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  • Apple intros long-awaited new MacPro and Pro Displ

    Apple intros long-awaited new MacPro and Pro Displ

    June 5, 2019, 12:21 pm
    By Barry Goch
    The Apple World Wide Developer Conference (WWDC19) kicked off on Monday with a keynote from Apple CEO Tim Cook where he announced the eagerly awaited new MacPro and Pro Display XDR.
    In recent years, many working in M&E felt as if Apple had moved away from supporting M&E creative pros — there was the fumbled roll out of FCPX, Continue reading →
    June 5, 2019
    The post Apple intros long-awaited new MacPro and Pro Display XDR appeared first on postPerspective.

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  • Other Postings By Member

    • UK’s Molinare adds two to its VFX team
      VFX

      UK’s Molinare adds two to its VFX team

      July 19, 2019, 9:16 am
      Molinare has boosted its visual effects team with the addition of head of VFX production Kerrie Bryant and VFX supervisor Andy Tusabe. Bryant comes to Molinare after working at DNeg TV and Technicolor, where she oversaw all projects within the studio, as well as supervising line producers and coordinators on their projects. Continue reading → July 19, 2019 The post UK’s Molinare adds two to its VFX team appeared first on postPerspective.

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    • Creating and mixing authentic sounds for HBO’s D
      SOUND

      Creating and mixing authentic sounds for HBO’s D

      July 17, 2019, 1:05 pm
      By Jennifer Walden HBO’s award-winning series Deadwood might have aired its final episode 13 years ago, but it’s recently found new life as a movie. Set in 1889 — a decade after the series finale — Deadwood: The Movie picks up the threads of many of the main characters’ stories and weaves them together as the town of Deadwood celebrates the statehood of South Dakota. Continue reading → July 17, 2019 The post Creating and mixing authentic sounds for HBO’s Deadwood movie appea...

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    • a52 Color adds colorist Gregory Reese
      COLOR

      a52 Color adds colorist Gregory Reese

      July 16, 2019, 12:26 pm
      Colorist Gregory Reese has joined LA-based grading and finishing studio a52 Color, which is led by executive producer Thatcher Peterson and includes colorists Paul Yacono and Daniel de Vue. Reese comes to a52d Color after eight years at The Mill. While there he colored a spectrum of commercials for athletic brands, Continue reading → July 16, 2019 The post a52 Color adds colorist Gregory Reese appeared first on postPerspective.

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    • Biff Butler joins Work as editor, creative partner
      EDITING

      Biff Butler joins Work as editor, creative partner

      July 16, 2019, 6:12 am
      Work Editorial has added Biff Butler to its roster. Currently based in Los Angeles, Butler will be represented globally as an editor and serve as creative partner at the company, which also has offices in New York and London. Originally from the UK, Butler moved to Los Angeles to pursue a career as a musician in 1999, Continue reading → July 15, 2019 The post Biff Butler joins Work as editor, creative partner appeared first on postPerspective.

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    • Colorist Chat: The Refinery’s Kyle Stroebel
      COLOR

      Colorist Chat: The Refinery’s Kyle Stroebel

      July 15, 2019, 12:33 pm
      This Cape Town, South African-based artist says that “working creatively with a director and DP to create art is a privilege.” NAME: Colorist Kyle Stroebel COMPANY: The Refinery in Cape Town, South Africa CAN YOU DESCRIBE YOUR COMPANY? We are a full-service post company in the heart of Cape Town. Continue reading → July 15, 2019 The post Colorist Chat: The Refinery’s Kyle Stroebel appeared first on postPerspective.

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    • Creating Foley for FX’s Fosse/Verdon
      SOUND

      Creating Foley for FX’s Fosse/Verdon

      July 12, 2019, 4:55 am
      Alchemy Post Sound created Foley for Fosse/Verdon, FX’s miniseries about choreographer Bob Fosse (Sam Rockwell) and his collaborator and wife, the singer/dancer Gwen Verdon (Michelle Williams). Working under the direction of supervising sound editors Daniel Timmons and Tony Volante, Foley artist Leslie Bloome and his team performed and recorded hundreds of custom sound effects to support the show’s dance sequences and add realistic ambience to its historic settings. Continue reading →...

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    • Review: Western Digital Blue SN500 NVMe SSD
      EDITING

      Review: Western Digital Blue SN500 NVMe SSD

      July 11, 2019, 9:17 am
      By Brady Betzel Since we began the transfer of power from the old standard SATA 3.5-inch hard drives to SSD drives, multimedia-based computer users have seen a dramatic uptick in read and write speeds. The only issue has been price. You can still find a 3.5-inch brick drive, ranging in size from 2TB to 4TB, Continue reading → July 11, 2019 The post Review: Western Digital Blue SN500 NVMe SSD appeared first on postPerspective.

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    • Steinberg’s SpectraLayers Pro 6: visual audio ed
      SOUND

      Steinberg’s SpectraLayers Pro 6: visual audio ed

      July 10, 2019, 12:19 pm
      Steinberg’s SpectraLayers Pro 6 audio editing software is now available. First distributed by Sony Creative Software and then by Magix Software, the developers behind SpectraLayers have joined forces with Steinberg to release its sixth iteration. Unlike most audio editing tools, SpectraLayers offers a visual approach to audio editing, allowing users to visualize audio in the spectral domain (in 2D and 3D) and to manipulate its spectral data in many different ways. Continue reading → Ju...

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    • Quick Chat: Robert Ryang on editing Netflix’s Zi
      EDITING

      Quick Chat: Robert Ryang on editing Netflix’s Zi

      July 9, 2019, 9:34 am
      Back in May, Cut+Run’s Robert Ryang took home a Sports Emmy in the Outstanding Editing category for the short film Zion. The documentary, which premiered at Sundance and was released on Netflix, tells the story of Zion Clark, a young man who was born without legs, grew up in foster care and found community and hope in wrestling. Continue reading → July 9, 2019 The post Quick Chat: Robert Ryang on editing Netflix’s Zion doc appeared first on postPerspective.

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    • Veteran episodic colorist Scott Klein joins Light
      COLOR

      Veteran episodic colorist Scott Klein joins Light

      July 9, 2019, 9:33 am
      Colorist Scott Klein has joined post house Light Iron, which has artists working on feature films, episodic series and music videos at their Los Angeles- and New York-based studios. Klein brings with him 40 years of experience supervising a variety of episodic series. “While Light Iron was historically known for its capabilities with feature films, Continue reading → July 9, 2019 The post Veteran episodic colorist Scott Klein joins Light Iron appeared first on postPerspective.

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