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May 17, 2019, 8:02 pm
Evan Schiff started his film industry career at the Stan Winston animatronic studio in 1999 working on such films as Jurassic Park III and Terminator 3: Rise of the Machines. His work as a VFX editor or assistant editor include work on Sky Captain and the World of Tomorrow, Rocky Balboa and Pan’s Labyrinth, Rambo,...
The post ART OF THE CUT with Evan Schiff, editor of “John Wick 3” appeared first on ProVideo Coalition.
October 22, 2020, 12:40 pm
It’s been a blast to create Premiere Pro and filmmaking tutorials and creative vlogs on my YouTube channel for beginners, pros and everyone in between. I’ve used Premiere Pro for as long as I’ve been editing videos because it works the way I think. It’s intuitive and I love the integration with the other Adobe [...]Read More...
October 22, 2020, 12:40 pm
The Art of the Cut podcast brings the fantastic conversations that Steve Hullfish has with world renowned editors into your car, living room, editing suite and beyond. In each episode, Steve talks with editors ranging from emerging stars to Oscar and Emmy winners. Hear from the top editors of today about their careers, editing workflows [...]Read More...
October 22, 2020, 12:40 pm
This week, Scott sits down with versatile editors Oliver Peters and Tony Gallardo to talk about the “big 4” non-linear editing applications. They debate some of the strengths and weaknesses and talk about what makes the discussion of NLEs such a religious experience for many of those commenting on the internet. This is a reasoned [...]Read More...
October 21, 2020, 12:25 pm
Today, we’re talking with Luis Carballar. I asked Art of the Cut fans who I should interview and his name came up from several people who cited his work on the TV series Narcos. Luis – who started cutting TV spots – has cut numerous feature films including Amores Perros, The Devil’s Double, Sin Nombre, [...]Read More...
October 20, 2020, 12:14 pm
As more HDR workflows are implemented, companies hasten to release updates that follow development of new options. One example is the new Colorfront Engine TV Mode for AJA’s FS-HDR, which provides new features. AJA Video Systems updated its FS-HDR real-time HDR/WCG converter and frame synchronizer with a free firmware update – v4.0 – so professionals [...]Read More...
October 17, 2020, 3:53 pm
Sony announced the Spatial Reality Display (SR Display), said to offer designers and creators in film the means to bring ideas to life in stunning 3D displays, without the need for special glasses or HMDs. Sony first showed the new Spatial Reality Display (SR Display) to attendees at the Consumer Electronics Show in January of [...]Read More...
October 16, 2020, 12:50 pm
We have a fun episode of MacBreak Studio for you this week, in which I show you how to create a 3D asteroid field and fly a camera through it. I’m taking advantage of Motion’s brand new ability to import 3D models that are in the USDZ format – a format most commonly associated with [...]Read More...
October 15, 2020, 12:31 pm
The Art of the Cut podcast brings the fantastic conversations that Steve Hullfish has with world renowned editors into your car, living room, editing suite and beyond. In each episode, Steve talks with editors ranging from emerging stars to Oscar and Emmy winners. Hear from the top editors of today about their careers, editing workflows [...]Read More...
October 14, 2020, 12:30 pm
As part of my efforts to share the experience of some veteran film editors, this week I’m honored to interview editor Steve Rotter, who was nominated for a BAFTA for sound editing on Dog Day Afternoon – a film edited by his mentor, Dede Allen. He won an Emmy and an ACE Eddie for editing [...]Read More...
October 13, 2020, 12:29 pm
A classic visual effects job is to place a place one planar object (such as a new sign, a video screen, etc.) onto another planar object (such as a wall, a laptop, a cell phone, etc.) while either the camera, the target object, or both are moving. This requires some form of tracking. In the [...]Read More...
Gordon sits down with documentary editor and producer Kathryn Robson to discuss storytelling and her work on the hit Netflix ...
Gordon sits down to talk to Emmy Nominated editors Kate Sanford & Tim Streeto to discuss their work on the Marvelous Mrs. ...
Gordon sits down with Wade Barnett(Supervising Sound Editor) and David Barbee (Sound Designer) to discuss their work on Amazo ...
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