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  • AOTG

    A Dog's Way Home VFX Supervisor Interview

    May 6, 2019, 10:01 am
    Matt Welford began his career in the visual effects in 1999 at Mill Film as digital compositor. He then worked in many studios such as Weta Digital, MPC, Sony Pictures Imageworks before joining Pixomondo in 2017. As a VFX Supervisor, he took care of the effects of many movies like THE CHRONICLES OF NARNIA: THE VOYAGE OF DAWN TREADER, GREEN LANTERN and AMERICAN SNIPER.

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  • Other Postings By Member

    • AOTG
      VFX

      The Dead Don't Die VFX Discussion

      July 16, 2019, 6:13 am
      Before blasting zombie heads for Jim Jarmush for THE DEAD DON’T DIE, Alex Hansson took care of the visual effects of movies such as CHAPPAQUIDDICK, BORG MCENROE and MONKY. He is the founder of the studio Haymaker.

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    • AOTG
      VFX

      VFX Artists React to Bad & Great CGi 6

      July 16, 2019, 6:13 am
      Niko, Sam and Clint sit down once again to react to some of Hollywood's zestiest CGi moments: What makes a visual effect bad? What makes one great?

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    • AOTG
      VFX

      Stan & Ollie VFX Breakdown

      July 16, 2019, 6:13 am
      Come have a look at the invisible work made by Union VFX for STAN & OLLIE...

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    • Sneak peek: Nuke 12.0’s upcoming Inpaint tool
      VFX

      Sneak peek: Nuke 12.0’s upcoming Inpaint tool

      July 16, 2019, 6:13 am
      Foundry has posted a sneak peek at the new Inpaint tool coming up in the Nuke 12.0 family, the next major update to its line-up of compositing and editorial software.

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    • AOTG
      VFX

      ILM to Open Effects Facility in Sydney

      July 16, 2019, 6:13 am
      Sydney, Australia, is to be home to Industrial Light & Magic’s fifth production hub. The Disney-owned special effects company currently has facilities in San Francisco, Vancouver, London and Singapore.

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    • AOTG
      EDITING

      AE Like a Boss

      July 16, 2019, 6:13 am
      This is an extended version of the presentation I gave at Sea Connect Creative Conference in Malaysia and Singapore in which I breakdown a title animation created for the session. I use included effects plus some third party scripts including Physics Now, Squash & Stretch Pro, Speed Lines and stock including Grit Kit and ink footage.

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    • Score extra RenderPoints with RebusFarm
      VFX

      Score extra RenderPoints with RebusFarm

      July 16, 2019, 6:12 am
      RebusFarm render service offers cloud rendering for a huge range of 3D software and renderers. befores & afters readers can also benefit from an exclusive special: 50 free trial RenderPoints!

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    • AOTG
      COLOR

      7 Options to Consider When Choosing Kodak Stock

      July 16, 2019, 6:12 am
      Although digital has largely taken over as the primary capture format, many filmmakers are now choosing to shoot their projects on film. Whether you’re looking for a specific creative aesthetic or just enjoying the process of film, understanding film stock options will help you in this stage of the creative process.

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    • The Tragedy of Images
      EDITING

      The Tragedy of Images

      July 12, 2019, 9:37 am
      In 1971, the fetishizing of firearms in American cinema entered a provocative new phase when Clint Eastwood unholstered his Smith & Wesson Model 29, pointed its sleek, 8⅜-inch black-steel barrel at Albert Popwell’s head and inquired as to the gentleman’s sense of good fortune.

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    • AOTG
      VFX

      MIB International VFX Supervisor Interview

      July 11, 2019, 9:17 am
      In 2018, Alessandro Ongaro told us about the work of DNEG on ANT-MAN AND THE WASP. He explains today his work on MEN IN BLACK: INTERNATIONAL.

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