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May 9, 2019, 1:25 pm
Tony Dustin has joined the Deluxe Post Production creative team as senior colorist at Hollywood’s Efilm. He will also be doing some work for sister company Encore. With more than 20 years of experience in color grading, Dustin’s work spans styles and genres, with a talent for revealing details in the darker palettes of many of his projects. Continue reading →
May 9, 2019
The post Tony Dustin joins Efilm as senior colorist appeared first on Randi Altman's postPerspective.
June 13, 2019, 3:15 am
UK-based animation and visual effects house Axis Studios has delivered 1,000 shots across 10 episodes on the second series of the UCP-produced hit Syfy show Happy!. Based on Grant Morrison and Darick Robertson’s graphic novel, Happy! follows alcoholic ex-cop turned hitman Nick Sax (Christopher Meloni), who teams up with imaginary unicorn Happy (voiced by Patton Oswalt). Continue reading → June 11, 2019 The post Axis provides 1,000 VFX shots for the TV series Happy! appeared first on p...
June 12, 2019, 9:10 am
UK-based animation and visual effects house Axis Studios has delivered 1,000 shots across 10 episodes on the second series of the UCP-produced hit SYFY and Netflix original show, Happy!, which recently premiered in the UK. Based on Grant Morrison and Darick Robertson’s graphic novel, Happy! follows alcoholic ex-cop turned hitman Nick Sax (Christopher Meloni) who teams up with imaginary unicorn Happy (voiced by Patton Oswalt). Continue reading → June 11, 2019 The post Axis provides 1,0...
June 6, 2019, 12:10 pm
Izotope, makers of the RX audio tools, has introduced Neutron 3, a plug-in that — thanks to advances in machine learning — listens to the entire session and communicates with every track in the mix. Mixers can use Neutron 3’s new Mix Assistant to create a balanced starting point for an initial-level mix built around their chosen focus, Continue reading → June 6, 2019 The post Izotope’s Neutron 3 streamlines mix workflows with machine learning appeared first on postPerspective.
June 6, 2019, 12:09 pm
By Barry Goch In addition to introducing the new MacPro and the Pro Display XDR, during Apple’s World Wide Developer Conference (WWDC19), Apple has some pretty cool demos. The coolest, in my mind, was the Minecraft Augmented Reality presentation. Across the street from the San Jose Convention Center, Continue reading → June 6, 2019 The post Apple offers augmented reality with Reality Composer appeared first on postPerspective.
June 6, 2019, 4:28 am
This colorist, who works on episodic TV series, says, “There are so many talented colorists and photographers on Instagram. It’s where I get my daily inspiration.” NAME: Patrick Woodard COMPANY: DigitalFilm Tree (@digitalfilmtree) CAN YOU DESCRIBE YOUR COMPANY? Continue reading → June 5, 2019 The post Behind the Title: DigitalFilm Tree colorist Patrick Woodard appeared first on postPerspective.
June 5, 2019, 12:21 pm
By Barry Goch The Apple World Wide Developer Conference (WWDC19) kicked off on Monday with a keynote from Apple CEO Tim Cook where he announced the eagerly awaited new MacPro and Pro Display XDR. In recent years, many working in M&E felt as if Apple had moved away from supporting M&E creative pros — there was the fumbled roll out of FCPX, Continue reading → June 5, 2019 The post Apple intros long-awaited new MacPro and Pro Display XDR appeared first on postPerspective.
June 4, 2019, 12:09 pm
By Randi Altman Rock Paper Scissors (RPS) is a veteran editing house specializing in commercials, music videos and feature films. Founded by Oscar-winning editor Angus Wall (The Social Networ, The Girl With the Dragon Tattoo), RPS has a New York office, as well as a main Santa Monica location that it shares with sister companies A52, Continue reading → June 4, 2019 The post RPS editors talk workflow, creativity and Michelob Ultra’s Robots appeared first on postPerspective.
May 31, 2019, 5:58 am
By Maury Loeb We all have a basic understanding about what editing consists of. In the simplest terms, editors stitch together raw footage to create a cohesive and coherent story. But one of the most vital features of a “good edit” is the establishment of tone. Tone is the aspect of a piece that describes its particular mood, Continue reading → May 30, 2019 The post Using editing to influence the tone of a spot appeared first on postPerspective.
May 30, 2019, 12:55 pm
VFX house Zoic Studios has made changes to its creative team, adding VFX supervisor Chad Wanstreet to its Culver City studio and promoting Nate Overstrom to creative director in its New York studio. Wanstreet has nearly 15 years of experience in visual effects, working across series, feature film, commercial and video game projects. Continue reading → May 30, 2019 The post Zoic in growth mode, adds VFX supervisor Wanstreet, ups Overstrom appeared first on postPerspective.
May 30, 2019, 6:05 am
By Randi Altman Good versus evil. It’s a story that’s been told time and time again, but Amazon’s Good Omens turns that trope on its head a bit. With Armageddon approaching, two unlikely heroes and centuries-long frenemies— an angel (Michael Sheen) and demon (David Tennant) — team up to try to fight off the end of the world. Continue reading → May 29, 2019 The post Amazon’s Good Omens: VFX supervisor Jean-Claude Deguara appeared first on postPerspective.
Gordon sits down with Evan Ahlgren and Gary Roach to discuss the editing of Paramount's Yellowstone.
Gordon Sits down with Rosanne Tan, Justin Krohn, and Franklin Peterson to discuss their editing of the show Homecoming.
Gordon and Azin Samari sit down to discuss the four-part documentary Lorena that recounts the Lorena and John Bobbit saga.
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