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  • Apple intros long-awaited new MacPro and Pro Displ

    Apple intros long-awaited new MacPro and Pro Displ

    June 5, 2019, 12:21 pm
    By Barry Goch
    The Apple World Wide Developer Conference (WWDC19) kicked off on Monday with a keynote from Apple CEO Tim Cook where he announced the eagerly awaited new MacPro and Pro Display XDR.
    In recent years, many working in M&E felt as if Apple had moved away from supporting M&E creative pros — there was the fumbled roll out of FCPX, Continue reading →
    June 5, 2019
    The post Apple intros long-awaited new MacPro and Pro Display XDR appeared first on postPerspective.

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  • Other Postings By Member

    • Review: iZotope’s Ozone 9 is not just for master
      SOUND

      Review: iZotope’s Ozone 9 is not just for master

      November 12, 2019, 2:51 pm
      By Pat Birk Izotope is back with its latest release, Ozone 9. And with it, they hope to provide a comprehensive package of tools to streamline the audio engineer’s workflow. The company has been on my radar for a number of years now, having used the RX suite extensively for clean up and restoration of production audio. Continue reading → November 11, 2019 The post Review: iZotope’s Ozone 9 is not just for mastering appeared first on postPerspective.

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    • SMPTE 2019: AVID's Michael Krulik
      EDITING

      SMPTE 2019: AVID's Michael Krulik

      November 9, 2019, 1:58 pm
      #SMPTE2019, #Avid, #MediaComposer, #Nexis, #postPerspective Michael Krulik from Avid discusses Media Composer 2019 and its newest features, as well as Nexis storage that works closely with Media Composer 2019, and new cloud solutions offerings. He also talked about the new S1 and S4 control surfaces.

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    • Harbor crafts color and sound for The Lighthouse
      COLOR

      Harbor crafts color and sound for The Lighthouse

      November 7, 2019, 1:58 pm
      By Jennifer Walden Director Robert Eggers’s The Lighthouse tells the tale of two lighthouse keepers, Thomas Wake (Willem Dafoe) and Ephraim Winslow (Robert Pattinson), who lose their minds while isolated on a small rocky island, battered by storms, plagued by seagulls and haunted by supernatural forces/delusion-inducing conditions. It’s an A24 film and hit theaters in late October. Continue reading → November 5, 2019 The post Harbor crafts color and sound for The Lighthouse appeared...

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    • James Norris joins Nomad in London as editor, part
      EDITING

      James Norris joins Nomad in London as editor, part

      November 7, 2019, 1:58 pm
      Nomad in London has added James Norris as editor and partner. A self-taught, natural editor, James started out running for the likes of Working Title, Partizan and Tomboy Films. He then moved to Whitehouse Post as an assistant where he refined his craft and rose through the ranks to become an editor. Over the past 15 years, Continue reading → November 5, 2019 The post James Norris joins Nomad in London as editor, partner appeared first on postPerspective.

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    • SMPTE 2019: Film editor Roger Barton
      EDITING

      SMPTE 2019: Film editor Roger Barton

      November 5, 2019, 2:09 pm
      #SMPTE2019 #RogerBarton #filmeditor #Evercast Film editor Roger Barton (Godzilla: King of Monsters, Terminator Genisys) stopped by to talk about Evercast, which allows editors to work remotely on the system of their choice, as well as working his way up to editor. Enjoy postPerspective and SMPTE's coverage of the conference: https://postperspective.com/smpte-2019/

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    • SMPTE 2019: Endcrawl's John "Pliny" Eremic
      EDITING

      SMPTE 2019: Endcrawl's John "Pliny" Eremic

      November 4, 2019, 2:13 pm
      #SMPTE2019 #Endcrawl #endtitles #postPerspective Pliny is the co-founder of Endcrawl.com, a cloud tool for building and rendering end credits with unlimited do-overs. It is used by post supervisors, producers and post pros. Pliny has spent 15 years working in post, including a six-year stint at HBO. Enjoy postPerspective and SMPTE's coverage of the conference: https://postperspective.com/smpte-2019

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    • Dalet AmberFin now includes Dolby Vision HDR techn
      SOUND

      Dalet AmberFin now includes Dolby Vision HDR techn

      November 3, 2019, 8:56 pm
      Dalet’s AmberFin software-based transcoding asset management system now includes Dolby Vision HDR technology targeting media professionals, studios and streaming service providers. The newly updated Dalet AmberFin engine enables mastering and distribution workflows for production, post and streaming In addition to Dolby Vision and a bunch of other new software-only features, Dalet AmberFin can also be enhanced with hardware acceleration tools such as the M820L HEVC encoder plugin card fro...

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    • Color Chat: Light Iron’s Corinne Bogdanowicz
      COLOR

      Color Chat: Light Iron’s Corinne Bogdanowicz

      October 31, 2019, 12:49 pm
      Corinne Bogdanowicz colorist at Light Iron, joined the post house in 2010 after working as a colorist and digital compositor for Post Logic/Prime Focus, Pacific Title and DreamWorks Animation. Bogdanowicz, who comes from a family of colorists/color scientists (sister and father), has an impressive credit list, including the features 42, Flight, Hell or High Water, Continue reading → October 30, 2019 The post Color Chat: Light Iron’s Corinne Bogdanowicz appeared first on postPerspe...

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    • VFX house Blacksmith now offering color grading, a
      COLOR

      VFX house Blacksmith now offering color grading, a

      October 30, 2019, 1:15 pm
      New York-based visual effects studio Blacksmith has added colorist Mikey Pehanich to its team. With this new addition, Blacksmith expands its capabilities to now offer color grading in addition to VFX. Pehanich has worked on projects for high-profile brands including Amazon, Samsung, Prada, Nike, New Balance, Marriott and Carhartt. Most recently, Continue reading → October 28, 2019 The post VFX house Blacksmith now offering color grading, adds Mikey Pehanich appeared first on postPerspe...

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    • Rising Sun Pictures’ Anna Hodge talks VFX educat
      VFX

      Rising Sun Pictures’ Anna Hodge talks VFX educat

      October 30, 2019, 1:15 pm
      Based in Adelaide, South Australia, Rising Sun Pictures (RSP) has created stunning visual effects for films including Spider-Man: Far From Home, Captain Marvel, Thor: Ragnarok and Game of Thrones. It also operates a visual effects training program in conjunction with the University of South Australia in which students learn such skills as compositing, Continue reading → October 28, 2019 The post Rising Sun Pictures’ Anna Hodge talks VFX education and training appeared first on postPer...

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