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June 20, 2019, 5:52 am
NAME: Rob Geddes
COMPANY: Artifex Studios (@artifexstudios)
CAN YOU DESCRIBE YOUR COMPANY?
Artifex is a small to mid-sized independent VFX studio based in Vancouver, BC. We’ve built up a solid team over the years, with very low staff turnover. Continue reading →
June 19, 2019
The post Behind the Title: Artifex VFX supervisor Rob Geddes appeared first on postPerspective.
September 22, 2020, 1:12 pm
By Brady Betzel I’ve been editing for over 15 years, and during that time I’ve been watching the NLE market shift and grow. There was a time long ago when Avid Media Composer was the only real game in town, but then came Apple Final Cut Pro and Adobe Premiere Pro and, most recently, Continue reading → September 21, 2020 The post Avid and Adobe Work Together for Easier Editing Workflows appeared first on postPerspective.
September 19, 2020, 2:27 pm
#Company3 #colorgrading #IBC2020 This Company 3 Toronto senior colorist talks trends, as well as his work-from-home setup. He has been grading episodics and films during the COVID shutdown.
September 18, 2020, 1:15 pm
AJA Kona and Io users can now easily access the new HLG HDR features in the latest version of Adobe Premiere Pro, enabling them to edit and deliver HDR content. Kon and Io customers using AJA Kona 5, Kona 4, Kona IP, Io 4K Plus, Io 4K or Io IP with the AJA Control Panel interface and AJA Control Room software, Continue reading → September 17, 2020 The post AJA Simplifies Adobe HLG HDR workflows for Kona and Io users appeared first on postPerspective.
September 16, 2020, 12:29 pm
By Brady Betzel Adobe is updating their video apps once again and this time with some important technical updates for Premiere Pro and After Effects. For this piece, I’m going to be focusing on Adobe Premiere Pro. While Scene Edit Detection has been in a recent beta of the NLE, Continue reading → September 15, 2020 The post Adobe’s Premiere Updated With HDR and Scene Edit Detection appeared first on postPerspective.
September 16, 2020, 12:29 pm
LWKS Software, a newly established company led by M&E vets James Richings and Peter Lambert, has acquired the Lightworks NLE and QScan AQC system from EditShare. LWKS is led by chairman Richings, previously the joint managing director of EditShare EMEA, and CEO Lambert, previously EditShare’s Asia VP of Sales and a former country manager with Avid. Continue reading → September 15, 2020 The post EditShare Sells Lightworks NLE and QScan AQC to LWKS appeared first on postPerspective.
September 15, 2020, 1:10 pm
#IBC2020 #colorgrading #Company3 This Company 3 Toronto senior colorist talks trends as well as his work-from-home setup, where he has been grading episodics and films during the COVID shutdown.
September 15, 2020, 1:09 pm
Nicholas Wong is a film and TV editor, whose credits include Amazon’s The Expanse and Hulu’s Utopia Falls, started making short animated films when he was 10, teaching himself Adobe Premiere and Flash. Let’s find out more. You work in TV and film. Can you describe that process? Continue reading → September 14, 2020 The post Behind the Title: TV & Film Editor Nicholas Wong appeared first on postPerspective.
September 13, 2020, 3:18 pm
#JellyfishPictures #VFX #Animation #IBC2020 UK-based Jellyfish, which provides VFX and animation services, set up for virtual workflows last year when it opened a new studio. This made their transition to remote work during COVID that much easier.
September 11, 2020, 1:24 pm
Industrial Light & Magic (ILM) has expanded its virtual production and StageCraft LED volume services. This, according to the company, is tied to an initiative to increase diversity in the industry by combining ILM’s growth in this area with a global trainee program geared for underrepresented VFX talent. ILM’s existing StageCraft volume set at Manhattan Beach Studios was used for the Lucasfilm Disney+ series The Mandalorian and will soon be joined by a second permanent StageCraft volum...
September 9, 2020, 4:02 pm
James Lee started editing in high school, and after flirting with writing and directing in film school pursued a career in editing because he felt like this gave him “the best of both worlds.” Name: James P. M. Lee Company: ArtClass Can you describe your company? Continue reading → September 8, 2020 The post Behind the Title: ArtClass editor James Lee appeared first on postPerspective.
Gordon sits down with Wade Barnett(Supervising Sound Editor) and David Barbee (Sound Designer) to discuss their work on Amazo ...
Gordon sits down with Shawn Paper to discuss Crashing, editing, and the new film The Broken Hearts Gallery.
Gordon Sits down with Arielle Kilker and David Nordstrom, the Supervising Editors of Netflix's hit documentary series Ch ...
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