the performance of the characters. However, Continue reading → June 20, 2019 The post Editing for Episodic Television appeared first on postPerspective.
June 20, 2019, 5:52 am
NAME: Rob Geddes COMPANY: Artifex Studios (@artifexstudios) CAN YOU DESCRIBE YOUR COMPANY? Artifex is a small to mid-sized independent VFX studio based in Vancouver, BC. We’ve built up a solid team over the years, with very low staff turnover. Continue reading → June 19, 2019 The post Behind the Title: Artifex VFX supervisor Rob Geddes appeared first on postPerspective.
June 19, 2019, 12:28 pm
The SIGGRAPH 2019 Production Sessions program offers attendees a behind-the-scenes look at the “making of” some of year’s most-impressive VFX films, shows, games and VR projects. The 11 production sessions will be held throughout the conference week of July 28-August 1 at the Los Angeles Convention Center. With 11 total sessions, Continue reading → June 19, 2019 The post SIGGRAPH making-of sessions: Toy Story 4, GoT, more appeared first on postPerspective.
June 19, 2019, 12:28 pm
By Mel Lambert The fourth annual Media Production Show, held June 11-12 at Olympia West, London, once again attracted a wide cross section of European production, broadcast, post and media-distribution pros. According to its organizers, the two-day confab drew 5,300 attendees and “showcased the technology and creativity behind content creation,” focusing on state-of-the products and services. Continue reading → June 19, 2019 The post London’s Media Production Show: technology for ...
June 18, 2019, 12:56 pm
By Brady Betzel If you have ever watched After Effects tutorials, you are bound to have seen the people who make up Red Giant. There is Aharon Rabinowitz, who you might mistake for a professional voiceover talent; Seth Worley, who can combine a pithy sense of humor and over-the-top creativity seamlessly; Continue reading → June 18, 2019 The post Review: Red Giant’s VFX Suite plugins appeared first on postPerspective.
June 13, 2019, 3:15 am
UK-based animation and visual effects house Axis Studios has delivered 1,000 shots across 10 episodes on the second series of the UCP-produced hit Syfy show Happy!. Based on Grant Morrison and Darick Robertson’s graphic novel, Happy! follows alcoholic ex-cop turned hitman Nick Sax (Christopher Meloni), who teams up with imaginary unicorn Happy (voiced by Patton Oswalt). Continue reading → June 11, 2019 The post Axis provides 1,000 VFX shots for the TV series Happy! appeared first on p...
June 12, 2019, 9:10 am
UK-based animation and visual effects house Axis Studios has delivered 1,000 shots across 10 episodes on the second series of the UCP-produced hit SYFY and Netflix original show, Happy!, which recently premiered in the UK. Based on Grant Morrison and Darick Robertson’s graphic novel, Happy! follows alcoholic ex-cop turned hitman Nick Sax (Christopher Meloni) who teams up with imaginary unicorn Happy (voiced by Patton Oswalt). Continue reading → June 11, 2019 The post Axis provides 1,0...
June 6, 2019, 12:10 pm
Izotope, makers of the RX audio tools, has introduced Neutron 3, a plug-in that — thanks to advances in machine learning — listens to the entire session and communicates with every track in the mix. Mixers can use Neutron 3’s new Mix Assistant to create a balanced starting point for an initial-level mix built around their chosen focus, Continue reading → June 6, 2019 The post Izotope’s Neutron 3 streamlines mix workflows with machine learning appeared first on postPerspective.
Gordon sits down with Michelle Miller to discuss the makeup of PEN15
Gordon sits down with Tony Kearns to discuss editing Black Mirror: Bandersnatch.
Jim Flynn and Gordon sit down to discuss the editing of The Haunting of Hill House.
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