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  • Our Choice To Turn To Adobe Premiere Rush For NAB

    Our Choice To Turn To Adobe Premiere Rush For NAB

    May 20, 2019, 2:06 pm
    We stopped by the booths. We saw the gear. We talked to as many industry manufacturers as we could. Then, after the exhibit floor closed, we dived into long edit sessions. Our game plan was simple: Cover NAB as much as possible, and edit throughout the day and into the evenings. We turned to Adobe...
    The post Our Choice To Turn To Adobe Premiere Rush For NAB 2019 Videos appeared first on ProVideo Coalition.

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  • Other Postings By Member

    • FiLMiC Pro adds support for 10-bit Dolby Vision HD
      SOUND

      FiLMiC Pro adds support for 10-bit Dolby Vision HD

      November 24, 2020, 2:05 pm
      The new version of FiLMiC Pro  adds support for 10-bit Dolby Vision HDR on 12 series iPhones… but there are some limitations users should be aware of before using. Last September FiLMiC introduced support for Clean HDMI Output in its FiLMiC Pro cinema camera app, so you get more of your mobile device, in both [...]Read More...

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    • Disney’s Myth: A Frozen Tale is VR Film of the Y
      ANIMATION

      Disney’s Myth: A Frozen Tale is VR Film of the Y

      November 23, 2020, 2:09 pm
      Myth: A Frozen Tale, the first VR short from Disney Animation to be inspired by one of the studio’s feature films won the VR Film of the Year award in AIXR’s 2020 VR Awards. As Virtual Reality expands, different organizations create awards to celebrate the creative work produced each new year. The VR Awards from [...]Read More...

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    • Blackmagic Design Announces New Micro Converter 3G
      EDITING

      Blackmagic Design Announces New Micro Converter 3G

      November 23, 2020, 2:09 pm
      Blackmagic Design has announced new Micro Converter 3G models (US$45), a new family of miniaturized and affordable broadcast converters that feature a new advanced design that supports all 3G‑SDI formats up to 1080p60. The Micro Converter 3G models let customers use HDMI equipment with professional SDI systems, and feature custom hardware developed by Blackmagic Design with [...]Read More...

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    • Art Of The Cut Podcast Eps. 74 (“Zappa” Editor
      EDITING

      Art Of The Cut Podcast Eps. 74 (“Zappa” Editor

      November 20, 2020, 1:47 pm
      The Art of the Cut podcast brings the fantastic conversations that Steve Hullfish has with world renowned editors into your car, living room, editing suite and beyond. In each episode, Steve talks with editors ranging from emerging stars to Oscar and Emmy winners. Hear from the top editors of today about their careers, editing workflows [...]Read More...

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    • ART OF THE CUT with Mike J. Nichols, editor of the
      EDITING

      ART OF THE CUT with Mike J. Nichols, editor of the

      November 20, 2020, 1:47 pm
      Today I’m talking with Mike J. Nichols about editing the documentary Zappa. He’s edited a lot of documentaries including Billy Joel’s Last Play at Shea and Echo in the Canyon and was an assistant editor on Ron Howard’s Eight Days a Week Beatles documentary – for which I interviewed editor Paul Crowder for a previous [...]Read More...

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    • Maxon updates two suites: Trapcode and Magic Bulle
      EDITING

      Maxon updates two suites: Trapcode and Magic Bulle

      November 19, 2020, 1:41 pm
      Trapcode Suite 16 and Magic Bullet Suite 14 arrive in Red Giant Complete and Maxon One, two updates offering significant enhancements to the creative workflow. “Good things come in pairs”, says the old Chinese proverb, and it is absolutely true in this case: Maxon announced, for the first time ever, two major new suite updates [...]Read More...

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    • Custom video editing overlays for the Loupedeck+ c
      EDITING

      Custom video editing overlays for the Loupedeck+ c

      November 19, 2020, 1:41 pm
      It’s time to talk about Loupedeck again. I’ve reviewed quite a few Loupedeck products here in recent years. While my love for the Loupedeck CT is quite great (heck, I did three articles about the thing: original review, Adobe Premiere Pro and Final Cut Pro X) I wasn’t so thrilled with the older Loupedeck+. I [...]Read More...

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    • Exploring Colour Quality Systems in Production: La
      COLOR

      Exploring Colour Quality Systems in Production: La

      November 17, 2020, 2:12 pm
      If we didn’t care about efficiency, tungsten lighting is the best technology ever developed. It has near perfect colour rendering, it’s lightweight, inexpensive and dimmable. It’s great. Sadly, we do have to care about efficiency, although instead of efficiency we should really talk about luminous efficacy, since the term takes account of the way the [...]Read More...

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    • Fairlight New Features in DaVinci Resolve 17
      EDITING

      Fairlight New Features in DaVinci Resolve 17

      November 16, 2020, 2:08 pm
      Since the acquisition of Fairlight in 2016, Blackmagic Design has been integrating the long-established digital audio technology into their flagship finishing software DaVinci Resolve. The technological challenges are enormous in writing existing intellectual property into another existing product. The task of turning Fairlight’s hardware dependent audio tools into a mouse and keyboard friendly DAW must [...]Read More...

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    • Final Cut Pro updated to 10.5 and loses the X
      EDITING

      Final Cut Pro updated to 10.5 and loses the X

      November 14, 2020, 2:26 pm
      The NLE updates continue as Thursday Apple updated Final Cut Pro to version 10.5. It’s not a big update as far as the features go but perhaps the most noticeable thing is that Final Cut Pro loses the X and becomes… Final Cut Pro. What’s new with this 10.5 update? Just a few things, mainly bringing [...]Read More...

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