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  • Review: Loupedeck+’s editing console for stills

    Review: Loupedeck+’s editing console for stills

    July 3, 2019, 5:45 am
    By Brady Betzel
    As an online editor I am often tasked with wearing multiple job hats, including VFX artist, compositor, offline editor, audio editor and colorist where I use special color correction panel hardware. I really love photography and cinematography but never was able to use the color correction hardware I’ve been used to in Adobe’s Photoshop or Lightroom so for the most part only did basic photo color correction. Continue reading →
    July 2, 2019
    The post Review: Loupedeck+...

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  • Other Postings By Member

    • Crafting Sound Design for Apple TV+’s Ted Lasso
      SOUND

      Crafting Sound Design for Apple TV+’s Ted Lasso

      December 4, 2020, 1:37 pm
      By Patrick Birk If you haven’t seen the Apple TV+ series Ted Lasso, then I suggest you run — don’t walk — to a screen and start binging. This charming fish-out-of-water story stars Jason Sudeikis as Ted, a college football coach whose hokey, saccharine brand of Midwestern positivity is transported to England when he is hired to coach the AFC Richmond football (soccer) club. Continue reading → December 2, 2020 The post Crafting Sound Design for Apple TV+’s Ted Lasso appeared fi...

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    • Autodesk Updates 3ds Max to Version 2021.3
      VFX

      Autodesk Updates 3ds Max to Version 2021.3

      December 4, 2020, 1:37 pm
      Autodesk has launched 3ds Max 2021.3, a feature-loaded update developed to improve modeling efficiency and creative output for artist workflows. Tool enhancements include viewport improvements, new remeshing algorithms, enhanced materials and shaders, faster GPU rendering with Arnold 6.1 and upgraded security features. These updates target those working in design visualization and media and entertainment. Continue reading → December 3, 2020 The post Autodesk Updates 3ds Max to Version ...

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    • Behind the Title: Cut+Run Editor Jen Dean
      EDITING

      Behind the Title: Cut+Run Editor Jen Dean

      December 2, 2020, 1:54 pm
      In September, New York-based editor Jen Dean joined Cut+Run, a creative post house representing editors for commercials, music videos, promos and other content. It also offers finishing through its company Jogger. A native Texan, Dean went from studying experimental cinema with Stan Brakhage and Phil Solomon in Boulder to assisting Hank Corwin for many years at Lost Planet. Continue reading → December 1, 2020 The post Behind the Title: Cut+Run Editor Jen Dean appeared first on postPersp...

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    • Harbor Hires Lauren Boyle to Lead Commercial Sound
      SOUND

      Harbor Hires Lauren Boyle to Lead Commercial Sound

      December 1, 2020, 2:00 pm
      Lauren Boyle has joined Harbor’s NYC studio as senior producer, commercial sound post. With over 15 years of experience in the industry, Boyle will be spearheading the operations and sales for Harbor’s expanding commercial sound post division, joining sound mixers Steve Perski, Walter Bianco and Mark Turrigiano. Boyle began her career working sound in promos for network television studios, Continue reading → November 30, 2020 The post Harbor Hires Lauren Boyle to Lead Commerc...

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    • Company 3 Adds Gareth Spensley as Senior Colorist
      COLOR

      Company 3 Adds Gareth Spensley as Senior Colorist

      November 26, 2020, 1:40 pm
      Company 3 in London has hired Gareth Spensley as senior colorist. He joins from Molinare where he worked on episodic television and feature film projects. Spensley has colored many UK episodic dramas, including Doctor Who, The Durrells, Killing Eve and Bodyguard. His feature work includes Florian Zeller’s The Father and Wes Anderson’s eagerly anticipated The French Dispatch. Continue reading → November 25, 2020 The post Company 3 Adds Gareth Spensley as Senior Colorist appeared firs...

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    • Colorist Ricky Gausis Helps Set Look for Showtime
      COLOR

      Colorist Ricky Gausis Helps Set Look for Showtime

      November 25, 2020, 1:28 pm
      MPC colorist Ricky Gausis worked with director Jonathan Krisel (Portlandia, Baskets) and DP Carl Herse (Black Monday, Kroll Show) to set the look on the Showtime comedy Moonbase 8, starring Fred Armisen, Tim Heidecker and John C. Reilly. The new six-part A24 comedy series follows three subpar astronauts living at NASA’s Moon Base Simulator with high hopes of being chosen to travel to the moon. Continue reading → November 24, 2020 The post Colorist Ricky Gausis Helps Set Look for Sho...

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    • Editor Emily  Spiegelman-Noel Join Lvly
      EDITING

      Editor Emily  Spiegelman-Noel Join Lvly

      November 24, 2020, 2:05 pm
      Lvly, a content and creative studio, has added Emily Spiegelman-Noel to its editorial roster. Spiegelman-Noel, who left Modern Post in 2019, had been freelancing prior to this new post. Recent work includes Banana Republic’s return to television advertising after a 15-year absence, with their “Love the Present” Holiday ’20 campaign, as well as Tom Petty’s Leave Virginia Alone music video, Continue reading → November 23, 2020 The post Editor Emily  Spiegelman-Noel Join Lvly ...

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    • Autodesk Testing New Features for Shotgun
      VFX

      Autodesk Testing New Features for Shotgun

      November 19, 2020, 1:42 pm
      Autodesk is working on updates to its Shotgun creative-project management software that are meant to drive creativity and production efficiency. Shotgun will get machine learning-driven generative scheduling that will enable more accurate bidding, scheduling and resource-planning decisions. Open standards-based, story-in-context integrated editorial/VFX workflows will make it so that updated effects shots can be reviewed in the context of a scene’s latest edit. Continue reading → Novemb...

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    • MTI Film Data Center Supports Remote Editing Workf
      EDITING

      MTI Film Data Center Supports Remote Editing Workf

      November 19, 2020, 1:42 pm
      MTI Film has opened a high-speed, high-capacity data center in Hollywood dedicated to supporting television editing teams working remotely. The new site provides editors with dedicated connections to remote workstations and a shared storage environment, allowing them to edit and conduct other routine editorial operations as if they were in the same room. Continue reading → November 18, 2020 The post MTI Film Data Center Supports Remote Editing Workflows appeared first on postPerspective.

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    • M&E Storage Workflows March Toward the Cloud
      EDITING

      M&E Storage Workflows March Toward the Cloud

      November 18, 2020, 1:35 pm
      By Tom Coughlin It’s fair to say that COVID has had a big effect on media and entertainment, which has definitely taken a hit since the shutdown in March. For several months, most feature film and TV series production went on hold, while news and talk shows continued, with many people working from home. Continue reading → November 16, 2020 The post M&E Storage Workflows March Toward the Cloud appeared first on postPerspective.

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