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  • Review: Loupedeck+’s editing console for stills

    Review: Loupedeck+’s editing console for stills

    July 3, 2019, 5:45 am
    By Brady Betzel
    As an online editor I am often tasked with wearing multiple job hats, including VFX artist, compositor, offline editor, audio editor and colorist where I use special color correction panel hardware. I really love photography and cinematography but never was able to use the color correction hardware I’ve been used to in Adobe’s Photoshop or Lightroom so for the most part only did basic photo color correction. Continue reading →
    July 2, 2019
    The post Review: Loupedeck+...

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  • Other Postings By Member

    • Review: FilmConvert Nitrate for film stock emulati
      EDITING

      Review: FilmConvert Nitrate for film stock emulati

      January 23, 2020, 2:12 pm
      By Brady Betzel If you’ve been around any sort of color color grading forums or conferences, you’ve definitely heard some version of — film is so much better than digital. While I don’t completely disagree with the sentiment, let’s be real. We are in a digital age and the efficiency and cost associated with digital recording is, Continue reading → January 22, 2020 The post Review: FilmConvert Nitrate for film stock emulation appeared first on postPerspective.

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    • 67th MPSE Golden Reel Winners
      SOUND

      67th MPSE Golden Reel Winners

      January 22, 2020, 3:38 pm
      The Motion Picture Sound Editors (MPSE)’s Golden Reel Awards were presented at a black-tie ceremony at the Bonaventure Hotel in Los Angeles this past weekend. The Golden Reel Awards recognize outstanding achievement in sound editing were presented in 23 categories including feature films, long-form and short-form television, animation, documentaries, games, special venue and other media. Continue reading → January 21, 2020 The post 67th MPSE Golden Reel Winners appeared first on postPe...

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    • ACE Eddie Awards: Parasite and Jojo Rabbit among w
      EDITING

      ACE Eddie Awards: Parasite and Jojo Rabbit among w

      January 21, 2020, 2:28 pm
      At the 70th Annual ACE Eddie Awards, Parasite (edited by Jinmo Yang) won Best Edited Feature Film (Dramatic) and Jojo Rabbit (edited by Tom Eagles) won for Best Edited Feature Film (Comedy). The ACE Eddies recognized the best editing of 2019 in 11 categories of film, television and documentaries.  Continue reading → January 20, 2020 The post ACE Eddie Awards: Parasite and Jojo Rabbit among winners appeared first on postPerspective.

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    • Picture Shop VFX acquires Denmark’s Ghost VFX
      VFX

      Picture Shop VFX acquires Denmark’s Ghost VFX

      January 17, 2020, 2:13 pm
      Burbank’s Picture Shop VFX has acquired Denmark’s Ghost VFX. This Copenhagen-base studio, founded in 1999, provides high-end visual work for film, television and several streaming platforms. The move helps Picture Shop “increase its services worldwide and broaden its talent and expertise,” according to Picture Shop VFX’s president Tom Kendall. Over the years, Continue reading → January 16, 2020 The post Picture Shop VFX acquires Denmark’s Ghost VFX appeared first on postPers...

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    • The Mill opens boutique studio in Berlin
      VFX

      The Mill opens boutique studio in Berlin

      January 15, 2020, 2:09 pm
      Technicolor’s The Mill has officially launched in Berlin. This new boutique studio is located in the heart of Berlin, situated in the creative hub of Mitte, near many of Germany’s agencies, production companies and brands. The Mill has been working with German clients for years. Recent projects include the Mercedes Bertha Benz spot with director Sebastian Strasser, Continue reading → January 14, 2020 The post The Mill opens boutique studio in Berlin appeared first on postPerspective.

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    • VES Awards: The Lion King and Alita earn five noms
      EDITING

      VES Awards: The Lion King and Alita earn five noms

      January 10, 2020, 2:15 pm
      The Visual Effects Society (VES) has announced its nominees for the 18th Annual VES Awards, which recognize outstanding visual effects artistry and innovation in film, animation, television, commercials and video games and the VFX supervisors, VFX producers and hands-on artists who bring this work to life. Alita: Battle Angel and The Lion King both have five nominations each; Continue reading → January 9, 2020 The post VES Awards: The Lion King and Alita earn five noms each appeared firs...

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    • Maryanne Brandon’s path, and editing Star Wars:
      EDITING

      Maryanne Brandon’s path, and editing Star Wars:

      January 9, 2020, 1:43 pm
      By Amy Leland In the interest of full disclosure, I have been a fan of both the Star Wars world and the work of J.J. Abrams for a very long time. I saw Star Wars: Episode IV – A New Hope  in the theaters with my big brother when I was five years old, Continue reading → January 7, 2020 The post Maryanne Brandon’s path, and editing Star Wars: The Rise of Skywalker appeared first on postPerspective.

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    • Behind the Title: Film Editor Edward Line
      EDITING

      Behind the Title: Film Editor Edward Line

      January 9, 2020, 1:43 pm
      By Randi Altman This British editor got his start at Final Cut in London, honing his craft and developing his voice before joining Cartel in Santa Monica. NAME: Edward Line COMPANY: Cartel CAN YOU DESCRIBE YOUR COMPANY? Continue reading → January 8, 2020 The post Behind the Title: Film Editor Edward Line appeared first on postPerspective.

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    • VFX pipeline trends for 2020
      VFX

      VFX pipeline trends for 2020

      January 3, 2020, 3:36 pm
      By Simon Robinson A new year, more trends — some burgeoning, and others that have been dominating industry discussions for a while. Underpinning each is the common sentiment that 2020 seems especially geared toward streamlining artist workflows, more so than ever before. There’s an increasing push for efficiency; not just through hardware but through better business practices and solutions to throughput problems. Continue reading → January 2, 2020 The post VFX pipeline trends for 2...

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    • ILM’s Pablo Helman on The Irishman‘s visual ef
      VFX

      ILM’s Pablo Helman on The Irishman‘s visual ef

      December 28, 2019, 2:09 pm
      By Karen Moltenbrey When a film stars Robert De Niro, Joe Pesci and Al Pacino, well, expectations are high. These are no ordinary actors, and Martin Scorsese is no ordinary director. These are movie legends. And their latest project, Netflix’s The Irishman, is no ordinary film. It features cutting-edge de-aging technology from visual effects studio Industrial Light & Continue reading → December 27, 2019 The post ILM’s Pablo Helman on The Irishman‘s visual effects appeared first on...

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