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May 20, 2019, 2:06 pm
We stopped by the booths. We saw the gear. We talked to as many industry manufacturers as we could. Then, after the exhibit floor closed, we dived into long edit sessions. Our game plan was simple: Cover NAB as much as possible, and edit throughout the day and into the evenings. We turned to Adobe...
The post Our Choice To Turn To Adobe Premiere Rush For NAB 2019 Videos appeared first on ProVideo Coalition.
February 27, 2021, 2:42 pm
I made the switch from Mac. There. I said it. Now, with that said, I haven’t completely switched from the Mac, as there are still some Mac-based tutorials that I have to do, but as far as the big systems go, I won’t purchase another MacPro ever again. I had a TrashCan, and had no [...]Read More...
February 26, 2021, 1:48 pm
As this series on After Effects and Performance draws to a close, there are a few loose ends to tie up. The intention has always been to conclude this series by interviewing the After Effects development team, and while that’s being arranged it’s a good opportunity to recap everything to date, and fill in a [...]Read More...
February 26, 2021, 1:48 pm
It may seem like DaVinci Resolve 17 has been out for quite awhile now but Blackmagic has put version 17 through its extensive public beta program. Resolve has left beta and the full release version of DaVinci Resolve 17 is available for download. This includes both the free versions of Resolve as well as the [...]Read More...
February 25, 2021, 1:46 pm
The Art of the Cut podcast brings the fantastic conversations that Steve Hullfish has with world renowned editors into your car, living room, editing suite and beyond. In each episode, Steve talks with editors ranging from emerging stars to Oscar and Emmy winners. Hear from the top editors of today about their careers, editing workflows [...]Read More...
February 24, 2021, 2:08 pm
Today I’m talking with Michelle Tesoro, ACE about editing The Queen’s Gambit. She edited The SXSW Grand Jury Prize-winning feature film Natural Selection, which earned her the 2011 SXSW Award for Best Editing. She also edited the feature film On the Basis of Sex among others. Her editing of TV series includes Netflix’s Emmy-nominated series [...]Read More...
February 23, 2021, 1:55 pm
A revolutionary process that is poised to forever transform the way in which production and editorial interact, Frame.io Camera to Cloud bridges on-set camera capture with post-production NLE systems. Scott Simmons wrote recently, here at ProVideo Coalition, that “with the introduction of the new Frame.io Camera to Cloud workflow something that editors have long dreamed [...]Read More...
February 23, 2021, 1:55 pm
As more and more cameras capable of shooting 10-bit 4-2-2 video hit the market at lower and lower price points, I’ve seen a huge uptick in the number of posts on various forums from folks having trouble playing back their footage in their NLE of choice. It’s the ongoing pendulum swing of technology: computers get [...]Read More...
February 20, 2021, 1:34 pm
Today I’m talking with Arthur Schmidt, ACE. Arthur won an Emmy and an ACE Eddie for his editing of Michael Mann’s film, The Jericho Mile back in 1979 and has been winning awards and cutting iconic films ever since. He was nominated for an Oscar and an ACE Eddie for Coal Miner’s Daughter. Nominated for [...]Read More...
February 19, 2021, 1:44 pm
The Art of the Cut podcast brings the fantastic conversations that Steve Hullfish has with world renowned editors into your car, living room, editing suite and beyond. In each episode, Steve talks with editors ranging from emerging stars to Oscar and Emmy winners. Hear from the top editors of today about their careers, editing workflows [...]Read More...
February 13, 2021, 1:23 pm
Today’s interview is with Mikkel E.G. Nielsen. We talked via Zoom with him at his home in Copenhagen, Denmark, and me in Chicago. We talked about his editing on the film Sound of Metal for director, Darius Marder. Mikkel’s accomplishments include multiple Danish Film awards for editing and back to back wins in 2004 and [...]Read More...
Editor Sam Rice Edwards joins us from the UK to discuss his work on the Youtube documentary Life In A Day 2020.
Gordon sits down with Marco Capalbo to discuss editing for Werner Herzog and crafting Fireball: Visitors from Darker Worlds. ...
Editor Mikeel Nielsen and Sound Designer Nicolas Becker discuss creating the film The Sound of Metal. We explore how to make ...
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