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June 6, 2019, 1:21 pm
The sound in HBO's 'Chernobyl' - and the interplay between sound design and score - is outstanding, and it's a great pleasure to give you the story behind it in this exclusive A Sound Effect interview.
Here, supervising sound editor Stefan Henrix and sound designer Joe Beal share how they made its eerily haunting soundscape, and the lengths they went to capture and design an authentic sound for the series:
May 8, 2019, 6:12 am
Supervising sound editor Shannon Mills has worked on a number of Marvel movies, and in this exclusive A Sound Effect interview, he gives you the in-depth story about that Avengers: Endgame sound - including the audio team's tactics for creating sounds that match the scale of what’s on-screen, how they kept the epic battles from becoming a chaotic mess, working with (and recreating) unique superhero signature sounds & much more:
February 21, 2019, 1:24 pm
Get the story behind the sound for Arctic, covering everything from the sounds of helicopter crashes and polar bear attacks, the use of sound to convey emotion, thoughts on effectively selling ‘silence’, techniques for making a character sound alone, to crafting the final mix + much (much!) more:
January 28, 2019, 6:59 am
In this in-depth A Sound Effect interview, supervising sound editors Peter Brown and Joe Dzuban take you behind the scenes on their sound work for the film - covering everything from creatively crafting powerful water sounds, creating Trident hits, ‘laser’ guns, and gigantic deep-sea battle sounds, to the challenges of designing (intelligible) underwater vocals:
January 22, 2019, 3:55 pm
The 2019 Oscar nominees have just been announced, and we've compiled all the sound stories behind the nominees for Sound Editing and Sound Mixing for you:
January 18, 2019, 1:17 am
80+ million viewers watched 'Bird Box' on Netflix in its first 4 weeks - and here's the story behind the sound for this mysterious tale, as told by supervising sound editors/sound designers Glenn Freemantle and Ben Barker:
November 16, 2018, 1:24 am
Want the story behind the retro-futuristic sound of 'Maniac'? Here are the clever, adventurous sonic experiments that went into creating it, as told by supervising sound editor/sound designer Mariusz Glabinski:
Gordon sits down with Michelle Miller to discuss the makeup of PEN15
Gordon sits down with Tony Kearns to discuss editing Black Mirror: Bandersnatch.
Jim Flynn and Gordon sit down to discuss the editing of The Haunting of Hill House.
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