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  • AOTG

    Exploring the Sound Design of Harry Potter

    June 18, 2019, 6:15 am
    If there were some sort of cliché police, they'd assign a dedicated task force to the phrase: "Sound is crucial to the movie-going experience."

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  • Other Postings By Member

    • AOTG
      VFX

      Plugable launches external NVMe SSDs with Thunderb

      November 12, 2019, 5:37 pm
      Today, Plugable announced its new NVMe external SSDs with Thunderbolt 3 connectivity and speed. It will be available in a 1 TB for US$299 and a 2 TB for US$499. The Plugable company targets the device for film producers and videographers. It uses the following key words to describe it: small, portable, and extremely fast. Yes, it is bus-powered. Ahead you’ll find the press release and images, while I prepare a review.

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    • AOTG
      EDITING

      AE & Performance. Part3: It's numbers, all the way

      November 12, 2019, 5:37 pm
      If you’re reading this then you’re probably an After Effects user, and if you’re an After Effects user then you’re probably working in a creative industry. And if you’re creative – however loosely the term is applied – then there’s a good chance you’re not a huge fan of maths. This poses something of a problem, because Part 3 in this series on the history of After Effects and performance is all about numbers. Big numbers.

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    • VFX of DOOM — Film Director Tony Giglio
      VFX

      VFX of DOOM — Film Director Tony Giglio

      November 12, 2019, 2:53 pm
      Welcome to Episode 220! I’m speaking with the director of the new Doom: Annihilation feature film, as well as its leading actor Nina Bergman. This one will be a lot of fun! We talk all things Doom.

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    • AOTG
      VFX

      Foundry ships Modo 13.2

      November 12, 2019, 2:51 pm
      Foundry has released Modo 13.2, the last of three linked updates to its modelling and animation software that will form this year’s Modo 13 Series.

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    • AOTG
      SOUND

      Plug-ins That Prove Pro Tools AudioSuite Is Still

      November 12, 2019, 2:50 pm
      In this article we take a look at several third-party plug-ins which we feel make excellent examples of how relevant AudioSuite plug-ins still are for both processing and workflow applications. It can be easy to overlook AudioSuite in some types of audio production as AAX inserted plug-ins, which process in real-time, often do most of the heavy lifting for us in the mix, but that wasn't always the case, especially in Pro Tools pre-version 11 which first introduced a 64-bit architecture for processing.

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    • AOTG
      VFX

      Getting your head around rendering in the cloud

      November 12, 2019, 2:50 pm
      In visual effects, ‘cloud rendering’ has been a buzz term now for a couple of years. But what does it really mean, and what’s involved in starting the process of rendering your project in the cloud?

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    • AOTG
      EDITING

      D-Link USB-C adapters: connection, power and extra

      November 11, 2019, 10:07 pm
      Whether you need to expand the number of USB ports, transfer files or connect to extra displays up to 4K, D-Link has a solution for you, with the new, take anywhere, lineup of USB-C hub adapters.

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    • AOTG
      SOUND

      What is THX Certification?

      November 11, 2019, 10:06 pm
      THX® Certification is a globally recognized assurance of a product’s audio or visual fidelity. Products that are THX Certified must meet very strict performance tolerances, and endure hundreds of qualitative and functionality tests to ensure uncompromising audio and visual entertainment.

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    • AOTG
      VFX

      Talking animal VFX: the pioneering films you might

      November 11, 2019, 1:42 pm
      This week marks the release of Disney+’s Lady and the Tramp, a film that utilizes live action and CG animals – which talk.

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    • AOTG
      EDITING

      The AJA FS-HDR is an outstanding HDR toolbox

      November 11, 2019, 1:42 pm
      There's often something of a gap between the introduction of a new technique and the ready availability of the tools required to work with it. Other than stereo 3D, HDR is one of the best examples of this: it can require an entirely new transformation, monitoring and display chain. Within that requirement, we're also going to need converters between formats, controls to adjust the video, and ways to solve compatibility problems. These tools are the things which tend to trickle out of the factory gates only once we've identified the problems that need to be solved, and, sure enough, one such device is helping power the uptake of HDR across a range of productions from live television to narrative cinematic projects.

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